Showing posts with label distribution. Show all posts
Showing posts with label distribution. Show all posts

Thursday, May 19, 2011

blip.tv: "We're Building the Next Generation Television Network" - Mike Hudack, CEO, blip.tv


Blip.tv was founded six years ago in May 2005, by a group of five friends who love web series, and has grown to become one of the Internet’s largest independently owned and operated video properties. CEO and founder Mike Hudack says that what they've doing all along is building the next the generation television network. Since it's founding, New York City-based blip.tv has cultivated some the world’s top web series producers, advertisers and video distribution platforms with the mission of making original series both profitable and scalable. This past week, blip.tv relaunched its new blip.tv destination site to better curate and promote the best original web series on the site and make them more discoverable. Additionally, blip.tv announced that it's reached more than three billion views to date, and on pace to reach one billion views per quarter.

I caught up with Hudack at NewTeevee Live 2010, where he discussed the founding of the company, its vision and where he sees it going. Hudack says the world has fundamentally changed since the early days of NBC in the 1940s, which was originally founded to sell TVs, and that we've gone from an economy of scarcity where you can only put out one show at a time, to a world where you can put out any number of shows. He attributes this to the less expensive production costs, which has given rise to a new generation of stars and producers.


"There are more independent show producers today than there have ever been in history," says Hudack, "and that will keep happening, and our job is to make those shows sustainable and profitable over the long term, and scalable – help people go from 10,000 people watching to a 100,000, to a million people, and some people really make money."
Thousands of shows are using the platform and distribute to most of the video Internet, including YouTube, AOL, MSN, iTunes, and to the TV set through partnerships with Roku, Google TV, Boxee, Verizon FiOS, TiVo, Sony TVs and others. Blip.tv works with advertisers to associate brands with the targeted audiences of web series and shares all advertising revenue with producers on a 50/50 basis. Top show producers on blip.tv have made over $500,000 in revenue in 2010, with largest check paid out to a producer at $143,000 in Q3 2010.

Some of Hudack's favorite web shows include, The Philip DeFranco Show, Old Jews Telling Jokes, Big Book of Lies and Status Kill, all of which he says are some of the best examples of what you can with web television today. His advise to anyone interested in producing a web show is to pick something that you are fanatical about, and that the best shows are the ones people make for themselves.
"The other thing that's so important is need to pick white space," suggests Hudack, "so if you make another police procedural drama people are going to say, "oh, I can watch CSI, NCIS, Law & Order", you name it. But if you make a show for an audience that is not being served well by the traditional entertainment system and it's something you're passionate about – you will be successful, I promise. You gotta work hard too."
Just a year ago blip.tv raised $10.1 million in funding and has been growing very quickly building out the platform, adding global sales teams all over the US and in London, and in the last year rapidly transitioning to HTML5. For Hudack, it's been remarkable to watch this industry grow into an industry, because it wasn't here before and he says it's not there yet, but getting there. Right now there are a number of sustainable web shows and more and more people are consuming web shows as their prime time viewing as they shift from television to the web.
"The Internet is a very different place than television," Hudack says, "and we are literally building a television network for the Internet, instead of a television network for television."

About blip.tv
Blip.tv is the place to discover the best in original Web series from both professional and up-and-coming producers. It gives viewers free access to a wide variety of dramas and comedies, series about sports, videogames, food, fashion and more, and makes it easy to find what you want when you want it. The company currently distributes series to iTunes, YouTube, Facebook, Twitter, roku, Verizon FiOS, TiVo, Sony TVs and elsewhere. Blip.tv hosts more than 300 million video views per month and shares all advertising revenue with producers on a 50/50 basis. Please visit http://blip.tv for more information and follow blip.tv (bliptv) on Twitter.

About Mike Hudack
Mike Hudack is a co-founder of blip.tv and serves as the company's president and CEO. He is responsible for blip.tv's overall business strategy, focusing in particular on community relations along with syndication, distribution and advertising partnerships. Prior to blip.tv, Mike worked as a developer and administrator for the National Hockey League, where he managed the team responsible for one of the biggest IT projects in the history of the League — consolidating and re-developing the NHL's internal applications, which serve hundreds of employees using dozens of technologies. Mike also developed the content management system for NHL.com and redesigned the software used to bring scores and statistics from dozens of simultaneous hockey games to fans in real-time.

Mike has spoken at SXSW, Streaming Media West, Beyond Broadcast, the Open Media Developers Summit, TelcoTV and dozens of other conferences and has served as a guest lecturer at NYU and elsewhere as an expert on video, blogging and citizen journalism. He has created and maintained more than a half dozen independent media projects, including warstories:CC, warblogs:CC and the Index of Evil. His independent projects have been covered by the Washington Post, USA Today, the PBS Newshour, NPR and Forbes, among others. Follow Mike Hudack (mhudack) on Twitter

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Tuesday, March 22, 2011

What Counts as a Video View? - Online Video Conversations: David Burch, Tubemogul - Part 2

So, what constitutes a video view? Is it considered a view just when the stream is called up and served to the viewer, even though only a portion of the video is viewed? Does the entire video need to be viewed to be counted? After several years of inconsistencies, the online video industry has not yet adopted a standard definition for a view. So to get some insight on this subject I spoke with David Burch, Director of Marketing at TubeMogul, Inc. According to Burch, while the industry standard is to count a view once someone clicks play and the streams starts, there still is a lot of misconception among media buyers on constitutes a view.



Burch says the technology is definitely there and Tubemogul has been putting out benchmark data on video completion rates for some time. Back in 2008, Tubemogul put together a study on What Counts as a View? which identified the differences in view counting among popular video sites. Most of the sites counted any interaction with the video player (full view, 1/2 view, refresh, embed, embedded autoplay) a view and as the report states, "The implications are relevant for video advertisers, content publishers, and those that might seek to artificially inflate the popularity of a given video."

Jim Louderback
Jim Louberback, CEO of Revision3 Internet Television, has been very outspoken on the need for standardization and has railed against the industry practice of counting an autoplay-start, as a video view and the growing prevalence of "stream fraud". He cited Tubemogul's updated study from September 2010, which reported that the problem of counting views was getting worse and nearly all video sites, except YouTube, counted anything including embedded autoplays as a view. According to YouTube, "A view occurs when a person watches your video. In order to preserve accuracy in view counts, we identify irregular playbacks such as spam and remove these from the view count."

Burch suggested that for publishers and advertisers it becomes a tradeoff. Another Tubemogul research report looked at drop off rates for pre-roll ads, which found that for many viewers, sitting through a pre-roll just isn't worth it. In fact, the overall number of viewers that clicked away from a video during 10-30 second pre-roll ads was close to 16%, and that number varied with top magazines and newspapers, where 24.85% of viewers click away; large broadcasters, only 10.9% of viewers click away during an ad, and video sharing sites saw 38.4% viewers click away and never actually watch the video content they originally came to see.

For advertisers, it becomes a bit of quandary when it comes traditional CPMs (Cost-Per-Impressions). If an "impression" or "view" is logged at the beginning of the pre-roll, for instance, and not after the ad has been viewed in full, then it's quite possible advertisers could end up paying for viewers that never saw their ad. For publishers, they risk losing a quarter of their audience based if they run pre-roll ads.

Burch concluded that:
"There is consensus around the industry about when to count a view, that's just a stream. But I think there's also consensus that that's obviously not enough. The technology is there to track it but benchmarking is just the beginning."

About Tubemogul
TubeMogul is a video advertising and analytics platform that connects advertisers with highly targeted audiences. TubeMogul's advertising solution is powered by the company's unprecedented data platform that tracks billions of video streams every month from the Internet's top publishers. This unique technology enables TubeMogul to help advertisers find consumers who want to watch their videos - and watch them longer. Advertisers and marketers never again have to choose engagement and accountability over reach if they use TubeMogul's video advertising and analytics platform.

Follow: tubemogul (tubemogul) on Twitter

Related posts from this blog:

Sunday, December 12, 2010

Online Video Conversations: David Burch, Tubemogul - Part 1: Why Video? Marketing tips, Online Video Industry Trends

In this latest installment of Online Video Conversations, I caught up with David Burch, Director of Marketing at TubeMogul, Inc., to find out why video is important for all types of businesses – small, medium and large – and how video distribution, analytics and social media marketing helps build brand identity and viewer engagement. He also talks about trends and the current state of the online video industry. Burch is well-known within the industry and is frequently quoted as an expert in online video in leading media outlets like AdAge, NPR's Marketplace and Wired.

Burch leads media relations for the Emeryville, California-based online video ditsribution, analytics and advertising platform. He also is the author of all TubeMogul's data-driven research. Prior to joining TubeMogul, Burch was a Content Manager at Delivery Agent, and worked on digital strategy for many top media companies, including ABC and NBC. He received his BA in Political Economy from the University of California, Berkeley, which is where Tubemogul was born.



To start the conversation, I asked Burch one of those "what is the meaning of life?" questions by asking:
"Why video? What's so compelling about video that companies should get involved with it?"
According to Burch, there are a lot of good reasons, but the number one reason is that video is more engaging than any other media.
"Video is just a really powerful medium to convey branding messages. It's more effective than other formats, like banner ads or different mediums of advertisement. Why video? Why not video?"
Online video audiences continue to grow, with more and more people are watching more video across the board. According to Tubemogul research, people are more likely to click on a link if it's a video and on average audiences clicking on video links from Twitter watch a video 36.91% longer than viewers referred by Facebook and 49.98% longer than viewers referred by Digg. He says people love Tubemogul's feature that sends a Tweet when your video is uploaded.

In addition, Brightcove and Tubemogul's Online Video & Media Industry Quarterly Research Report, found that online video discovery is shifting from search to social media. Twitter and Facebook attract more engaged viewers than other sites and are growing faster than search engines, and while Google search is still king, social media marketing gaining ground fast.

Burch says that even though YouTube is the biggest online video entity – publishers, marketers and businesses of any size can benefit from distributing their videos to more than one site. Tubemogul provides a free video syndication service OneLoad, which is a single point for distributing videos to the top video and social networking sites. Tubemogul also provides InPlay, its free video analytics solution for publishers, online video platforms and video sharing sites. He says that publishers and marketers can learn a lot about their audience and their level of engagement from real-time analytics.

Burch says that if you're not using video, you should get started:
"A lot of small businesses get a lot of SEO benefit from video. Being in more places means – more people are watching. It's not like you're gaming anything, you're just becoming more popular."
In regards to the current state of the online video industry – and comparing the industry growth innings in a baseball game – Burch thinks we're in the forth or fifth inning.
"It's hard to remember, but YouTube's only been around for 5 years, so it is pretty young. I really think with the analytics space, we've got this technology that a lot of people are using – and I think the technology is getting there."
According to Burch the viewing experience is getting better and rebuffer rates (those annoying delays in the video loading) are going down. Fast load times are low rebuffer rates are crucial, as Tubemogul's research found that 81.19% of viewers choose to click away instead of waiting for a video to rebuffer.
"If you're willing to avoid that and want to pay to deliver professional quality video, there are solutions out there to do it. There's this while ecosystem of analytics built in, which is where we step in, advertising solutions which we recently launched, our PlayTime ad platform. It's a very developed ecosystem. HOw television will be viewed on the web and how mobile will fit in to that  – there's a lot of open questions – but I feel that it's evolved quit a bit." 
Stay tuned for Part 2 of my Online Video Conversation with David Burch coming soon.

About Tubemogul
TubeMogul is a video advertising and analytics platform that connects advertisers with highly targeted audiences. TubeMogul's advertising solution is powered by the company's unprecedented data platform that tracks billions of video streams every month from the Internet's top publishers. This unique technology enables TubeMogul to help advertisers find consumers who want to watch their videos - and watch them longer. Advertisers and marketers never again have to choose engagement and accountability over reach if they use TubeMogul's video advertising and analytics platform.

Follow tubemogul (tubemogul) on Twitter

Related posts:

Friday, August 20, 2010

Please Vote for this SXSW 2011 Panelpicker Session - Beyond the Box Office: Distributing Your Film Online

Malaika Mose, of Mose Publishing LLC, is organizing a panel session that is part of the SXSW 20011 PanelPicker program titled, Beyond the Box Office: Distributing your film online, and she's invited me to join her along with a lineup of respected voices in the online video and film community for this session. Please see the description and proposed panelist below and consider voting for his session. SXSW incorporates 30% of community involvement into the final programming decisions for the Interactive, Film, and Music conference activities for SXSWeek 2011, March 11-20, 2010. Voting ends one week today, 11:59 CDT on Friday, August 27, 2010.

Malaika Mose works as a software development manager and social media strategist for a Fortune 100 company. She's a film lover from way back and has dedicated a website, Beyond the Box Office, and is authoring a book to help filmmakers navigate this new world of online video distribution.

She describes the panel session in this way:
"In a time when getting a favorable traditional distribution deal is tough, filmmakers are taking matters into their own hands. In addition to selling their own DVDs they are looking at online distribution as part of their DIY distribution strategy. It's no wonder, with film festivals like this one and Tribeca making films available online at the same time they play the festival and comScore reporting that internet users watched over 30 Billion videos in April 2010. Shouldn't you be considering online film distribution too? In 60 minutes this panel will rundown the options for getting your film online, ways to make it discoverable once it's there, the best windows for online film distribution and mistakes to avoid when embarking on this journey. This panel's expertise includes: filmmaking, distribution deals, online video, TV Everywhere, connected devices, search engine optimization and mobile marketing. They will provide you with the information you need to use the power of the internet to get people watching your film on their mobile devices, iPads, computers and set-top boxes!" 
The panelists Malaika is hoping to snag include:

Ryan Lawler of GigaOmRyan Lawler - he's spent the last 5 years covering business, technology, and telecom-related subjects for a variety of publications based in New York. He’s the newest staff writer for GigaOm and NewTeeVee, but spent the previous two years following online video and digital media trends at Contentinople. Prior to that, Ryan covered telecom infrastructure for Light Reading. 
Miles MakerMiles Maker - A filmmaker and self-described ‘new media maven’, Miles Maker experiments with cutting edge technology to market and distribute his films on a variety of platforms including mobile. He's a producer of marketing and distribution for the film Spare Change and is the host of the talk show Convercinema. He can share his hands-on experience as a filmmaker in this new world of film distribution.  
Orly RavidOrly Ravid – She is the co-executive director of The Film Collaborative, a non-profit, full-service provider dedicated to the distribution of independent film. At TFC, Orly works primarily on distribution, sales/licensing and contract/negotiation services with a focus on new media digital distribution. She also handles theatrical releases. She is diligent in protecting filmmakers' rights and revenues is passionate for art film and socio/political issue-focused documentaries. Orly can talk about online film distribution in the context of a larger distribution strategy for your film. 
Larry KlessLarry Kless (Yours truly) - is a filmmaker and online video guru (or so they say). I blog about online video publishing, streaming media, web television, startups, gadgets, social media, advertising, marketing and videoconferencing. I've moderated panels at events like NewTeeVee Live or StreamingMedia on these topics and can speak to the technical requirements for distributing your film online. I'm also a long-time member of Canyon Cinema, one of the oldest independent and experimental film distributors owned and operated by film artists.

Some of the discussion topics are:

1. Why would anyone want to distribute their film online?
2. When is the best time to make my film available online?
3. What tools are available to help me?
4. How can I make it easy for my film's audience to find it?
5. What does Google TV and YouTube Leanback mean for me as an indie filmmaker?

If you want to hear some straight talk about online video distribution without all the PR spin, then please consider voting for his session.

The SXSW® Music and Media Conference celebrates its 25th Anniversary in 2011, and has become the biggest and most anticipated convergence of original music, independent films, and emerging technologies, and the premier destination for discovery.

Feedback is wanted fir all three SXSW events:
Explore the Proposals for SXSW Interactive »
Explore the Proposals for SXSW Film »
Explore the Proposals for SXSW Music »

Read Malaika Mose's post: All you ever wanted to know about online film distribution at SXSW 2011

Monday, November 23, 2009

Streaming Media West 2009 Red Carpet Interview - Brett Wilson, TubeMogul

In this Streaming Media West 2009 Red Carpet Interview, Jose Castillo of thinkJose.com sits down with Brett Wilson, Co-Founder and CEO of TubeMogul. Brett leads the strategic direction for TubeMogul, a free online video distribution and analytics service that provides a single point for deploying uploads to the top video sharing sites, and powerful analytics on who, what, and how videos are being viewed. TubeMogul's free beta service has been live since November of 2006, and in January 2008, TubeMogul announced the launch of its Premium Products, which include a host of new professional features.


TubeMogul was founded in 2006 by Brett and a handful of online video buffs who met while in graduate school and won the UC Berkeley Business Plan Competition. TubeMogul's objective from the start has been to empower online video producers, advertisers and the online video industry by providing publishing tools and insightful, easy to interpret analytics.

Through its acquisition of Illumenix in October 2008, TubeMogul is also able to offer rich engagement and performance metrics to video sharing sites, content creators and advertisers. Earlier this year, TubeMogul launched TubeMogul 2.0 which offered video publishers for the first time, access to a single, standardized set of rich, census-based analytics measuring far beyond the metric of video “views,” including per-second audience dropoff, what sites and search terms are referring viewers, audience geography and much more.

Brett says TubeMogul has a few competitors on the syndication side that doesn't provide analytics and have a host of competitors on the analytics side but doesn't have the tools to help with campaigns. TubeMogul will soon be offering a feed-based solution that will launch later this year which will offer content owners greater hyper-syndication tools.

Brett was on two panels sessions at both Streaming Media West and the Online Video Platform Summit. The Streaming Media West session, Successful Content Syndication and Aggregation Strategies, was moderated by Jim Louderback, CEO, Revision3. Other panelists included Vanessa Pappas, Director, Audience and Strategic Partnerships, Next New Networks, Tom Gorke, VP, Digital Distribution, MTV Networks, Brandon White, Interactive Manager, FUNimation Entertainment who discussed the new ways content owners and site developers are aggregating content and distributing it on the web. They talked about the shift from super-syndication (shotgun approach to distribution) to hyper-syndication which is more of an audience play reaching out to social sites, blogs and other sites that will give you a niche audience for your content within a specific vertical.

Brett also spoke on the Measuring Success panel session at the Online Video Platform Summit which was moderated by Jan Ozer, Principal, Doceo Publishing and included Mike Newman, CEO, Accordent Technologies, Brian Shin, Founder & CEO, Visible Measures and Ben Weinberger, CEO & Co-Founder, Digitalsmiths.

Look for videos of both of those sessions coming soon as well more Red Carpet interviews on Streaming Media TV.

Tuesday, July 28, 2009

Blip.tv Announces Major Distribution Partnerships with YouTube, Vimeo, Roku and Others; Launches New Show Creator Dashboard

For independent online video creators, the key to a successful business model is content distribution. Today, online media company blip.tv -- who's mission from day one has been to make independent Web shows sustainable -- today announced major distribution capabilities, new partnerships to monetize and track advertising and viewership across its distribution network, along with a completely redesigned show creator dashboard. Blip says their building a next-generation television network in order to accomplish their mission.

The major announcements include:
  • A completely new Show Creator Dashboard (this is being rolled out slowly, starting with about a hundred show creators)
  • An expanded distribution network that now includes YouTube, Vimeo and NBC Local Media in New York.
  • Expanded television distribution via Verizon, Roku, Sony Consumer Electronics and TiVo.
  • New technology partnerships with FreeWheel Media and TubeMogul to drive richer analytics and smooth advertising trafficking across the entire blip.tv network.

According to CEO Mike Hudak, blip launched four years ago with only two web television producers but today blip currently hosts 38,000 shows as part of its online television network. Blip is focused on featuring, promoting and monetizing the best original, serialized shows on the Web and offers free hosting, a variety of video formats and advertising with a 50/50 revenue share. The announcements today solidifies blip as the television network of the future. With YouTube on board content creators will be able to publish directly to YouTube for the first time.
"Before today we used to say that Blip reaches half of the video Internet," said Mike Hudack at the press conference. "Today I'm really happy to announce that we probably reach about 80 percent of the video Internet.
Blip shows reach 22 million viewers and total more than 72 million video views per month. According to Techcrunch, the average CPM that blip gets are between $10 and $20 and the YouTube deal should increase views while "putting downward pressure on CPMs. But if views go up faster than prices go down, Blip will end up better off."















TubeMogul will be powering the analytics in the new dashboard and will give content creators a second-by-second graph that shows drop off rate and rewind. "We're excited that TubeMogul InPlay audience and engagement data will be available to blip.tv show creators within the blip.tv dashboard," said Brett Wilson, TubeMogul CEO. "This is an important step towards bringing objective measurability to the creative process while maintaining the art of Web show creation."

Watch the replay of the press release powered by Livestream below

The blip.tv vision is that content creators should focus all of their efforts on creating great shows, and blip.tv can help with the rest: technology, distribution, marketing and publicity, and monetization. Shows on blip.tv range from scripted sitcoms and dramas to newsmagazines, and top titles include WallStrip, Alive in Baghdad, Epic Fu, Break a Leg, Channel Awesome, Unleashed, and The Show with Ze Frank.

Robert Miller, producer of blip shows Political Lunch and That Sports Show said, "The days before blip were like being flogged in a medieval torture chamber when we treid to distribute. It was very painful."

Web producers Zadi Diaz and Steve Woolfe, creators of the former Next New Networks and Revision 3 web show Epic Fu, relies on the ad sales from blip and YouTube to support their staff of three, says Michael Learmonth and that the show is their sole source of income. "It's tough to make a living off these shows at the moment," said Steve Woolfe. "We've been lucky to be able to hang on."

While online video has a long way to go to be able to bring the kind of revenue that network television brings in Mike Hudak said on the blip.tv blog,
"We’re on our way. We envision a future — a not too distant future — in which the majority of video consumed by Americans is created by talented and hardworking independents. A world in which anyone with a voice and talent can create a self-sustaining masterwork of a show. A world of infinite channels where any show, created by anyone, can be viewed by anyone on any device and any relevant Web site. A world in which individual network executives no longer determine which artists are graced by the good fortune to be put in front of the public."
While blip has not provided a a roadmap regarding revenues and profitability the company says with these new partnerships it will be profitable by the end of the year. Read the full press release.

See the following news sites for in depth coverage:

About blip.tv
Blip.tv is an online media company with over 38,000 original Web shows and 72 million video views a month. Shows on blip.tv range from scripted sitcoms and dramas to news and how-to programs. Blip.tv hosts and syndicates shows to iTunes, YouTube, Vimeo, AOL Video, Verizon FiOS, TiVO, Sony Bravia, The Roku Digital Video Play and Facebook. Blip.tv splits all advertising revenues with show creators 50/50. For more information about blip.tv please visit http://blip.tv/.

Updated: 7/29/09

Wednesday, July 8, 2009

Veeple and TubeMogul Announce Distribution and Syndication Agreement

Iin another strategic partnership Veeple has announced an agreement with TubeMogul that will offer greater distribution and syndication choices for marketers, agencies and social media leaders using Veeple's Interactive Online Video (IOV) platform. The agreement allows Veeple customers the use of TubeMogul’s signature “Load and Track” service which gives users the capability to upload videos once and automatically deploy them with as many of the top video sharing sites as they want, within the users’ specified accounts. TubeMogul, in turn, will recommend Veeple as one of TubeMogul’s three primary online video platform providers. Veeple and TubeMogul expect to deliver the new capabilities by the end of July.

According to Brett Wilson, TubeMogul CEO and co-founder, “Veeple understands the needs of today’s marketer who is responsible for telling a compelling story while building a well-respected brand through the powerful tool of online video. TubeMogul is pleased to enhance Veeple’s service offering through the ability to help increase the distribution of the interactive videos that Veeple’s customers are creating.”



I asked Scott Broomfield, Veeple CEO and co-founder, about how the new partnership evolved and he said that TubeMogul found them first as their customers began to ask them about online video platforms. Veeple also saw the need for wider distribution and syndication is a key element, along with embed, url, RSS, and video SEO. Interactive works if the destination site allows embed, url or metadata tracking. This means for sites like Ning or Wordpress, but not for YouTube or Metacafe. Over time Veeple plans to add an 'onion skin' that will ride along with the InPlay API that will make everything interactive.

Broomfield added that, “Veeple is all about enhancing, engaging and measuring online video campaigns. Our customers expect not only simplicity in our service but also a platform that quickly evolves with their needs. As we evolve the Veeple service we knew that syndication was a top priority for our customers who are increasingly adding online video to their marketing mix.”

To see interactive video in action see Veeple's customer web sites

Follow Veeple and TubeMogul on Twitter
About Veeple
Veeple is the leader in simple, Interactive Online Video (IOV) solutions for marketers looking to deepen customer engagement through online video. With Veeple's cloud-computing solution people have easy access to use interactivity, full content management for multiple clients, branded player video delivery and full clickable analytics. Veeple has the solution for successful online video campaigns. Veeple is a private company headquartered in Palo Alto, California. For additional information go to www.veeple.com/solutions.php

About TubeMogul
TubeMogul is the first online video analytics and distribution company serving publishers
large and small who need independent information about video performance on the Internet and automated upload to the Web's top video sharing sites. TubeMogul's analytic technology aggregates video-viewing data from multiple sources to give publishers improved understanding of when, where and how often videos are watched. TubeMogul offers tracking far beyond the traditional metric of video "views." TubeMogul InPlay, which can be activated within minutes, tracks rich viewership metrics such as audience engagement, attention span and site performance -- all in real-time.

Sunday, June 21, 2009

How to Upload Your Video to Multiple Sharing Sites

Hosting your videos on a free, video sharing website such as YouTube, Blip.tv, Vimeo, Dailymotion or even on a social networking site such as Facebook has many advantages for reach, higher visibility on search engine results (SEO) and of course, the fact that's it's free all the content delivery costs are paid for by the sharing site. This option for video hosting is one of three that Jan Ozer recently wrote about in his indepth article, Choosing an Online Video Platform. He referred to free video sharing sites as UGC sites and pointed out several pros and cons saying, "These UGC sites relieve you of the encoding and player-creation chores and assume the task of hosting and distributing the video for you. You can still embed the video on your own website, but by offering your video on a UGC site, you also expand the number of potential viewers, which can help from a marketing perspective. However, there are some negatives to consider, as well as some benefits..." (more)

For those interested in the "hyper-syndication" model of distributing your video to multiple video sharing sites there are a number of free and premium choices which are covered in two recent articles.

My friends at ReelSEO published this review, Upload Videos To Multiple Video-Sharing Sites - Tools & Software and highlighted the following services with short descriptions and pricing:
If you want to dig deeper you can also check out Best Tools To Upload Your Video To Multiple Video-Sharing Sites - Mini-Guide on MasterNewMedia with mini-reviews and a comparative table of 11 tools to automatically upload your clips to multiple video sharing sites.

Written by Robin Good, the guide used the following criteria to compare the services:

  • Distribution: Video-sharing sites where you can automatically upload your content
  • Analytics: Viewership information gathered from supported video-sharing sites
  • Upload: Publish to video-sharing sites accepting videos bigger than 300MB
  • Premium: Price and extra features of premium accounts for supported video-sharing sites
  • Migration: Export of your content from one video-sharing site to another site without download
Robin included this interactive map with links to all the services in the Mini-Guide. Full descriptions and comparative details on capabilities and cost are here.



The only service I use
to distribute my videos to multiple sharing sites is TubeMogul. You can read more about their new TubeMogul 2.0 capabilities which "democratizes video metrics" here. I haven't tried any of the other services but would be interested to hear from anyone who has.

A few other options that came up in the comments on these two articles worth checking out are:

Related:

Saturday, June 6, 2009

TubeMogul 2.0 Democratizes Online Video Analytics, Sets New Standard for Viewing Metrics

Leading web video distribution and analytics company TubeMogul recently launched TubeMogul 2.0 which "democratizes video metrics" by providing free video tracking capabilities that were once exclusive only to large media companies and advertisers. TubeMogul's powerful InPlay technology, incorporated into their platform from their acquisition of video analytics firm Illumenix, was previously only available to sites hosting their own video, but is now integrated on 15 of the Web's top video sharing sites, including Brightcove, DailyMotion, MetaCafe, blip.tv, Break.com, Howcast, eBaum’s World, Graspr, GrindTV, Sclipo, Webcastr, Viddler, 5min, Streetfire.net and Sevenload -- with more to come soon. TubeMogul says they are in talks with YouTube, who along with Hulu are not among the sites included.

So for the first time ever, video publishers can gain access to a single, standardized set of rich, census-based analytics that can be seen and compared in a single dashboard, aggregating data from the Web's top video sites, unlocking rich, standardized data measuring far beyond the metric of video “views,” including per-second audience dropoff, what sites and search terms are referring viewers, audience geography and much more. TubeMogul hopes that this public, census-based data will democratize viewing behavior online far more than the simple metric of video “views,” which are counted on most sites as soon as a video stream starts.

These metrics will be free to most of its 85,000 users but commercial sites and ad agencies will have to pay. As TubeMogul indicates, "In a world where panel-based data can yield such wildly divergent numbers, it’s important to have an independent, census-based standard, which we hope to become." 

Liz Gaines points out that a lack of standard measurement has led to conflicting reports and in light of the recent controversy surrounding the war of numbers between Nielsen and Hulu and the Nielsen-funded Council for Research Excellence's Video Consumer Mapping Study report this past week which stated that online video usage is "vastly overstated" it's clear that TubeMogul has taken a huge step to lead the effort towards standardization. 

I spoke with Mark Rotblat, VP of Sales and Marketing for TubeMogul back in March and he gave me the scoop on the upcoming release of TubeMogul 2.0. Mark said that TubeMogul 2.0 was always part of their plan and their acquisition on Illumenix helped them acheive their goal of providing a powerful analytics suite for their worldwide customer base. Mark also talked about TubeMogul Marketplace and said that more than anything TubeMogul is a promotion platform.

Tim Street shared his 3 reasons why he hates TubeMogul 2.0 and recorded a video with Brett Wilson, CEO and Co-Founder of TubeMogul who describes the exciting news and what it means for independent producers. "In the industry, this level of data was previously only available to large advertisers and top video destinations, and usually only for their own site," comments Brett. "We now track this type of data globally and are giving it away." 

Michael Greer, VP of Product Development at The Onion, which beta-tested the product says that TubeMogul 2.0, "has allowed us to understand our audience better, as well as to more precisely monitor our business needs."  Additionally, Jim Louderback, CEO of Revision3, who has been a strong advocate for honesty and transparency in online video metrics also beta-tested the product, echoed similar feedback, "Knowing which shows are the most engaging to viewers is helpful in selling advertising and devoting resources."

About TubeMogul 

TubeMogul is the first online video analytics and distribution company serving publishers 
large and small who need independent information about video performance on the Internet and automated upload to the Web's top video sharing sites. TubeMogul's analytic technology aggregates video-viewing data from multiple sources to give publishers improved understanding of when, where and how often videos are watched. TubeMogul offers tracking far beyond the traditional metric of video "views." TubeMogul InPlay, which can be activated within minutes, tracks rich viewership metrics such as audience engagement, attention span and site performance -- all in real-time. 

For more information about TubeMogul, contact: 

David Burch 
david@tubemogul.com 
+1 510 653 0501

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Sunday, May 31, 2009

Streaming Media East: Successful Content Syndication and Aggregation Strategies

This Streaming Media East panel discusses the new ways content owners and site developers are aggregating content and distributing it on the web. See examples of ways to develop niche vertical sites without significantly expanding staffing, and discuss how to reach audiences on social networking sites such as Facebook. Learn about some of the new emerging platforms for niche video distribution and best practices for increasing your chances of making money with your content.


Successful Content Syndication and Aggregation Strategies
Track C (C105)   4:00 PM - 5:00 PM
Moderator:
Fred Davis, Partner, Davis Shapiro Lewit & Hayes, LLP
Panel:
Richard Glosser, Executive Director, Emerging Media, Conde Nast Digital
Will Gonzalez, Senior Product Manager, NYTimes.com
David Goldman, CEO, Comedy Time
Vin Bhat, CEO, Saavn

Sunday, April 5, 2009

TubeMogul Looks to Grow and Standardize its Online Video Analytics with $3 Million in Series A Funding from Trinity Ventures

TubeMogul, online video's most popular distribution and analytics service, announced last week it has received $3 million in Series A funding from Trinity Ventures. "We invested in TubeMogul because we saw the potential of a viable business model, a solid product with a growing customer base at this early phase. However, it is my relationship with the executive team that that reminds me why I love what I do, helping passionate entrepreneurs fundamentally change an industry,” said General Partner from Trinity Ventures Ajay Chopra, who will join TubeMogul’s board. "TubeMogul has the team, vision and product to drive a fundamental change in the way online video is monetized.”

The funding will be used to fast-forward growth of TubeMogul's video distribution platform and accelerate standardization of its online video analytics. With over 75,000 users and hundreds of millions of streams tracked, TubeMogul solidifies its position at the nexus of online video.

Last week at the Future of Television conference Tim Street got an on camera interview with Brett Wilson, TubeMogul CEO and co-founder about the investment and some new features coming down the pike.



"We are thrilled to be partnering with a world-class venture firm like Trinity Ventures whose reputation as a value added partner is well known among entrepreneurs,.” Brett said, "To have Ajay on our board who was also a successful entrepreneur and passionate about winning this is space is invaluable."

With TubeMogul, users upload videos once and TubeMogul deploys them to as many of the top video sharing sites the producer chooses. TubeMogul's integrated analytics then provide a single source of metrics on where, when, and how often the videos are viewed. TubeMogul's free beta service has been live since November of 2006. In January 2008, TubeMogul announced the launch of its Premium Products, which include a host of new professional features.

Through its acquisition of Illumenix in October 2008, TubeMogul is also able to offer rich engagement and performance metrics through InPlay, its Flash-based analytics service. Integrating within minutes with any Flash video player, InPlay tracks audience statistics and user interaction in real time. TubeMogul also offers a marketplace to connect online video producers and advertisers and a promotion service for new viral campaigns, video ads or web series.

TubeMogul is on track to be cash-flow positive by the fourth quarter of 2009. "Since the company’s founding, TubeMogul has hit every single one of its revenue targets, and this one should be no different," said Dave Toth, co-founder of NetRatings and a TubeMogul board member and early investor. Other early investors include Knight's Bridge Capital Partners.

I recently visited the TubeMogul headquarters in Emeryville, California and met with Brett and the TubeMogul team. I had a great conversation with Mark Rotblat, VP of Business Development about online video distribution, analytics, TubeMogul’s InPlay technology and more. Look for that video later in the week.

Congratulations to Brett, John, Mark, David, Eugene and everyone at TubeMogul!

About Trinity Ventures
Founded in 1986, Trinity Ventures, a boutique firm, partners with passionate entrepreneurs to transform revolutionary ideas into reality. With over $1.5 billion under management, Trinity Ventures was founded on the principle of personal engagement and mutual respect with the entrepreneurs we fund. Trinity Ventures focuses on early stage technology ventures with a particular emphasis on digital media, Internet services, mobility, security and software markets.

About TubeMogul
TubeMogul is the first online video analytics and distribution company serving publishers large and small who need independent information about video performance on the Internet and automated upload to the Web's top video sharing sites. TubeMogul's analytic technology aggregates video-viewing data from multiple sources to give publishers improved understanding of when, where and how often videos are watched. TubeMogul offers tracking far beyond the traditional metric of video "views." TubeMogul InPlay, which can be activated within minutes, tracks rich viewership metrics such as audience engagement, attention span and site performance -- all in real-time.

For more information about TubeMogul, contact:
David Burch
david@tubemogul.com
+1 510 653 0501

Related:

Thursday, March 12, 2009

Graspr Unleashes Experiential Knowledge Through Online Video, Extends Brand through Innovation and Syndication on Glam Media Network

In a crowded field of How-to video sites Graspr has been innovating and expanding beyond its reach as a video destination site. In December 2008, Graspr joined the Glam Media network as a video content provider. I had the opportunity to speak with Graspr CEO Teresa Phillips before the new year about the recent Glam Media syndication deal, their innovative gCard™ and how Graspr differentiates itself from other How-to sites as an instructional video network. The Grapsr web site emphasises community sharing and this past week Grapsr integrated Facebook Connect to allow video producers to login using their Facebook accounts, and invite friends to share the wealth of knowledge available on the site.

Launched in September 2007 by Teresa Phillips, a former executive at both Yahoo and Time Warner, Graspr raised $2.5 million in Series A funding from Draper Fisher Jurvetson and angel investors and is a privately-held company based in Mountain View, California. Graspr is the world's leading instructional video network with over 30,000 videos under 17 different categories from producers and experts across major lifestyle markets, Graspr defines itself as the only site where learners, users, and creators of videos can edit, watch, collaborate on, and syndicate to make money from instructional videos.

Previously, in October 2008 Grapsr released an advanced video player widget called the “gCard” that carries the identity of a video creator wherever his or her video gets embedded across the net. The gCard is available for free to every producer who uploads their videos to Graspr or any user who creates a collection of videos on Graspr.

According to Teresa Phillips, "Graspr's gCard" uniquely enables producers of instructional videos to promote themselves within the videos they produce. The gCard is seamlessly embedded within every video a producer publishes, and is available to viewers via an on-screen icon that, when clicked, displays the producer's contact details and specialties, and showcases the producer's entire video gallery. The gCard creates a persistent presence for the producer in that it accompanies all videos at all times, whether a producer or user shares individual videos themselves or the videos are distributed through Graspr's syndication network of several thousand sites. The gCard allows producers to interact with their community at all times, promote their brand and expertise across the Internet and monetize their video content. Click here to see an example.

In my conversation with Teresa Phillips, she spoke at length about her passion in creating new markets and product categories
for experiential knowledge and that Grapr's purpose is to purpose is to help deliver that knowledge to the people who seek it. The following interview took place following their big announcement that Graspr had joined Glam Media network.

Larry Kless: It's real exciting news has it hit the airwaves Graspr Goes Glam, The How-to space for video has gotten really big in the last year.

Teresa Phillips: Yes, really exciting. It's certainly been validated over the last year or so. There are companies with a lot of traction and we're all taking a different approach and I think we're reaching critical mass, especially in terms of producers and people who are creating. If you look at the top uses of online video where people are spending their time on the consumption side, still instructional doesn't make it to the Top 10 but we're moving up in the ranks. If you look in the economy, I read this morning the number of new unemployment applications file last month were the most in 26 years, 2 millions people have lost their jobs this year. So people are looking ways to moonlight, make money from their expertise as well as do things themselves to save money. we've increased our traffic in the last couple of months and I think it's from the economy. It's just a natural direct result.

LK: Congratulations on your partnership with Glam and also with Diet.com. Can you talk about Grapr's syndication model?

TP: Our strategy has always been about syndication. I think it's difficult to build a big destination site and I'm not sure that the future of the Internet. everything is more about componentization, widgetization and so we've always sought to help content creators develop high impact videos and package those videos so that they're more easily discoverable through search engines and distribute them across the tens of thousands of sites who have text only and are looking for video by either lack the content or the technical infrastructure. So from day one we've always been about syndication.

The nice thing about instructional video is that learning pertains to all of what we do in life and it's very relevant to any type of site whether it's a community site in how people come together an learn or a retail site in merchants teaching their customers about products, how to use products, hot to fix products to sell more products, so it's very relevant. We've targeted lists in each content category of 1000s of web sites who have community, who have very targeted audiences where there's a lot of customer participation and interactivity and we approach them to offer them instructional high quality videos.

After I launched the company I spent about six months talking to producers trying to understand what they were doing with their businesses. And out of that work came four unmet needs that I heard. One of them was, "Help me build a brand online." So we have a lot of people who have brick and mortar businesses or side jobs or hobbies of passion but they don't know how to build a brand online. The second one was they said, "Help me stay connected to my audience." Because if they upload their video to YouTube or any other site they completely become disconnected from their content and don't even know who's watching their content and they can't build a relationship with their viewers. The third thing they said was, "Take me into deep rich vertical audiences where people are gathered talking about something I know something about so we can have meaningful rich discussions." And the last one was, "Help me monetize my content." So Grapsr's entire platform which we launched in July 2008 was built to satisfy those four unmet needs.

LK: How did you launch Graspr?

TP: We launched our beta product at Demo Fall 2007 and that's where I said I went out and talked to producers. We kind of stayed quiet and we didn't do a single press release for probably seven or eight months. That's when I spent the time holding bi-weekly and monthly conference calls with all these producers and kind of mini-focus groups to develop our syndication platform and our content creation tools.

We also are a big SEO shop. We've invested a lot in creating meta data within and around the video. That allows us to make our videos more searchable. We add the meta data as scenes so learners or viewers can jump to the part of the video that interests them without having to watch it in a linear way.

So we launched, then went quiet and relaunched our syndication platform and whole package in July 2008.

LK: Graspr uses an algorithm and human search to find videos. Is that how you initially launched and reached out to the producers?

TP: Yes we did, we built what we call a feed manager application that listens for RSS feeds and we also have crawlers that find instructional video and in the beginning we just aggregated and then reached out in parallel and after that fact. Now that we've gotten the word out and are a lot more popular through word of mouth we're only accepting 30-40% of the videos that we get. So all of our producers are actually registered members now before we have seen their videos. That's how we seeded the service with content.

LK: Had you been developing gCard for sometime?

TP: We're actually working on the commerce. I showed the commerce component today in a demo to some people. We filed a patent on it earlier this year. We have been thinking about and working on it. There's a lot of stuff we've already done that's not available yet. As you can see the gCard™ really went to the heard of help me stay connected to my audience where ever my video is embedded across the Internet and let them reach out to me directly as well as let me show what else I've been doing, give me credit for my work. Then finally it's about the viral distribution of it and ultimately commerce.

LK: And it allows for the hyper-syndication especially though Glam Media's network. So in terms of distributing on Glam, will we see the gCard™?

TP: In the beginning you won't see the gCard™ on Glam because it doesn't fit their model but we're in discussions with then about applying the gCard™ on a broader scale beyond Graspr content. In fact we're in discussions with some other video sites that interested in licensing the gCard™ for their own videos that are outside the instructional genre. So I just think it has universal appeal for producers and the hosted providers to help monetize some of the video. While you won't see it today I hope to work the gCard™ into our partnership with Glam.

LK: What differentiates Graspr from the competition? What's your value proposition for the producers, for the distribution networks, advertisers and viewers?

TP: Our direct competitors are the How-to video sites (Howcast, 5min, eHow, WonderHowTo, ExpertVillage, Videojug) and there's a number of different dimensions that we differentiate Graspr. One of them is how we source content. Whether you produce content in house or source it through your users. Videojug, Howcast and Expert Village to a large degree produce their content in house. You're familiar with that model, while you have high quality content and you can templatize there's still the vertical increase in acquisition costs when you're talking about production fees. They have two challenges that we don't have. One of them is operational costs in terms of production costs and scalability and the second one is, what I call perspective or context. So because they content production costs they can't have 25 videos on how to write a resume but I can. They check a box and move on. The nice thing about learning is that we learn from other people and we learn from people we whom we can relate to. Whether it's socially or demographically, or something we have in common, or the teaching style. What we find is that learners appreciate that we have a broad mix of teachers and experts and they can always find someone they can relate to and better learn from. So that's how we differentiate ourselves from the competition.

5min also sources content from its users but the big differentiators there is that we filter our content. Like I said, we accept 30-40% of content and it's appropriate for all audiences of all ages. Regarding SEO and SEM, if you look at some of the analytic sites and look at the top key words that are driving traffic to some of those sites, you won't find those keywords on Grapsr.

That's from a content perspective, but even further we are different from our syndication strategy and our commerce model and really our relationship with these experts. So none of these sites have real people behind them, these are just content repositories and they different strategies in terms of distribution. I love markets where there's competition because it validates the space and we've got a lot of great competitors who are doing great things and we're all trying to help make this market bigger. We believe that the end game is about helping monetize knowledge-based services.

So for me, this isn't just about how-to content which is most of our competitors have only How-to content. If you look at the big vision of Graspr and take a step back and look at what's going on in the world in that 79% of the U.S. GDP is fueled by services and 62% worldwide and half of all workers are "Knowledge workers", meaning people get hired for what they know as opposed of their ability to perform manual labor and we all know these guys. Whether they are our teacher, our kids piano instructor, golf instructor, veterinarian, we all know them. Now imagine if these knowledge workers everywhere could extend their services beyond their local neighborhoods to the world and with Graspr they can do that.

The other piece is that it's about the products backing up the services. My first goal is to unleash experiential knowledge and we chose video as the medium for its high impact value. The impact of the medium is amazing in terms of motion, emotion and connectedness and learning. And so the first goal is to give people the tools and education to help them tell their story, to help unleash this experiential know-how and help them package it in a form that can be easily consumed.

The second thing really is to build a product business around it because these experts have developed affinity toward branded products. So if you listen to our videos we did this random sample and about 60% or so of our videos the producers were recommending products and brands within the video. For example, one of our producers Mark Donovan says, "When you're doing drywall use Sherman Williams paint. It goes on easy, it doesn't fade, etc..." So when the learner is learning how to hang drywall they don't hear just how to do it they also hear, "Go buy Sherman Williams paint."

LK: So the product placement is baked right into the video.

TP: Totally, it's part of the message. It's the whole nirvana of broadcast video which is product placement. Tie those brands as close as you can to the plot of the story and products are at he heart and soul of learning and doing. So what we're doing in terms of algorithm from a product perspective is we're deciphering and we're going to be mapping these products to what these producers are recommending within their videos and creating a commerce model around it.

LK: How do you see this new syndication through Glam? How did it start, where do you see it going and how will it benefit your producers and the Grapsr community?

TP: Glam has a TV section, video section and they primarily source professional content. They don't accept UGC, they like branded content. And what they liked about Grapsr is that it really enables them to obtain what I call "indie artists" so it's high quality content from people who are trying to create a business and care about the quality of their video and message, without having to accept user generated content. So with our kind of producers it was just a nice fit. It was something that Glam did not have. They did not access to these real people. Because if you think about it their publisher network is mostly long tail content, small mom and pop businesses, and so they don't want content that's overcooked or with mass appeal and they having the content from real people. So that's what we bring to the table; real people, real stories without the compromise in quality.

LK: It seems like a good fit in that helps them extend their existing brands into the video space.

TP: Absolutely, and it's content that they can still think about advertising against. There are different types of syndication and distribution deals and levels. Sometimes you do deals for brand awareness and reach other times you do deals for longer term strategic relationships or even for monetization. This for us is about reach and brand. Glam is redistributing our videos and our producers have the opportunity to get in front of their extended global network in these communities that have really targeted audiences where there's a lot of conversation and discussion going on which his exactly what are producers are trying to do.

Graspr/Glam Press Release:

GRASPR GOES GLAM
Instructional Video Leader Joins as Content Provider For Glam TV , Will Provide 700+ Sites in the Glam Media Publisher Network

MOUNTAIN VIEW, CA December 11, 2008 – Today, Graspr (www.graspr.com), the world’s leading instructional video site, announced that it has been selected as a video provider for Glam Media’s GlamTV/BrashTV platform. The GlamTV/BrashTV platform is an innovative video application that allows for the distribution of premium content across Glam Media’s network of 700+ sites with a reach of over 98 million uniques globally.

Graspr videos will now be available to publishers in the Glam Media Publisher Network, pairing high-quality video content for visitors with relevant monetization opportunities for advertisers. Graspr’s content is complementary to that of the Glam Media Publisher Network, with its channels including style, living, family, health and wellness. Graspr’s video content about consumer electronics, sports and recreation, cars, computers and Internet will be featured on BrashTV, part of Glam Media’s newly launched Brash.com, a vertical content network targeting men.

This partnership allows Glam Media publishers access to an increased quantity of quality video content across its network and provides new compelling content opportunities for brand advertisers. For Graspr, the partnership is further proof of its syndication model which provides video creators and producers with additional opportunities to increase the distribution of their content and to monetize it.

“Glam Media publishers are focused on providing the highest-quality content relevant to their readers’ interests and passions,” said Christina Cece, Senior Product Manager for GlamTV “Graspr gives our publishers access to videos that will further engage their audience on an instructional level.”

“This partnership with Glam Media opens the door to exciting new distribution opportunities for our producers who can take advantage of the additional reach. At the same time they can attract premium advertisers for their high-quality video content,” said Teresa Phillips, founder and CEO of Graspr.

About Graspr
With over 25,000 high-quality videos from producers and experts across major lifestyle markets, Graspr is the world’s leading instructional video network. Graspr is the only site where learners, users, and creators of videos can edit, watch, collaborate on, and syndicate to make money from instructional videos.

Graspr is a privately-held company based in Mountain View, California and can be found at: www.graspr.com. Graspr was launched in September 2007 by Teresa Phillips, a former executive at both Yahoo and Time Warner. Teresa founded Graspr to enable people to discover the answers they seek from either experts or from those who have shared a similar experience. Through the broad reach of the Internet, and more specifically the power of video, people all over the world are able to share their wealth of knowledge more freely through Graspr.

Media Inquiries
Dominic Johnson, Consort Partners
dominic@consortpartners.com

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