Showing posts with label Content distribution. Show all posts
Showing posts with label Content distribution. Show all posts

Wednesday, July 6, 2011

BitTorrent at 10, Seeding Its Future in P2P Live Streaming - Bram Cohen, Inventor of BitTorrent


It's been 10 years since Bram Cohen, Chief Scientist and Co-founder of BitTorrent, Inc. first invented the revolutionary peer-to-peer (P2P) file-sharing protocol for transferring large files over the Internet. Now on its 10 year anniversary, BitTorrent's disruptive technology has an installed base of over 160 million clients worldwide, and has grown to become a viable distribution platform for content producers around the world. The company, which first incorporated in 2004 has shifted its focus back to its roots in content delivery, and looks to seeding its future in live streaming.

While the P2P file-sharing protocol has long been associated with digital piracy, BitTorrent has worked with a variety of filmmakers, musicians and authors over the past year, to help distribute films using the company’s P2P technology.

I caught up with Cohen at last year's NewTeeVee Live where he discussed BiTorrent's future in P2P live streaming. In an interview with TorrentFreak, Cohen said that solving a challenging technical problem while creating value was his motivation to get started on a P2P live streaming solution.



“I am fundamentally a technologist, and am simply not interested in working on something which doesn’t solve the fundamental problem it’s supposed to tackle, especially in a market where there have already been so many bad technologies which failed to succeed based on sales and marketing,” he said. (Source: Bram Cohen To Deliver BitTorrent Live Streaming | TorrentFreak)
Source:  BitTorrent.org » For Users
The BitTorrent protocol works differently than the client-server model by breaking files up into small pieces, rather than downloading a file from a single source, like how http and ftp work. The file is downloaded piece by piece from one or many different sources, known as a "swarm" of hosts. Since the file is broken up into smaller pieces, it requires less bandwidth since more parts are available from multiple sources. Once the file is finished downloading, the BitTorrent client software continues to share the completed file (or "seed") with others looking for it.


Cohen has been working on his P2P live streaming protocol over the past few years and admits it's been challenging. Low latency is the biggest issue, as he points out that data is being handed across several peers along the way.
"BitTorrent is peer-to-peer file distribution. Live streaming is a very difficult and challenging and rewarding problem, because there are a few things you have to get it work all at once." he said. " You have to get offloads to as close as 100% as possible. They should be at least 99% if you've got a million people watching something. You want get it very robust, so it doesn't fail horribly; and, you want to get the latency between when the video is taken to when it is displayed on everyone's machines as low as possible and I'm shooting for around 5 seconds."
Cohen says he has some very unorthodox techniques he's come up with to deal with these issues and plans to roll it out anyway now.  (Ed. note: I spoke with in November 2010 and he estimated the roll out within eight months timeframe.)

BitTorrent's two main software products, the Mainline client and flagship uTorrent, have amassed a huge user base and the company has been shifting it's resources to developing clients to reach that audience. Cohen says right now the company is working on their engagement with our existing user base and trying to get others to reach them. They are also working with device manufacturers to make software run on their devices to help with file distribution.

About BitTorrent
BitTorrent creates advanced, innovative technologies to efficiently move large files across the Internet. The company's two main products today include the original BitTorrent software and the tiny-but-mighty µTorrent, which combined boast over 100+ million users. BitTorrent is based in San Francisco, Calif. For more information, visit www.bittorrent.com, and follow on Twitter, or Facebook.

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Friday, August 20, 2010

Please Vote for this SXSW 2011 Panelpicker Session - Beyond the Box Office: Distributing Your Film Online

Malaika Mose, of Mose Publishing LLC, is organizing a panel session that is part of the SXSW 20011 PanelPicker program titled, Beyond the Box Office: Distributing your film online, and she's invited me to join her along with a lineup of respected voices in the online video and film community for this session. Please see the description and proposed panelist below and consider voting for his session. SXSW incorporates 30% of community involvement into the final programming decisions for the Interactive, Film, and Music conference activities for SXSWeek 2011, March 11-20, 2010. Voting ends one week today, 11:59 CDT on Friday, August 27, 2010.

Malaika Mose works as a software development manager and social media strategist for a Fortune 100 company. She's a film lover from way back and has dedicated a website, Beyond the Box Office, and is authoring a book to help filmmakers navigate this new world of online video distribution.

She describes the panel session in this way:
"In a time when getting a favorable traditional distribution deal is tough, filmmakers are taking matters into their own hands. In addition to selling their own DVDs they are looking at online distribution as part of their DIY distribution strategy. It's no wonder, with film festivals like this one and Tribeca making films available online at the same time they play the festival and comScore reporting that internet users watched over 30 Billion videos in April 2010. Shouldn't you be considering online film distribution too? In 60 minutes this panel will rundown the options for getting your film online, ways to make it discoverable once it's there, the best windows for online film distribution and mistakes to avoid when embarking on this journey. This panel's expertise includes: filmmaking, distribution deals, online video, TV Everywhere, connected devices, search engine optimization and mobile marketing. They will provide you with the information you need to use the power of the internet to get people watching your film on their mobile devices, iPads, computers and set-top boxes!" 
The panelists Malaika is hoping to snag include:

Ryan Lawler of GigaOmRyan Lawler - he's spent the last 5 years covering business, technology, and telecom-related subjects for a variety of publications based in New York. He’s the newest staff writer for GigaOm and NewTeeVee, but spent the previous two years following online video and digital media trends at Contentinople. Prior to that, Ryan covered telecom infrastructure for Light Reading. 
Miles MakerMiles Maker - A filmmaker and self-described ‘new media maven’, Miles Maker experiments with cutting edge technology to market and distribute his films on a variety of platforms including mobile. He's a producer of marketing and distribution for the film Spare Change and is the host of the talk show Convercinema. He can share his hands-on experience as a filmmaker in this new world of film distribution.  
Orly RavidOrly Ravid – She is the co-executive director of The Film Collaborative, a non-profit, full-service provider dedicated to the distribution of independent film. At TFC, Orly works primarily on distribution, sales/licensing and contract/negotiation services with a focus on new media digital distribution. She also handles theatrical releases. She is diligent in protecting filmmakers' rights and revenues is passionate for art film and socio/political issue-focused documentaries. Orly can talk about online film distribution in the context of a larger distribution strategy for your film. 
Larry KlessLarry Kless (Yours truly) - is a filmmaker and online video guru (or so they say). I blog about online video publishing, streaming media, web television, startups, gadgets, social media, advertising, marketing and videoconferencing. I've moderated panels at events like NewTeeVee Live or StreamingMedia on these topics and can speak to the technical requirements for distributing your film online. I'm also a long-time member of Canyon Cinema, one of the oldest independent and experimental film distributors owned and operated by film artists.

Some of the discussion topics are:

1. Why would anyone want to distribute their film online?
2. When is the best time to make my film available online?
3. What tools are available to help me?
4. How can I make it easy for my film's audience to find it?
5. What does Google TV and YouTube Leanback mean for me as an indie filmmaker?

If you want to hear some straight talk about online video distribution without all the PR spin, then please consider voting for his session.

The SXSW® Music and Media Conference celebrates its 25th Anniversary in 2011, and has become the biggest and most anticipated convergence of original music, independent films, and emerging technologies, and the premier destination for discovery.

Feedback is wanted fir all three SXSW events:
Explore the Proposals for SXSW Interactive »
Explore the Proposals for SXSW Film »
Explore the Proposals for SXSW Music »

Read Malaika Mose's post: All you ever wanted to know about online film distribution at SXSW 2011

Saturday, June 6, 2009

TubeMogul 2.0 Democratizes Online Video Analytics, Sets New Standard for Viewing Metrics

Leading web video distribution and analytics company TubeMogul recently launched TubeMogul 2.0 which "democratizes video metrics" by providing free video tracking capabilities that were once exclusive only to large media companies and advertisers. TubeMogul's powerful InPlay technology, incorporated into their platform from their acquisition of video analytics firm Illumenix, was previously only available to sites hosting their own video, but is now integrated on 15 of the Web's top video sharing sites, including Brightcove, DailyMotion, MetaCafe, blip.tv, Break.com, Howcast, eBaum’s World, Graspr, GrindTV, Sclipo, Webcastr, Viddler, 5min, Streetfire.net and Sevenload -- with more to come soon. TubeMogul says they are in talks with YouTube, who along with Hulu are not among the sites included.

So for the first time ever, video publishers can gain access to a single, standardized set of rich, census-based analytics that can be seen and compared in a single dashboard, aggregating data from the Web's top video sites, unlocking rich, standardized data measuring far beyond the metric of video “views,” including per-second audience dropoff, what sites and search terms are referring viewers, audience geography and much more. TubeMogul hopes that this public, census-based data will democratize viewing behavior online far more than the simple metric of video “views,” which are counted on most sites as soon as a video stream starts.

These metrics will be free to most of its 85,000 users but commercial sites and ad agencies will have to pay. As TubeMogul indicates, "In a world where panel-based data can yield such wildly divergent numbers, it’s important to have an independent, census-based standard, which we hope to become." 

Liz Gaines points out that a lack of standard measurement has led to conflicting reports and in light of the recent controversy surrounding the war of numbers between Nielsen and Hulu and the Nielsen-funded Council for Research Excellence's Video Consumer Mapping Study report this past week which stated that online video usage is "vastly overstated" it's clear that TubeMogul has taken a huge step to lead the effort towards standardization. 

I spoke with Mark Rotblat, VP of Sales and Marketing for TubeMogul back in March and he gave me the scoop on the upcoming release of TubeMogul 2.0. Mark said that TubeMogul 2.0 was always part of their plan and their acquisition on Illumenix helped them acheive their goal of providing a powerful analytics suite for their worldwide customer base. Mark also talked about TubeMogul Marketplace and said that more than anything TubeMogul is a promotion platform.

Tim Street shared his 3 reasons why he hates TubeMogul 2.0 and recorded a video with Brett Wilson, CEO and Co-Founder of TubeMogul who describes the exciting news and what it means for independent producers. "In the industry, this level of data was previously only available to large advertisers and top video destinations, and usually only for their own site," comments Brett. "We now track this type of data globally and are giving it away." 

Michael Greer, VP of Product Development at The Onion, which beta-tested the product says that TubeMogul 2.0, "has allowed us to understand our audience better, as well as to more precisely monitor our business needs."  Additionally, Jim Louderback, CEO of Revision3, who has been a strong advocate for honesty and transparency in online video metrics also beta-tested the product, echoed similar feedback, "Knowing which shows are the most engaging to viewers is helpful in selling advertising and devoting resources."

About TubeMogul 

TubeMogul is the first online video analytics and distribution company serving publishers 
large and small who need independent information about video performance on the Internet and automated upload to the Web's top video sharing sites. TubeMogul's analytic technology aggregates video-viewing data from multiple sources to give publishers improved understanding of when, where and how often videos are watched. TubeMogul offers tracking far beyond the traditional metric of video "views." TubeMogul InPlay, which can be activated within minutes, tracks rich viewership metrics such as audience engagement, attention span and site performance -- all in real-time. 

For more information about TubeMogul, contact: 

David Burch 
david@tubemogul.com 
+1 510 653 0501

Related:

Sunday, May 31, 2009

Streaming Media East: Successful Content Syndication and Aggregation Strategies

This Streaming Media East panel discusses the new ways content owners and site developers are aggregating content and distributing it on the web. See examples of ways to develop niche vertical sites without significantly expanding staffing, and discuss how to reach audiences on social networking sites such as Facebook. Learn about some of the new emerging platforms for niche video distribution and best practices for increasing your chances of making money with your content.


Successful Content Syndication and Aggregation Strategies
Track C (C105)   4:00 PM - 5:00 PM
Moderator:
Fred Davis, Partner, Davis Shapiro Lewit & Hayes, LLP
Panel:
Richard Glosser, Executive Director, Emerging Media, Conde Nast Digital
Will Gonzalez, Senior Product Manager, NYTimes.com
David Goldman, CEO, Comedy Time
Vin Bhat, CEO, Saavn

Sunday, April 5, 2009

TubeMogul Looks to Grow and Standardize its Online Video Analytics with $3 Million in Series A Funding from Trinity Ventures

TubeMogul, online video's most popular distribution and analytics service, announced last week it has received $3 million in Series A funding from Trinity Ventures. "We invested in TubeMogul because we saw the potential of a viable business model, a solid product with a growing customer base at this early phase. However, it is my relationship with the executive team that that reminds me why I love what I do, helping passionate entrepreneurs fundamentally change an industry,” said General Partner from Trinity Ventures Ajay Chopra, who will join TubeMogul’s board. "TubeMogul has the team, vision and product to drive a fundamental change in the way online video is monetized.”

The funding will be used to fast-forward growth of TubeMogul's video distribution platform and accelerate standardization of its online video analytics. With over 75,000 users and hundreds of millions of streams tracked, TubeMogul solidifies its position at the nexus of online video.

Last week at the Future of Television conference Tim Street got an on camera interview with Brett Wilson, TubeMogul CEO and co-founder about the investment and some new features coming down the pike.



"We are thrilled to be partnering with a world-class venture firm like Trinity Ventures whose reputation as a value added partner is well known among entrepreneurs,.” Brett said, "To have Ajay on our board who was also a successful entrepreneur and passionate about winning this is space is invaluable."

With TubeMogul, users upload videos once and TubeMogul deploys them to as many of the top video sharing sites the producer chooses. TubeMogul's integrated analytics then provide a single source of metrics on where, when, and how often the videos are viewed. TubeMogul's free beta service has been live since November of 2006. In January 2008, TubeMogul announced the launch of its Premium Products, which include a host of new professional features.

Through its acquisition of Illumenix in October 2008, TubeMogul is also able to offer rich engagement and performance metrics through InPlay, its Flash-based analytics service. Integrating within minutes with any Flash video player, InPlay tracks audience statistics and user interaction in real time. TubeMogul also offers a marketplace to connect online video producers and advertisers and a promotion service for new viral campaigns, video ads or web series.

TubeMogul is on track to be cash-flow positive by the fourth quarter of 2009. "Since the company’s founding, TubeMogul has hit every single one of its revenue targets, and this one should be no different," said Dave Toth, co-founder of NetRatings and a TubeMogul board member and early investor. Other early investors include Knight's Bridge Capital Partners.

I recently visited the TubeMogul headquarters in Emeryville, California and met with Brett and the TubeMogul team. I had a great conversation with Mark Rotblat, VP of Business Development about online video distribution, analytics, TubeMogul’s InPlay technology and more. Look for that video later in the week.

Congratulations to Brett, John, Mark, David, Eugene and everyone at TubeMogul!

About Trinity Ventures
Founded in 1986, Trinity Ventures, a boutique firm, partners with passionate entrepreneurs to transform revolutionary ideas into reality. With over $1.5 billion under management, Trinity Ventures was founded on the principle of personal engagement and mutual respect with the entrepreneurs we fund. Trinity Ventures focuses on early stage technology ventures with a particular emphasis on digital media, Internet services, mobility, security and software markets.

About TubeMogul
TubeMogul is the first online video analytics and distribution company serving publishers large and small who need independent information about video performance on the Internet and automated upload to the Web's top video sharing sites. TubeMogul's analytic technology aggregates video-viewing data from multiple sources to give publishers improved understanding of when, where and how often videos are watched. TubeMogul offers tracking far beyond the traditional metric of video "views." TubeMogul InPlay, which can be activated within minutes, tracks rich viewership metrics such as audience engagement, attention span and site performance -- all in real-time.

For more information about TubeMogul, contact:
David Burch
david@tubemogul.com
+1 510 653 0501

Related:

Monday, March 23, 2009

Weekly Review: South by Southwest 2009

Due to time constraints I skipped the weekly review last week but this weeks installment highlights some of the big news from SXSW related to online video, streaming and distribution. South by Southwest (SXSW, Inc.) is a private company based in Austin, Texas, dedicated to building and delivering conference and festival events for entertainment and related media industry professionals. Since 1987, SXSW has produced the internationally recognized Music and Media Conference & Festival.

In 1994 as the entertainment business adjusted to issues of future growth and development, SXSW added conferences and festivals for the film industry (SXSW Film) as well as for the blossoming interactive media (SXSW Interactive Festival). Now three industry events converge in Austin during a Texas-sized week, mirroring the ever increasing convergence of entertainment/media outlets.

The SXSW Interactive Sessions ran from March 13-17 and consisted of panels, keynotes, core conversations and new product announcements. View the full schedule here.

SXSW: Web Video Isn’t Killing TV - Digits - WSJ

While the popularity of online video skyrockets, a panel of comedians and technology executives cautioned that the content is still a long way from destroying traditional TV. That’s not to say that Web video isn’t changing the way TV actors and writers think about their jobs, they noted in a panel at the South by Southwest Interactive Conference in Austin, Texas, this weekend. The panel — which highlighted the role comedy plays in driving Web hits — quickly expanded to assess the success and influence of online-only content in general.

Web Comedy Vs. TV Comedy: The SXSW Showdown! « NewTeeVee
To launch his SXSW panel, “Comedy on Television and the Web,” moderator Ricky Van Veen of CollegeHumor.com opened with a provocative but arguable point: Unlike previous technologies, humor and not porn is driving the adoption of online video. What followed was a smart and (yes) funny conversation between leaders in web-based comedy and a couple luminaries in televised humor pondering how large web comedy can become compared with TV, and how the two mediums will influence each other. From the online world were panelists Van Veen, Keith Richman of Break Media, and Avner Ronen of Boxee; Meredith Scardino, staff writer for The Colbert Report, and B.J. Novak, a star and writer for the U.S. version of The Office represented for old teevee. Here are some of my other favorite highlights, arranged as a series of questions (sometimes posed by the audience or panel, and sometimes by me)

DVDs Still Crushing Digital Distribution (AAPL, NFLX)

Filmmaker Spurlock: Digital distribution revenues are 'pathetic' | Webware - CNET
AUSTIN, Texas--The Internet and the rise of online video have meant a plethora of new options for independent filmmakers. But, as has been well-publicized, the money just isn't there yet. A panel at the South by Southwest Interactive Festival on Monday highlighted that this is an extremely contentious issue.

"Digital distribution is not some magic bullet," said panelist Gary Hustwit on the success of his documentary "Helvetica," in front of a packed room of audience members that came from both SXSWi and its sister festival, SXSW Film. "It's not that because the film is available digitally it does well. It's because you do the work...because of that exposure, it did well."

In spite of widespread blog speculation that DVDs are dying and that digital downloads and streams will replace the physical medium in due time, filmmakers say that from the creative side, relying on these outlets--iTunes, Amazon, Hulu, Joost, and SnagFilms, represented on the panel by CEO Rick Allen--simply is not profitable yet. In fact, in many cases, sales and revenue numbers are kept on the down-low. Morgan Spurlock, the documentarian behind "Super Size Me" and "Where In The World Is Osama bin Laden?," put it bluntly. "The reason numbers aren't released (for digital distribution revenues) is because the numbers are pathetic," he said. "The numbers are sadly low in comparison to what we expect from film and television."

"If you're looking to pay your rent, not so much, if you're looking to pay your phone bill, you have a great chance," Spurlock continued. "It's getting to a point where it's down the road from being profitable, but we're just not at that point yet."

Hulu Reveals Marketing Plans at SXSW - TVWeek - News By Daisy Whitney

Building on its Super Bowl advertising momentum, online video destination Hulu plans to launch another network prime-time ad for its site later this week on NBC and Fox.


At the South by Southwest festival in Austin, Eric Feng, senior VP and chief technical officer at Hulu, said the spot will premiere Thursday night. He’ll preview the spot at his speech at the festival tomorrow, Mr. Feng told TelevisionWeek.

The new ad is part of a broader marketing campaign for Hulu that began at the Super Bowl when the site ran its first national prime-time ad, which featured Alec Baldwin of NBC’s “30 Rock.” Then in late February, Hulu ran a second prime-time spot on NBC and Fox starring “Dollhouse” star Eliza Dushku. The goal is to broaden the reach of the site and to build awareness of Hulu as a site to watch TV shows and films online, he said.

Mr. Feng also said Hulu will be experimenting with additional interactive advertising formats later this year. “It’s all about efficiency and effectiveness and we want to be an engaging place for advertisers and users,” he said.


TubeMogul Blog » TubeMogul Wins SXSW BizSpark Accelerator Contest

SXSW event gives startups a place to pitch
Microsoft BizSpark Accelerator testing ground for 20 young companies

AMERICAN-STATESMAN STAFF
Tuesday, March 17, 2009

Brandon Wiley had only two minutes on Monday to explain what his startup company Ringlight does, how it is supposed to make money, and how it's different from competitors. And it was all in front of a Web-savvy audience of South By Southwest Interactive Conference and Festival attendees and a panel of three critical judges. After telling the judges that Ringlight allows people to access files on their desktop remotely with no limits on file size, Wiley was given some no-nonsense advice."There's a lot of big players out there solving this problem in very sophisticated ways," said Don Dodge, who works for Microsoft Corp. and is a veteran of five startups including Napster. "I hope you focus on something that is unique and a market that cares about it that won't go to the big players."

Wiley was part of a new daylong event at South By Southwest Interactive called the Microsoft BizSpark Accelerator. The Accelerator allows startups to showcase their products and services in front of a live audience and panel of judges made up mostly of seasoned entrepreneurs, venture capitalists and even well-known tech blogger Robert Scoble, who recently left his job working for Fast Company Magazine to work at San Antonio-based Rackspace Hosting Inc., a Web-hosting company.

Brett Wilson, co-founder and CEO of TubeMogul, won in the online video-related technologies division at the Microsoft BizSpark Accelerator on Monday during South by Southwest Interactive.

Online video-related technologies: Emeryville, Calif.-based TubeMogul is an online video analytics and distribution company that provides independent information about video performance on the Internet.

Video: SXSW Takes a Serious Turn - TVWeek - News
Daisy Whitney's New Media Minute
Even the notorious fun-loving conference South by Southwest couldn’t escape the specter of the economy. Rather than sleep late and skip panels in favor of parties, South by Southwest Interactive attendees hit the show floor in search of advertising partners, distribution deals and new sources of revenue. Daisy Whitney’s New Media Minute report from Austin features interviews with Web stars Zadi Diaz and Alex Albrecht as well as executives at Hulu and Digitas.

Mogulus Blog » Blog Archive » Steve Garfield Talks About Mogulus on PBS

Thursday, March 12, 2009

Graspr Unleashes Experiential Knowledge Through Online Video, Extends Brand through Innovation and Syndication on Glam Media Network

In a crowded field of How-to video sites Graspr has been innovating and expanding beyond its reach as a video destination site. In December 2008, Graspr joined the Glam Media network as a video content provider. I had the opportunity to speak with Graspr CEO Teresa Phillips before the new year about the recent Glam Media syndication deal, their innovative gCard™ and how Graspr differentiates itself from other How-to sites as an instructional video network. The Grapsr web site emphasises community sharing and this past week Grapsr integrated Facebook Connect to allow video producers to login using their Facebook accounts, and invite friends to share the wealth of knowledge available on the site.

Launched in September 2007 by Teresa Phillips, a former executive at both Yahoo and Time Warner, Graspr raised $2.5 million in Series A funding from Draper Fisher Jurvetson and angel investors and is a privately-held company based in Mountain View, California. Graspr is the world's leading instructional video network with over 30,000 videos under 17 different categories from producers and experts across major lifestyle markets, Graspr defines itself as the only site where learners, users, and creators of videos can edit, watch, collaborate on, and syndicate to make money from instructional videos.

Previously, in October 2008 Grapsr released an advanced video player widget called the “gCard” that carries the identity of a video creator wherever his or her video gets embedded across the net. The gCard is available for free to every producer who uploads their videos to Graspr or any user who creates a collection of videos on Graspr.

According to Teresa Phillips, "Graspr's gCard" uniquely enables producers of instructional videos to promote themselves within the videos they produce. The gCard is seamlessly embedded within every video a producer publishes, and is available to viewers via an on-screen icon that, when clicked, displays the producer's contact details and specialties, and showcases the producer's entire video gallery. The gCard creates a persistent presence for the producer in that it accompanies all videos at all times, whether a producer or user shares individual videos themselves or the videos are distributed through Graspr's syndication network of several thousand sites. The gCard allows producers to interact with their community at all times, promote their brand and expertise across the Internet and monetize their video content. Click here to see an example.

In my conversation with Teresa Phillips, she spoke at length about her passion in creating new markets and product categories
for experiential knowledge and that Grapr's purpose is to purpose is to help deliver that knowledge to the people who seek it. The following interview took place following their big announcement that Graspr had joined Glam Media network.

Larry Kless: It's real exciting news has it hit the airwaves Graspr Goes Glam, The How-to space for video has gotten really big in the last year.

Teresa Phillips: Yes, really exciting. It's certainly been validated over the last year or so. There are companies with a lot of traction and we're all taking a different approach and I think we're reaching critical mass, especially in terms of producers and people who are creating. If you look at the top uses of online video where people are spending their time on the consumption side, still instructional doesn't make it to the Top 10 but we're moving up in the ranks. If you look in the economy, I read this morning the number of new unemployment applications file last month were the most in 26 years, 2 millions people have lost their jobs this year. So people are looking ways to moonlight, make money from their expertise as well as do things themselves to save money. we've increased our traffic in the last couple of months and I think it's from the economy. It's just a natural direct result.

LK: Congratulations on your partnership with Glam and also with Diet.com. Can you talk about Grapr's syndication model?

TP: Our strategy has always been about syndication. I think it's difficult to build a big destination site and I'm not sure that the future of the Internet. everything is more about componentization, widgetization and so we've always sought to help content creators develop high impact videos and package those videos so that they're more easily discoverable through search engines and distribute them across the tens of thousands of sites who have text only and are looking for video by either lack the content or the technical infrastructure. So from day one we've always been about syndication.

The nice thing about instructional video is that learning pertains to all of what we do in life and it's very relevant to any type of site whether it's a community site in how people come together an learn or a retail site in merchants teaching their customers about products, how to use products, hot to fix products to sell more products, so it's very relevant. We've targeted lists in each content category of 1000s of web sites who have community, who have very targeted audiences where there's a lot of customer participation and interactivity and we approach them to offer them instructional high quality videos.

After I launched the company I spent about six months talking to producers trying to understand what they were doing with their businesses. And out of that work came four unmet needs that I heard. One of them was, "Help me build a brand online." So we have a lot of people who have brick and mortar businesses or side jobs or hobbies of passion but they don't know how to build a brand online. The second one was they said, "Help me stay connected to my audience." Because if they upload their video to YouTube or any other site they completely become disconnected from their content and don't even know who's watching their content and they can't build a relationship with their viewers. The third thing they said was, "Take me into deep rich vertical audiences where people are gathered talking about something I know something about so we can have meaningful rich discussions." And the last one was, "Help me monetize my content." So Grapsr's entire platform which we launched in July 2008 was built to satisfy those four unmet needs.

LK: How did you launch Graspr?

TP: We launched our beta product at Demo Fall 2007 and that's where I said I went out and talked to producers. We kind of stayed quiet and we didn't do a single press release for probably seven or eight months. That's when I spent the time holding bi-weekly and monthly conference calls with all these producers and kind of mini-focus groups to develop our syndication platform and our content creation tools.

We also are a big SEO shop. We've invested a lot in creating meta data within and around the video. That allows us to make our videos more searchable. We add the meta data as scenes so learners or viewers can jump to the part of the video that interests them without having to watch it in a linear way.

So we launched, then went quiet and relaunched our syndication platform and whole package in July 2008.

LK: Graspr uses an algorithm and human search to find videos. Is that how you initially launched and reached out to the producers?

TP: Yes we did, we built what we call a feed manager application that listens for RSS feeds and we also have crawlers that find instructional video and in the beginning we just aggregated and then reached out in parallel and after that fact. Now that we've gotten the word out and are a lot more popular through word of mouth we're only accepting 30-40% of the videos that we get. So all of our producers are actually registered members now before we have seen their videos. That's how we seeded the service with content.

LK: Had you been developing gCard for sometime?

TP: We're actually working on the commerce. I showed the commerce component today in a demo to some people. We filed a patent on it earlier this year. We have been thinking about and working on it. There's a lot of stuff we've already done that's not available yet. As you can see the gCard™ really went to the heard of help me stay connected to my audience where ever my video is embedded across the Internet and let them reach out to me directly as well as let me show what else I've been doing, give me credit for my work. Then finally it's about the viral distribution of it and ultimately commerce.

LK: And it allows for the hyper-syndication especially though Glam Media's network. So in terms of distributing on Glam, will we see the gCard™?

TP: In the beginning you won't see the gCard™ on Glam because it doesn't fit their model but we're in discussions with then about applying the gCard™ on a broader scale beyond Graspr content. In fact we're in discussions with some other video sites that interested in licensing the gCard™ for their own videos that are outside the instructional genre. So I just think it has universal appeal for producers and the hosted providers to help monetize some of the video. While you won't see it today I hope to work the gCard™ into our partnership with Glam.

LK: What differentiates Graspr from the competition? What's your value proposition for the producers, for the distribution networks, advertisers and viewers?

TP: Our direct competitors are the How-to video sites (Howcast, 5min, eHow, WonderHowTo, ExpertVillage, Videojug) and there's a number of different dimensions that we differentiate Graspr. One of them is how we source content. Whether you produce content in house or source it through your users. Videojug, Howcast and Expert Village to a large degree produce their content in house. You're familiar with that model, while you have high quality content and you can templatize there's still the vertical increase in acquisition costs when you're talking about production fees. They have two challenges that we don't have. One of them is operational costs in terms of production costs and scalability and the second one is, what I call perspective or context. So because they content production costs they can't have 25 videos on how to write a resume but I can. They check a box and move on. The nice thing about learning is that we learn from other people and we learn from people we whom we can relate to. Whether it's socially or demographically, or something we have in common, or the teaching style. What we find is that learners appreciate that we have a broad mix of teachers and experts and they can always find someone they can relate to and better learn from. So that's how we differentiate ourselves from the competition.

5min also sources content from its users but the big differentiators there is that we filter our content. Like I said, we accept 30-40% of content and it's appropriate for all audiences of all ages. Regarding SEO and SEM, if you look at some of the analytic sites and look at the top key words that are driving traffic to some of those sites, you won't find those keywords on Grapsr.

That's from a content perspective, but even further we are different from our syndication strategy and our commerce model and really our relationship with these experts. So none of these sites have real people behind them, these are just content repositories and they different strategies in terms of distribution. I love markets where there's competition because it validates the space and we've got a lot of great competitors who are doing great things and we're all trying to help make this market bigger. We believe that the end game is about helping monetize knowledge-based services.

So for me, this isn't just about how-to content which is most of our competitors have only How-to content. If you look at the big vision of Graspr and take a step back and look at what's going on in the world in that 79% of the U.S. GDP is fueled by services and 62% worldwide and half of all workers are "Knowledge workers", meaning people get hired for what they know as opposed of their ability to perform manual labor and we all know these guys. Whether they are our teacher, our kids piano instructor, golf instructor, veterinarian, we all know them. Now imagine if these knowledge workers everywhere could extend their services beyond their local neighborhoods to the world and with Graspr they can do that.

The other piece is that it's about the products backing up the services. My first goal is to unleash experiential knowledge and we chose video as the medium for its high impact value. The impact of the medium is amazing in terms of motion, emotion and connectedness and learning. And so the first goal is to give people the tools and education to help them tell their story, to help unleash this experiential know-how and help them package it in a form that can be easily consumed.

The second thing really is to build a product business around it because these experts have developed affinity toward branded products. So if you listen to our videos we did this random sample and about 60% or so of our videos the producers were recommending products and brands within the video. For example, one of our producers Mark Donovan says, "When you're doing drywall use Sherman Williams paint. It goes on easy, it doesn't fade, etc..." So when the learner is learning how to hang drywall they don't hear just how to do it they also hear, "Go buy Sherman Williams paint."

LK: So the product placement is baked right into the video.

TP: Totally, it's part of the message. It's the whole nirvana of broadcast video which is product placement. Tie those brands as close as you can to the plot of the story and products are at he heart and soul of learning and doing. So what we're doing in terms of algorithm from a product perspective is we're deciphering and we're going to be mapping these products to what these producers are recommending within their videos and creating a commerce model around it.

LK: How do you see this new syndication through Glam? How did it start, where do you see it going and how will it benefit your producers and the Grapsr community?

TP: Glam has a TV section, video section and they primarily source professional content. They don't accept UGC, they like branded content. And what they liked about Grapsr is that it really enables them to obtain what I call "indie artists" so it's high quality content from people who are trying to create a business and care about the quality of their video and message, without having to accept user generated content. So with our kind of producers it was just a nice fit. It was something that Glam did not have. They did not access to these real people. Because if you think about it their publisher network is mostly long tail content, small mom and pop businesses, and so they don't want content that's overcooked or with mass appeal and they having the content from real people. So that's what we bring to the table; real people, real stories without the compromise in quality.

LK: It seems like a good fit in that helps them extend their existing brands into the video space.

TP: Absolutely, and it's content that they can still think about advertising against. There are different types of syndication and distribution deals and levels. Sometimes you do deals for brand awareness and reach other times you do deals for longer term strategic relationships or even for monetization. This for us is about reach and brand. Glam is redistributing our videos and our producers have the opportunity to get in front of their extended global network in these communities that have really targeted audiences where there's a lot of conversation and discussion going on which his exactly what are producers are trying to do.

Graspr/Glam Press Release:

GRASPR GOES GLAM
Instructional Video Leader Joins as Content Provider For Glam TV , Will Provide 700+ Sites in the Glam Media Publisher Network

MOUNTAIN VIEW, CA December 11, 2008 – Today, Graspr (www.graspr.com), the world’s leading instructional video site, announced that it has been selected as a video provider for Glam Media’s GlamTV/BrashTV platform. The GlamTV/BrashTV platform is an innovative video application that allows for the distribution of premium content across Glam Media’s network of 700+ sites with a reach of over 98 million uniques globally.

Graspr videos will now be available to publishers in the Glam Media Publisher Network, pairing high-quality video content for visitors with relevant monetization opportunities for advertisers. Graspr’s content is complementary to that of the Glam Media Publisher Network, with its channels including style, living, family, health and wellness. Graspr’s video content about consumer electronics, sports and recreation, cars, computers and Internet will be featured on BrashTV, part of Glam Media’s newly launched Brash.com, a vertical content network targeting men.

This partnership allows Glam Media publishers access to an increased quantity of quality video content across its network and provides new compelling content opportunities for brand advertisers. For Graspr, the partnership is further proof of its syndication model which provides video creators and producers with additional opportunities to increase the distribution of their content and to monetize it.

“Glam Media publishers are focused on providing the highest-quality content relevant to their readers’ interests and passions,” said Christina Cece, Senior Product Manager for GlamTV “Graspr gives our publishers access to videos that will further engage their audience on an instructional level.”

“This partnership with Glam Media opens the door to exciting new distribution opportunities for our producers who can take advantage of the additional reach. At the same time they can attract premium advertisers for their high-quality video content,” said Teresa Phillips, founder and CEO of Graspr.

About Graspr
With over 25,000 high-quality videos from producers and experts across major lifestyle markets, Graspr is the world’s leading instructional video network. Graspr is the only site where learners, users, and creators of videos can edit, watch, collaborate on, and syndicate to make money from instructional videos.

Graspr is a privately-held company based in Mountain View, California and can be found at: www.graspr.com. Graspr was launched in September 2007 by Teresa Phillips, a former executive at both Yahoo and Time Warner. Teresa founded Graspr to enable people to discover the answers they seek from either experts or from those who have shared a similar experience. Through the broad reach of the Internet, and more specifically the power of video, people all over the world are able to share their wealth of knowledge more freely through Graspr.

Media Inquiries
Dominic Johnson, Consort Partners
dominic@consortpartners.com

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Thursday, February 19, 2009

Joost Taps Ooyala, Big Name Advisors Join Ooyala's Board of Advisors

Online video provider, Ooyala, confirmed it is providing video technology services for Joost. The Mountain View, CA based company deferred further details to an official announcement, scheduled for later this month. NewTeeVee's Liz Gaines, first reported the Joost-Ooyala relationship, after Ooyala issued a press release announcing the addition of two industry heavyweights Steven Abraham, Global Leader for IBM's Global Business Services in Media & Entertainment, and Mike Volpi, CEO of Joost to Ooyala's Board of Advisors. Ooyala says the Joost partnership and the advisory board additions reflect the expansion of its customer base from small & medium content producers to large media entities. The nearly 2 year-old company already services social networking giant, Bebo, TvGuide, Electronic Arts, and IMG.

Abraham, a media and entertainment executive, and Volpi, a respected technologist bring Ooyala's Board of Advisors to a total of 6. They will provide direction and expertise for the company as it works to gain a foothold in the competitive online video platform industry. Ooyala said it has a working relationship with one of IBM's partner programs, but offered no other details.

Steven Abraham is IBM's global leader of media and entertainment industry and IBM's Global Business Services. He has worldwide responsibility for the group's global sales, revenue and profit. He was a key member of a group that collaborated with Xerox’s famed Palo Alto Research Center to pioneer products and services that helped form the foundation for today’s digital consumer services. About his new role on the advisory board Abraham says, "It is exciting to join a talented group of engineers and business managers who are passionate, committed, and focused on innovating and differentiating themselves as we embark on the next generation of online video. I look forward to being an integral part of Ooyala's success."


Mike Volpi joined Joost, the global web video service in 2007, as Chief Executive Officer. He's responsible for corporate strategy as well as for all business operations. Prior to Joost, Mike was a 13-year Cisco veteran and star player and was at one time considered to be the heir apparent to Cisco's current CEO, John Chambers. Most recently, he was Senior Vice President & General Manager for the Routing and Service Provider Technology Group, leading Cisco's overall strategy for the Service Provider market. He also served as Chief Strategy Officer, where he was responsible for Cisco's corporate strategy as well as business development, strategic alliances, advanced Internet projects, legal services, and government affairs. He had close ties with Joost's founders, Janus Friis and Niklas Zennstrom. Friis and Zennstrom also founded Skype, where Volpi has served on the board of directors.
“Although it is growing, online video is still a nascent industry which will rely on innovation, cooperation and collaboration in order to achieve its promise,” stated Mike Volpi. “I look forward to playing an instrumental role in Ooyala’s growth and development in this emerging market.”

In her news article, Gaines wrote, "The tie-up with Ooyala is a good move for Joost, whose technology has had hiccups throughout its many generations and revamps, from P2P app to plug-in to Flash video site. Joost content providers include Warner Bros. and investors CBS and Viacom and it also has extensive music video and anime collections... One advantage over competitors such as Hulu is that quite a bit of Joost’s content is available outside of the United States."

This is not only a good move for Joost, but a significant development for Ooyala. The company says the majority if its new customers are adopting its Video as a Service model (VaaS). According to Ooyala, such partnerships will help drive its business to profitability later this year.
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About Ooyala

Ooyala is a video technology company that provides an integrated platform enabling the delivery, management, and monetization of high quality video content. Committed to providing the most accessible and comprehensive video solutions to companies worldwide, Ooyala's solution is easy to use, quick to deploy, and customizable. Its modular and distributed framework allows Ooyala to integrate seamlessly with legacy systems and scale to millions of concurrent users. Ooyala's partner portfolio includes 1000s of media companies including Bebo, TV Guide, Glam, and Electronic Arts. Free trial Backlot accounts can be created by clicking here: http://www.ooyala.com/products/install. For more information please visit www.ooyala.com. Ooyala is headquartered in Mountain View, California, with sales offices in New York and London.

Sunday, February 15, 2009

Blip.tv Online Video Distribution Model Featured on USA Today

Blip.tv was the subject of a major news story this past week in a feature article, Blip.tv gives videomakers a chance to be a star, by Jefferson Graham in USATODAY.com. The article focused on Blip's successful business model for online video distribution. Graham has covered Blip in the past and last July he wrote an article, Why Blip is better than YouTube, which compared the two video sharing sites.

Blip.tv is the online video distribution platform for new "up-and-coming" independent shows where you can watch videos in higher quality and resolution. Like YouTube, producers can create a channel, post videos and syndicate content all for free. It's not the anything goes viral video site like YouTube but a more focused approach.

In a blog post reporting on the story, Blip.tv Demonstrates its Value, Jamison Tilsner of Tilzy.tv wrote,"In a feature article in USA Today, Blip.tv’s function in the ecosystem of video content (on and off the computer screen) is set straight. The company that, in early 2005, set out to build an organization that would exploit economies of scale to market, monetize and serve videos, giving creators the freedom to focus on their crafts, has become the standard-bearer of the new medium. Perhaps most importantly, the article shows that Blip.tv’s business model seems to have proven itself."

This video was featured in the story:



In the article Graham writes, "It's actually a video-distribution service. People upload their video shows to Blip, which syndicates them to video sites such as AOL, Yahoo, MSN and elsewhere on the Web. About 1 million "episodes" have been uploaded to Blip."

"We target anyone who wants to make quality content and doesn't want to pitch the show to a network TV exec," says Kaplan, Blip's chief operating officer. "There's a lot of great content a network exec might say no to that could be an excellent and profitable Web show."

For many online video publishers Blip is the main vehicle for content delivery and all the CDN costs are borned by Blip and not individual producers or web studios. The recognizable Blip player is seen on Beet.TV, web shows by For Your Imagination and "some 38,000 homegrown shows across the Web, which Blip splits ad revenue 50/50 with the producers."


Mike Hudak, Blip's CEO says on the Blip.tv blog that it's not that easy to make five figures on Blip and that it takes a lot work to get there,

"There are two quick notes I wanted to make about the USA Today piece. First, the story somewhat understates our traffic because it relies on the third-party measurement service Quantcast. Quantcast reports that we reach 13.2 million viewers and do about 32 million video views, but it only counts about half of our traffic so far (this is due to a number of factors, including the difficulty in tracking iTunes downloads). The actual numbers are roughly double that. We are working with audience measurement companies like Quantcast and ComScore to properly recognize that traffic.

Second, I think it’s easy to read the article and think that making money with blip is easy. It’s not. We’re very proud that DavidJr has pulled in almost $40,000 from us and that we sent a roughly $26,000 check to the folks at Nostalgia Critic. We’ve sent a lot of money to a lot of other people, too. All of it earned from advertisers in exchange for hard work, dedication and a little bit of luck."


Andy Plesser also published this story Beet.TV: Blip.tv Pays Emerging Video Producers Well in to Five Figures, USA Today. He says, "Here at Beet.TV, we use Blip.tv as our primary video publishing platform and as our non-exclusive advertising representative. Blip landed marquis sponsors for us including Adobe, Holiday Inn Express and Akamai. The Akamai program went live today. Through Blip's efforts, and keeping our costs low, Beet.TV is breaking even. Yeah!"

He also I've republished an interview with co-founder/COO Dina Kaplan from late last year.

In October 2008, Blip.tv secured its second institutional round of capital, led by Bain Capital Ventures. From the press release, "Blip.tv joins other exciting companies in Bain's venture portfolio, including LinkedIn, Thumbplay, The Find, Tokbox and LaLa Media. Blip.tv closed its first round of institutional funding in June 2007 with Ambient Sound Investments, the venture capital vehicle of the four founding engineers of Skype."

"In conjunction with this funding round, blip.tv announced that it served more than 51 million video views in September 2008, a more than 250% increase over September 2007. Blip.tv measures video views by counting only one view per IP address per video per session. 'Blip.tv is the leading distributor of niche video programming on the Web, and we're proud to add them to our portfolio,' said Jeffrey Glass, a partner at Bain Capital Ventures. 'Blip leads its industry in the number and quality of content creators, in video views and in monetization. We're thrilled to be joining the blip.tv team and we're looking forward to exciting growth and innovation in the future.'"

Congratulations to everyone at Blip for proving their business model and being a leader in the online video community.

About Blip
We've got a great service for great shows.
A new class of entertainment is emerging that is being made by the people without the support of billion-dollar multinationals. Our mission is to support these people by taking care of all the problems a budding videoblogger, podcaster or Internet TV producer tends to run into. We'll take care of the servers, the software, the workflow, the advertising and the distribution. We leave you free to focus on creativity.

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