Showing posts with label live streaming. Show all posts
Showing posts with label live streaming. Show all posts

Saturday, April 18, 2020

Original Video Bloggers Reunion, 4/18/2020

The coronavirus global pandemic of 2020 has had a worldwide affect on video communications and entertainment that harkens back to the early days of video blogging. Newsrooms, TV talk shows and other entertainment outlets have stayed on the air through makeshift DIY production sets outside their regular broadcast television studios using laptops with webcams, mobile devices and videoconferencing applications like Zoom , WebEx, Skype and other platforms that have powered business communications for years. The production quality mirrors the early days of video blogging with low-cost production tools and genuine and honest delivery on camera. Viewers have excepted lower quality audio visual standards for the immediacy and need for normalcy during these challenging times with millions ordered to stay at home to help reduce the spread of COVID-19.

Pioneer video blogger Steve Garfield organized an original video bloggers reunion on Zoom today to catch up with other "OG" video bloggers who helped shape the online video industry, including Dina KaplanEnric TellerDrew OlanoffNiko RantalaChuck Olsen, Bill Streeter, Josh Wolf, Rupert Howe, just to name a few.

Watch the conversation here:



Starting in 2004, Garfield was one of the first video bloggers. He helped spark a revolution of user-generated content (UGC) on the Internet which still influences television today. Reflecting back on that time, he says that 2020 is the Year of Live Videoblogging,
"16 years ago I was one of the first video bloggers. I figured out how to combine the ease of use of blogging with the power of video, to help people easily share stories. Now, when many people are self-quarantined at home, to help flatten the spread of COVID-19, they are looking towards video to feel connected. It makes sense. Video has the power to help people connect through storytelling. A lot has changed since 2005, when I made my first videoblog post. Five years later, I wrote the book on videoblogging for Wiley, Get Seen. Now, a good portion of that book is history. It's a history book. ;-) Containing many cameras, video making tools, and software that aren't around any more." 

Tuesday, December 31, 2013

Klessblog's Top 10 of 2013 (Part I)

So, another year goes by in the blink of an eye and as we head into the new year, it's always time for reflection. I've seen many tech bloggers list the same top stories of 2013, with the general consensus that it wasn't a real big year of innovation and disruption as it's been in previous years. But obvious trends like adoption of mobile computing continued to rise, along with software subscription models, social media apps like Instagram and Vine, which sucked my data plan. Social media darling Twitter proved that its IPO was much more successful than Facebook. Online video viewing turned into binge watching, thanks to Netflix releasing full seasons all at once. Actor Kevin Spacey, star of the popular Netflix original series House of Cards, even went on record to urge studios to studios to revamp their distribution models. Video standards moved further to HEVC as the broadcast industry began rolling out 4K video solutions. There were plenty of MA's in the industry and leadership changes within many companies. Read up on all the news in any of the feeds I have on the side bar of this blog, including ReelSEO, Beet.TV, Fierce Online Video, Lost Remote, NewTeeVeeOnlineVideo.net, Dan Rayburn's The Business Of Online Video, StreamingMedia.com, VideoNuze, Web TV Wire, Tubefilter News, Nalt's Will Video for Food blog, MediaPost Video Insider, Vidcompare and the variety of Scoop.it feeds.

With all the movement in the online video and the technology space, many things changed but some remained constant. I actually lost track of things in a few months back due to my busy schedule and my blog entries dwindled to only a handful this year. But I have been busy and I thought I'd use this end-of-the-year post as a retrospective of Klessblog's Top 10 of 2013.

10. OTTCON March 19-20, 2013 - for the third year in a row I had the opportunity to attend and interview industry leaders at this annual Over-the-Top TV conference where top decision-makers and executives from the PayTV, Content Production, Distributions and Consumer Electronics and Technology ecosystems gather annually.
Special thanks to conference organizer and chairman Greg Fawson, President and Principal Analyst of X Media Research, Inc., for his support and collaboration over the last few years in working with me on recording the interviews. Look for those videos to be published on this blog soon.

Hear what are the innovators and industry leaders saying out the industry?  View interviews from OTTCON and get insights not found in the sessions or keynotes. (Here) OTTCONversations is produced by Larry Kless, President and Founder of Online Video Publishing [dot] com.


9. SnappyTV - Share clips from Kless Blog Live Interviews

I had the opportunity to learn about how cool SnappyTV is from my interview earlier this year with Mike Folgner, CEO of SnappyTV. SnappyTV offers a cloud-based suite of tools to create and share instant video highlights with friends and followers on Facebook and Twitter. Folgner created this animated GIF from the interview with the SnappyTV tools and commented that, "I said a lot of words, this is what I felt like in the interview."


8. Leveraging Women's Business Capabilities in Challenging Business Times - May 2, 2013
It's not often in my day job that I get the opportunity to work with an Academy Award®-winning actor, but this year I added Geena Davis to my list of clients. This event was sponsored by Kaiser Permanente in association with Deloitte and the Geena Davis Institute on Gender in Media and discussed how girls and women are reflected in media and the challenges facing women in the workplace. It was inspiring to meet Geena Davis and hear her speak at this event and she complimented that our sound was the best she had at any of her events. My thanks to my client and friend Jeanne Hughes for her partnership along with Elizabeth Sullivan in Event Marketing.


  Watch the video here: http://goo.gl/WXn0m
  Listen to the audio podcast here: http://goo.gl/d8auV


7. The Mass of Ordination and Installation of Most Reverend Michael C. Barber, SJ as Fifth Bishop of Oakland - May 25, 2013
In the same week I worked with Geena Davis, I was honored to be in the service of God, to produce several live webcasts for the Diocese of Oakland for the Episcopal Ordination and installation of the Most Reverend Michael Barber, SJ as the 5th Bishop of Oakland at the Cathedral of Christ the Light. This marked my biggest production for my side business, Online Video Publishing [dot] com, and I thank my clients Mike Brown and Jan Potts, my creative partners Pete Brown of PBA Media, Steve Dung of Visions Plus and Harvey Woo of Professional Sound Productions and my project manager Rachel Vaughn and all our crew who worked long hours to make the event an incredible success.


  Watch the Ustream webcast here: Part 1, Episcopal Ordination Mass
  Watch the indexed  video version here: Ordination and Installation, Bishop Barber — Oakland Diocese
_________________________________________________________________________

The countdown continues tomorrow with Part II of Klessblog's Top 10 of 2013 on this blog.

Until then, Happy New Years!!

Thursday, August 29, 2013

Read Part Two of my Streamingmedia.com article, "No Second Chances, Part 2: Best Practices for Live Events"

Part two of my Streaming Media article, No Second Chances, Part 2: Best Practices for Live Events - Streaming Media Magazine, is now in print and online. The second installment looks at different ways to make the overall webcast experience engaging for your online audience using a variety of different video production techniques interactive tools. Live events have changed dramatically over the last few years with the evolution of enterprise video platforms and the rise of virtual events and live webcasting. Today, companies are now incorporating new and innovative ways to engage their growing online audiences.

Webcasting tools have become easier to use, and, with the development of interactive and social media tools, they’ve evolved from one-way broadcasts into two-way conversations. But just because you have myriad bells and whistles at your disposal doesn’t mean you have to use every one for every event. As I said in Part 1 of my article, “the key is to use the right technology to make it easy to reach the live audience and virtual attendees and provide them a quality and worthwhile experience.”

Here's a brief excerpt from part two:


THE MEDIUM IS THE MESSAGE

We’ve already established that you need the right team with the right tools and the right capabilities at your live event venue. But what are the secret tricks to creating an engaging experience for your audience with streaming video, audio, graphics, and real-time interaction to move them from passive viewers to active participants?

If you only take away only one thing from this article, remember this tip: Don’t let your online audience be an afterthought. You need to cater to their needs by making their experience as engaging as the live audience’s, but in a different way.


Waiting for the big event to begin, in person and online (Photo credit: Harvey Woo)

Look no further than popular culture to see what "American Idol" has done to capture its live audience. The producers were deliberate with their intent, because they knew that the real show was on the screens of millions of TV viewers; it was not for the hundreds of people in the live audience. They didn’t skimp on production value, and, from the start, they introduced an audience response text-to-vote system that gave the audience the power to influence the outcome of the show.

Just think: What if you put that capability into the hands of your online audience? We’d be able to vote off every boring presenter known to mankind!

Corporate communications departments are seeing the shift as well. Donn Kanagaki, senior manager of IT communications at Kaiser Permanente, oversees the employee outreach events for the CIO and senior IT leadership, which incorporate a combination of a live event, webcast, WebEx, and telephone bridge in order to reach more than 6,000 employees across five time zones. About one-third of the IT employees are able to attend the event live via webcast, but the online numbers are growing. Kanagaki says, “We have to recognize that the majority of our employees that participate are watching online, so we need to look at ways to better engage them.”

While Kaiser Permanente CIO Phil Fasano addresses an in-person audience of several hundred, the live webcast reaches thousands of employees who can watch the event online and submit questions directly to the CIO and senior leaders. 

In the words of Marshall McLuhan, “The medium is the message,” and the message can be delivered more effectively using the latest interactive technologies. You may have to use a hybrid approach with a combination of tools based on the capabilities of your webcast or webconferencing platform. Beyond content design, it really does come down to pushing the limits of any platform and streaming technology to achieve the best two-way experience for your attendees and yourself.

TELL A STORY

The plain and simple fact is that no technology, however great it is, can make a boring presenter better. You have to design your presentation to the right audience using the best set of tools and production value to carry your message. But beyond any technology, presenters need to connect with their audience.

All the great presenters, from Steve Jobs to Gary Vaynerchuk to Isabel Allende, use storytelling to convey their messages. People respond to personal stories because they convey emotion and a universal message.

According to Tim Schmoyer, producer of The Reel Web for Reelseo.com and one of the most diversely skilled and knowledgeable people in the online video space, storytelling is important and the best way to get your message across. “Stories are something that everyone enjoys and appreciates, and there’s an emotional connection to stories,” says Schmoyer. “What we really believe in is that stories are much more compelling, especially if you can tell a story that answers the ‘why?’ question.”


Continue reading the full article at: No Second Chances, Part 2: Best Practices for Live Events - Streaming Media Magazine


My thanks again, to the many people who I have worked with over the years to help me learn what works best for live events, and what doesn't work so well. Also, my thanks to the many clients I have worked with who have trusted me to produce their live events. I also want to thank the following people for contributing to this article, including: Nick Balletta, CEO of TalkPoint, Donn Kanagaki, senior manager of IT communications at Kaiser Permanente, Tim Schmoyer, producer of the Reel Web for ReelSEO.com, Casey Wilms, product manager at Zencoder, Mike Folgner, CEO and co-founder of SnappyTV, Harvey Louie, technical director, producer, and consultant of the webcasting company Event Compression Group, my good friend and creative partner Harvey Woo, owner and creative director of Professional Sound Productions, my production manager and traffic controller  Steve Dung, owner of Visions Plus video production services and my IT partner and colleague James Adams, Manager of Virtual Event Delivery at Kaiser Permanente.

My thank you's could go on and on, so I'll cut it short, and finally extend my thanks to my trusted crew and "A" team for your professionalism and support, you know who are... (Sammy, Dwight, Dominic "Baby Dom", Marcia, Brad, Tom, Alfonso, Jason "JJ", Rachel "Ray Ray", Harold "Dirty B", Luke, Ricker, Lorin, Paul and Weyman "The Pro Sound backbone", and the Young Guns, Sam, Matt, Brandon and Josh, and again, Harvey.)


This article appears in the August/September 2013 issue of Streaming Media magazine as:  No Second Chances, Part 2: Best Practices for Live Events.

Businesses are increasingly depending on live event streaming. For expert tips on how to pull them off like a pro, read the second part of our series.
by Larry Kless



Sunday, June 30, 2013

Read my article on Streamingmedia.com, "No Second Chances: Get Live Events Right the First Time"

I just wrote a new article for Streaming Media Magazine titled, "No Second Chances: Get Live Events Right the First Time - Streaming Media Magazine", that looks at the five core elements for a successful live event in the enterprise setting. It's a culmination of key learnings from years of producing live events and offers battle-tested advice to ensure live enterprise events come off without a hitch.

A big thanks to the many people who have helped me over the years to learn what works best for live events, and what doesn't work so well, and to the many clients I have worked with who have trusted me to produce their live events. Many thanks to Eric Schumacher-Rasmussen and the people at Streamingmedia.com, for their support over the years and for giving me the opportunity to share my best practices in live event production with this article.

Here's a brief excerpt from the article:

The success of any live event is dependent on five core elements: the people, the plan, the technology, the venue, and the audience; they all intersect to either make or break an event. The added layer of virtual attendees creates an even greater challenge, because you have to produce the event for people both inside and outside the room. The key is to use the right technology to make it easy to reach the live audience and virtual attendees and provide them a quality and worthwhile experience. 

 And I can tell you from experience that it better be good!

 Over the last 20 years of producing live events, I’ve learned a lot about how things can go right and wrong, and from good to bad, and from bad to worse. Most problems stem from the things that fall through the cracks: forgotten tasks that didn’t make your checklist or that were not delegated. They can either creep up on you or blow up in your face, and we all know what’s at stake. As they say in the live event biz, “You’re only as good as your last show.”

 You can avoid most problems with proper planning and clear communication. The best shows are the ones where everyone knows what to do, so the show comes off without a hitch. Whether you are in the studio or on location, the same rules apply if you want to be successful. The key to succeeding is that you go in with a plan and strongly dissuade clients from disruptive last-minute changes. They may think it’s not a big deal, but you know better...

Continue reading the full article at: No Second Chances: Get Live Events Right the First Time - Streaming Media Magazine.

This view is of a video village with HD engineering, monitoring, switching, and recording. (This was set up inside a closet! Really, and it actually fit!)

I'll be following up with part two, that looks specifically at how to deliver an effective webcast, including interactive and social media elements, to the audience off-site.


This article appears in the June/July 2013 issue of Streaming Media magazine as "No Second Chances: Best Practices for Live Events in the Enterprise, Part 1."

Learn the five core elements for a live event, then follow this battle-tested advice to ensure live enterprise events come off without a hitch.


Monday, April 23, 2012

Stay Tuned... For More Online Video Conversations

Who hasn't noticed how fast the year has gone by so far? The first quarter of 2012 came an went before you could blink an eye, click on a link or even write a new blog post. I won't bore you all with the usual banter about why I haven't been updating things here on Klessblog. I did though want to provide a quick update to let you all know what's coming up on this blog. There have been a number of interesting developments within the online video space over the last few months, and I've been able to catch up with a number of industry executives to hear about how their companies are innovating in the ever-changing online video and mobile space.

Just last month, I attended the 3rd annual Over-the-Top TV Conference, at it's new venue in the Santa Clara convention center in Silicon Valley, and the interest in that event was indicative of the growing innovation within the the OTT space. The conversations at the conference were not just about set top boxes and the last mile of the network that leads to the living room, but discussions have shifted to how companies can adapt to new business models within the multi-screen environment. Everyone I spoke with agreed that while online video has reached a mature state for delivery over the web and mobile devices. But still, the overall industry of content delivery to any device, anywhere, anytime is still in it's infancy and there's a lot of debate as to how long this initial cycle of growth of growth will take.

I interviewed a number of speakers and exhibitors at OTT Con 2012 to get their insight on some of the issues within the OTT space, which I'll be posting here on the blog in the coming weeks. Here's a quick snapshot of some those upcoming online video conversations.

I also recently met with Stephane Roulland, CEO of DaCast, again at his San Francisco offices to get an update on his self-service, live streaming platform. I first met with Roulland a year ago when his company first launched its "Pay-in-Play" pay-per-view enabled player and live streaming on Facebook.

Look for these interviews along with several others I've previously mentioned coming soon.

As always, I want to thank you all for supporting me here on this blog. Stay tuned for more upcoming Klessblog content and more online video news and information.

Wednesday, December 14, 2011

Enterprise Video Trends: A Real World Perspective - Nick Balletta, CEO, Talkpoint

Nick Balletta has been in the live webcasting business for a long time, and as CEO of Talkpoint, his company has helped shape the online video industry by providing clients, the technology and services to build scalable video communications. Talkpoint's predecessor – NextVenue – pioneered the live interactive webcasts since 1998, and its roots that go back to CNBC/Dow Jones desktop video. Talkpoint operates as a SaaS based model with overlay production services for large, live, interactive and secure video and audio webcasts. It facilitates more than 20,000 live webcasting events per year for the top Fortune 500 and FTSE 100 companies.

I caught up with Balletta earlier this year via Skype to talk about the latest enterprise video trends. He shared the latest real world data his company had collected over the last two years, that showed a significant growth in both the adoption and expansion of video within enterprise communications. I first spoke with Balletta last year at Streaming Media East, where he told me that webcasting for enterprise communications may finally be reaching a tipping point.



Publishers are incorporating video
One trend Talkpoint sees is that publishers are incorporating video into their business communications. Historically, webinars are done in the publishing sector for lead generation and sponsorship revenues, with presenters spread out over a wide geographic area. Typically, the webinars have been audio only events, however over the past year Talkpoint has seen publishers intergrate video ad insertion, video roll ins and full video webinars. Balletta noted that the growth in this are has been significant and they see this trend growing year over year as people start to leverage video chat technologies.

Year over Year Comparisons (YE2010)
• Video Ad Insertion
    • 9% increasing to 22%
• Video Roll Ins
    • 12% increasing to 27%
• Full Video Webinars
    • 5% increasing to 11%

Video is being integrated with other technologies

Another trend is companies that are not in the video business are moving into the video business. In the financial markets, video is being integrated with other technologies. Broadridge, a leading provider of investor communications helps thousands of public companies and mutual funds worldwide communicate and conduct business with shareholders, created Virtual Shareholder Meetings. Balletta says it's not the traditional shareholder webcast they call "spray and pray" where you broadcast everywhere and hope people show up, but it's actually a full blown system that authenticates individual shareholders, allows them entry into the webcast and lets them submit their votes in real-time. This system supports their physical meeting and is a $400-500 million market for Broadridge.


Virtual Shareholder Meetings
• Share holder authentication with video webcasting
• LiveOnlineProxyVoting
• Intel, Dell, BestBuy
• Moving towards online video meetings only

Video Webcast Viewer trends
Talkpoint supports some 15,000 annual webcasts and it's data shows that the number viewers is growing along with the number of individual webcasts. Talkpoint's system can scale up to 15,000-20,000 simultaneous users, and while most companies don't need to reach that scale they consider anything over 1,000 simultaneous users as meaningful in size.
 

Year over Year Comparisons (YE2010)
• Video Webcasts with over 1000 Viewers
    • 23% Increase
• Video Webcasts with over 5000 Viewers
    • 17% Increase
• Video Webcasts with less than 250 Viewers
    • 27% Increase

So, what's driving the growth? Balletta pointed to several key factors, in particular – media players are now built into operating systems, broadband is pervasive, computers are faster and people are comfortable watching video on their computers, and overall, watching video online has gotten much easier to do than in the early days.

Video Signal Acquisition
Until recently, webcasts were generally hosted from a studio where encoding was done on site or the video was sent to the webcast encoding company through a satellite uplink. Now, Balletta says, people are using every video resource as a broadcast production point for a live webcast and Talkpoint leverages them all. The biggest shift is that the need for satellite trucks is going away as IP video adoption and QoS (Quality of Service) increases within the enterprise.
 

Year over year comparison (YE 2010)
•    Broadcast Studios (corporate and professional)
    •    5% Increase
•    Satellite Truck
    •    8 % Decrease
•    VCU / TelePresence
    •    28% Increase
    •    78% IP vs ISDN
•    Onsite Encode
    •    34% Increase

Corporate Enterprise environment
Balletta notes that Talkpoint operates in the corporate enterprise where they have to support multiple browsers. While Microsoft is on IE 9, IE 6 still pervasive in the enterprise. Bandwidth is always a concern in the real world, says Balletta, and while HD video quality is great it's not going to make it through a corporate firewalls and proxy servers. So what they see from a video encoding perspective is video bit rate speeds of 150Kbps–500Kbps. Balletta says the important thing is that people have to be able to consume the video and most corporate environments don't support 2Mbps streams.
"At the end of the day, we're in a mission critical, actionable, information environment where the messaging is more important than necessarily the pixelation on the video. People are watching video on their computers, so although HD video and HD cameras are great, in the enterprise, it doesn't really bode well."
• Year over year comparison (YE 2010)
    • 300 Kbs increase of 23%
    • 400Kbs increase of 27%
    • 500Kbs in crease of 12%

Anecdotes from TalkPoint
• Self Service Video webcasting increasing (all you need is a browser)
    •    Automation (Saas)
    •    Flexible Signal Acquisition
    •    Ease of use
• Flash viewership is on the rise
    •    Live streaming
    •    Not just progressive downloads
    •    IT staffs adding support (Proxy servers, firewalls)
• The battle for video standards creates opportunity
    •    Adobe, Apple, Microsoft
    •    Enterprise users don’t care about HTML5....yet
    •    Even with video webcasting on the rise audio webcasting is here to stay

Balletta says that Talkpoint's focus continues to be on automation and scalability, as it's moved to a SaaS model and the company is seeing a 30% year over year growth in its business.

Q&A with Nick Balletta

How do you see social media integrating with enterprise webcasting? What are companies doing?
"We have an actual social media strategy from Talkpoint proper, in terms of we got our blog, Facebook, Twitter account and our whole marketing team that manages our presence on the Internet. But from a webcasting perspective, I'm of two minds. Webcasting exists as a business because it's not social, it's really serious, and we work in an environment where people are paying to distribute content, and it's typically actionable, mission critical information. They're communicating to their constituencies, their shareholders, their business partners, their clients, so they're trying to maintain a single message to all of the different media that are available out there.
Webcasting being one of them, and when you put a social media aspect into a webcast – where you have viewers potentially rearranging the desktop to move branding around, or chatting with each other or maybe commenting on the event and  tweeting – that is counter intuitive to the singular message, and we think that social media webcasting is not going to be something that's going to be a growth business. Now, we're smart enough to keep an eye on it and make sure we've got technology and tools to support it. But most of our customers are very concerned about the DNA of their company, which is their brand, and they're very concerned about maintaining that singular message.

And it's so funny, I always hear people in large enterprises talking about recruiting young technology talent folks who know how to use those social media technologies, Twitter and Facebook, and the minute they get on board, they prohibit them from using it. So, I always say all the digital agencies are having a bonanza because they're making money consulting people to use social media at the enterprise level, when most executives in the enterprise are thinking, I have to do it because everybody else is doing it. They don't really know how to define success, what the metrics are for tracking success to be in social media. So right now all the agencies are making money. In a couple of years it's going be the lawyers.

And I've said this on a couple of panels and people have scratched their heads, but what happens when an employee crosses that imaginary line and says something they shouldn't say on the company Twitter feed or the company Facebook page? Or their personal Facebook page? When does the edginess become a liability? I call myself Nicktrodomus, and say, in the future we're going to have a problem with this. The much younger people at Talkpoint think I'm wrong, but I think I'm right.

One time I wrote an article for Streaming Media magazine and said, 'social media is for your teenage daughter not for serious grown ups who want to webcast', and they made me edit it out, so I'm sneaking it back in."

About Nick Balletta
Nick is CEO of TalkPoint, an industry leader in global communications technology. With more than 25 years of experience in media and technology, he is a pioneer in the field of unified communications and interactive webcasting. Nick launched his first company – Voyager Data Networks – in 1996 and sold it two years later, at which time he had the foresight to invest in the burgeoning field of streaming media. In 1998, he founded TalkPoint's predecessor -- NextVenue -- as an offshoot of CNBC/Dow Jones Desktop Video, a joint venture among Microsoft, NBC and Dow Jones. Here he led its global expansion and merger into streaming media company iBeam Broadcasting. At iBeam, he served as president of enterprise services and was a member of the board before buying back the company, now known as TalkPoint, in 2003. Nick holds an MBA from Rutgers Graduate School of Management and regularly competes in triathlons across the country.

About Talkpoint
TalkPoint is an industry leader in global communications technology, specializing in browser-based audio and video webcasting. Since 1998, TalkPoint's easy-to-use, Software-as-a-Service (SaaS) cloud platform has facilitated more than 20,000 live webcasting events per year for the top Fortune 500 and FTSE 100 companies. From investor relations and corporate communications to product launches and continuing education, TalkPoint offers scalable and flexible technology to meet today's business communication needs. For more information, visit www.talkpoint.com.

Related:     
Larry Kless' Weblog: Talkpoint Powers Enterprise Communications with Webcasting Solutions
The state of streaming, cable, and television: What can we expect in 2012?
How Mobile Shaped HTML5, and Why Flash Isn’t Dead Yet | SiliconANGLE

Webcast Demands Still Stress Out IT - The BrainYard - InformationWeek
Nick Balletta CEO of TalkPoint | Featured on MO.com


TalkPoint Interviews: CEO Nick Balletta Discusses Webcasting Industry & TalkPoint Growth
How Not To Finance Your Company: TalkPoint CEO Nick Balletta (Part 1)

Wednesday, July 6, 2011

BitTorrent at 10, Seeding Its Future in P2P Live Streaming - Bram Cohen, Inventor of BitTorrent


It's been 10 years since Bram Cohen, Chief Scientist and Co-founder of BitTorrent, Inc. first invented the revolutionary peer-to-peer (P2P) file-sharing protocol for transferring large files over the Internet. Now on its 10 year anniversary, BitTorrent's disruptive technology has an installed base of over 160 million clients worldwide, and has grown to become a viable distribution platform for content producers around the world. The company, which first incorporated in 2004 has shifted its focus back to its roots in content delivery, and looks to seeding its future in live streaming.

While the P2P file-sharing protocol has long been associated with digital piracy, BitTorrent has worked with a variety of filmmakers, musicians and authors over the past year, to help distribute films using the company’s P2P technology.

I caught up with Cohen at last year's NewTeeVee Live where he discussed BiTorrent's future in P2P live streaming. In an interview with TorrentFreak, Cohen said that solving a challenging technical problem while creating value was his motivation to get started on a P2P live streaming solution.



“I am fundamentally a technologist, and am simply not interested in working on something which doesn’t solve the fundamental problem it’s supposed to tackle, especially in a market where there have already been so many bad technologies which failed to succeed based on sales and marketing,” he said. (Source: Bram Cohen To Deliver BitTorrent Live Streaming | TorrentFreak)
Source:  BitTorrent.org » For Users
The BitTorrent protocol works differently than the client-server model by breaking files up into small pieces, rather than downloading a file from a single source, like how http and ftp work. The file is downloaded piece by piece from one or many different sources, known as a "swarm" of hosts. Since the file is broken up into smaller pieces, it requires less bandwidth since more parts are available from multiple sources. Once the file is finished downloading, the BitTorrent client software continues to share the completed file (or "seed") with others looking for it.


Cohen has been working on his P2P live streaming protocol over the past few years and admits it's been challenging. Low latency is the biggest issue, as he points out that data is being handed across several peers along the way.
"BitTorrent is peer-to-peer file distribution. Live streaming is a very difficult and challenging and rewarding problem, because there are a few things you have to get it work all at once." he said. " You have to get offloads to as close as 100% as possible. They should be at least 99% if you've got a million people watching something. You want get it very robust, so it doesn't fail horribly; and, you want to get the latency between when the video is taken to when it is displayed on everyone's machines as low as possible and I'm shooting for around 5 seconds."
Cohen says he has some very unorthodox techniques he's come up with to deal with these issues and plans to roll it out anyway now.  (Ed. note: I spoke with in November 2010 and he estimated the roll out within eight months timeframe.)

BitTorrent's two main software products, the Mainline client and flagship uTorrent, have amassed a huge user base and the company has been shifting it's resources to developing clients to reach that audience. Cohen says right now the company is working on their engagement with our existing user base and trying to get others to reach them. They are also working with device manufacturers to make software run on their devices to help with file distribution.

About BitTorrent
BitTorrent creates advanced, innovative technologies to efficiently move large files across the Internet. The company's two main products today include the original BitTorrent software and the tiny-but-mighty µTorrent, which combined boast over 100+ million users. BitTorrent is based in San Francisco, Calif. For more information, visit www.bittorrent.com, and follow on Twitter, or Facebook.

Related:

Monday, May 30, 2011

Brands Are Using Live Streaming Video to Engage Fans on Facebook - Max Haot, Livestream

Over the last several years live video streaming has become a powerful marketing tool for artists and brands. For Max Haot, CEO and Co-founder of Livestream, it's been interesting to watch the growing trend of brands adopt live streaming to market their products. I caught up Haot at NewTeeVee Live 2010 where Livestream announced its new Livestream For Facebook application that allows anyone with Facebook pages to launch a live broadcast within Facebook. Livestream launched this service based on the demand they were seeing from the market and developed an easy way to integrate live streaming into Facebook. Livestream and its competitors had previously provided this service for a fee, but Livestream decided to launch it in a DIY way so that anyone could launch a Livestream channel and embed it in their Facebook page.

Facebook launched its own channel, Facebook Live, in August 2010 powered by Livestream, and has hosted numerous live video and chat with Hollywood celebrities, musicians other high profile Livestream events. Most notable is a recent Town Hall meeting with President Barack Obama that was streamed live from the Facebook headquarters.

comScore noted in a September 2010 study, that the amount of time American audiences spent watching video for the major live video publishers (USTREAM, Livestream, Justin.tv, LiveVideo, and Stickam) had grown 648% since 2009 to more than 1.4 billion minutes. While that's just a fraction of the amount of time Americans spent overall watching online video content, comScore said that the sharp growth indicates viewers’ growing comfort with watching live content. Additionally, the comScore report indicated that live video sites have not only been successful in building audience, but also keeping them more engaged, with the average live streamed video view is 7% longer than the average on demand video view.


"What's interesting for brands to realize," Haot notes, "is the engagement time is on average twenty to thirty minutes, versus if you post a trailer, it's only two or three minutes… and then they have a chance of really creating a viral buzz on Twitter and Facebook, and get a lot of eyeballs coming to the live stream because it's trended on Twitter."
Content brands like movie studios, use Livestream to market the release of a new movie within social networks like Facebook and Twitter through a live broadcast of the red carpet premiere. TV networks like HBO are taking advantage of the Livestream's ability to host live video Q&A sessions with celebrities and show exclusive behind the scene previews. Other brands like Ford used Livestream to launch its 2011 Ford Explorer and hosts regular live events on its Facebook pages with Q&A sessions with customers and fans. Restaurant chain PF Chang hosts a live cooking show to market its Pei Wei Asian Diner brand and takes questions from the audience.

Haot says that working with brands and content owners drives content quality and revenue and is core to Livestream's mission to build a next-generation live cable operator. But the bigger goal of Livestream is to unlock every event around the world, from major events like red carpet interviews at the Oscars or the Royal Wedding, to prosumer events from a church, a small baseball game, or even a smaller conference.
"If you look at the world of events today," Haot says, "a very small percent of these events are being live streamed, so we offer the technology, the tools and promotion to hopefully increase the amount events owners that realize that they can use Livestream to extend their event online and connect with audiences on Facebook and Twitter."
Another goal Haot says, is to increase the production quality and reach across the various platforms by offering HD quality and enhancing the mobile offering by live streaming to the popular mobile devices, and on the web by enhancing it with multi-bit rate encoding and HD. Haot says that connected TVs are another growing platform that event owners can reach and that 80% of all TVs sold today are "connected" TVs.

In a related post on Beet.TV today, Andy Plesser spoke with Kevin Delaney, Managing Editor of the WSJ.com, about the value of live video streaming at the Wall Street Journal. The news organization is creating value in process and audience by connecting with viewers through daily webcasts. This is yet more evidence that live streaming has become a mainstream tool for publishers to extend their reach beyond traditional outlets. As more content creators, publishers and broadcasters develop their mobile and OTT offerings, and with YouTube finally getting into the live streaming business with selected YouTube partners, it's clear that live video streaming has become an integral tool for artists and brands to connect with fans and that demand will continue to grow.



About Livestream
Livestream offers brands a complete solution for your live streaming project on Facebook - Including : Custom Facebook application development with integrated live streaming that gives you everything you need to launch your own 24/7 television station (including Like to watch), Live video platform (including CDN bandwidth from Akamai, social enabled chat and player) and on-side production/encoding services if needed. Livestream streams more than one billion video minutes each month to a growing community of 20 million monthly viewers (with some 50,000 watching at any given time) to audiences on the web, mobile devices, and connected TVs. Notable content partners include Facebook, The New York Times, ABC News, CBS News, Associated Press, HBO, AT&T, IBM, Burger King, Nike, The Academy Awards, The Foo Fighters, Maroon 5, Ralph Lauren, and Diesel.

Livestream was cofounded in 2007 by Max Haot, Dayananda Nanjundappa, Phil Worthington, and Mark Kornfilt, and has received $13 million in funding from private angel investors & Gannett Co. It now operates with over 50 full-time staff members in 3 offices - in New York, Los Angeles and Bangalore (in addition to a globally-available production team). The service is available for free (advertising-supported) or as a feature-rich, monetizable, premium subscription for business. In May 2009, Mogulus re-branded as Livestream. Become a fan of Livestream on Facebook and follow Livestream (livestream) on Twitter.

About Max Haot
Max Haot is CEO and co-founder of video streaming company Livestream. Max is an expert in user generated content, broadcast technologies and workflow. He previously founded ICF a media asset management platform which was sold to Verizon Business in 2005. He held positions as VP of Digital Media at Verizon Business and Senior Vice President at IMG Media - the television and interactive arm of the sport marketing giant (www.imgworld.com). Max is a recognized digital content industry pioneer and is regularly invited to speak and contribute at industry events/forums for the broadcast, broadband and mobile industry. Max is a Belgian national and lived in London, UK between 1995 and 2005 before moving to New York. Follow Max Haot (maxhaot) on Twitter.


Related:

Thursday, January 6, 2011

CES 2011 Surprise: Skype Acquires Qik for Live Video Mobile Streaming

In a surprise move that further consolidates Skype's position as the leader of the live video calling market, Skype CEO Tony Bates confirmed that his company has agreed to acquire Qik, the popular live mobile streaming startup. The announcement was made today at CES 2011, and transaction is expected to close in January 2011. Terms of the acquisition were not disclosed but Silicon Alley Insider estimated the deal at about $100-150 million.

Skype made a number of other service improvements announcements,  including: partnerships with Sony, Vizio and Panasonic and to build Skype into its HDTVs and Blu-ray players, partnerships with Verizon and OnStar to bring video its services, a Skype kit of APIs to allow OEMs to build on the Skype platform, and group video calling for $8.99 a month allowing multi-party video chat up to 10 parties.

Just last week Skype made our dreams come true by bringing video chat to the iPhone, it continues to broaden its reach with each partnership; and the acquisition of Qik rounds out its portfolio, and removes a popular competitor in the mobile video space. Among the list of competitors includes Apple's FaceTime, along with Google voice and video chatFringooVoo, Bambuser and several other live video mobile apps. As I previously noted, mobile video has been considered one of the biggest trends that will explode in 2011, and with the percentage of Skype calls taking place over video growing, Skype has clearly become the dominant player in the two-way video calling market. Skype filed for its IPO in mid-2010 and is expected later this year.

Skype CEO Tony Bates announced that this was Skype's first acquisition in this CES press conference and part of its strategy for premium video services. He also recorded a short video message for Skype blog.


skype on livestream.com. Broadcast Live Free

In the company press release, Bates added:
“The Qik team has delivered exceptional video experiences for its mobile partners and millions of end users across a range of devices. Skype’s software enables an estimated 25 percent of the world’s international long distance voice calling minutes , and approximately 40 percent of those Skype-to-Skype calls are happening over video. Qik’s deep engineering capabilities and strong mobile relationships will be an impressive complementary fit with Skype.”
The two companies have have a common purpose, as the press release stated:
"...of enriching communications and sharing with video, across any device. The acquisition of Qik helps accelerate Skype’s leadership in video by adding recording, sharing and storing capabilities to Skype’s product portfolio. Through this acquisition, Skype will also be able to leverage the engineering expertise that is behind Qik’s Smart Streaming™ technology, which optimizes video transmission over wireless networks."
For more on Bates' CES 2011 announcement, see this post by Adrian Pennington:  Skype Adds Qik to Go Mobile Ahead of IPO - StreamingMedia.com. Also see these post by Sarah Reedy on why this deal matters: Light Reading Mobile - CES 2011: Skype Buys Up Qik for Mobile Push - Telecom News Analysis.

In this video, Qik Co-Founder and SVP of Product Bhaskar Roy shares an inside look at the Qik Story:


Vijay Tella, CEO of Qik said:
“Qik has worked very hard to solve complex problems that allow millions of people everyday to take advantage of sharing their lives with those people who are most important to them. Joining Skype allows Qik’s team to unite with Skype’s talented team to develop new and innovative products for our customers and partners.”
Qik was founded in 2006, and is headquartered in Redwood City, California with has an office in Moscow, Russia. The 60 employee company has built innovative solutions to capture and share video with anyone across mobile devices, the web, and desktop platforms. Videos can be recorded and streamed in real time or stored for later viewing. The popular Qik service is available to over 5 million users on over 200 mobile phones, including Android, iPhone, Symbian, Blackberry and Windows Mobile platforms, and comes pre-loaded on a wide variety of mobile handsets through partnerships with leading handset manufacturers and mobile networks.

Qik recently released its Andoird streaming app Interesting to note, earlier today TechCrunch reported that Qik quitely raised $6.3 million from Quest Venture Partners and Almaz Capital Partners.

So how big is the live video calling market?

In a report on USA Today, Jon Swartz noted:
"An estimated 13.2 million people worldwide will make video calls this year — up fourfold from last year. Some 155.1 million will perform such calls in 2015, predicts market researcher In-Stat. Military families and people separated by time zones, in particular, are taking advantage of the technology. "It is more enveloping for long-distance relationships," says Frank Dickson, a mobile analyst at In-Stat. He estimates the market for mobile-based video calls will eclipse $1 billion by 2015."
I've written frequently about Qik over the last few years and in my first Qik post from December 2007, It Looks Like the Revolution Will Be Televised, I noted that this would be the next new killer app – live video streaming from mobile to web. Robert Scoble and Steve Garfield were both Qik early adopters, and at that time, lifecasting and video blogging was coming into its own, and live mobile broadcasting created endless lifecasting possibilities that went way beyond the Dick Tracy wrist phone. Your cell phone can become a live broadcast channel. Now that mobile has become the next wave of our video communications, there's no doubt that the video revolution will not only be televised, but it will be two-way live video channel called Skype.

About Skype
Skype is a communications platform provider whose purpose is to break down barriers to communication. With an Internet-connected device, families, friends and colleagues can get together for free with messaging, voice and video. At low cost, they can also call landlines or mobiles virtually anywhere in the world. Skype has recently introduced group video, allowing groups of more than two people to do things together whenever they’re apart. Skype was founded in 2003 and is based in Luxembourg. Skype can be downloaded onto computers, mobile phones and other connected devices for free at www.skype.com. You can get news and updates from Skype on its blog: blogs.skype.com Twitter: twitter.com/skype or Facebook: www.facebook.com/skype.

About Qik
Qik is a leader in the mobile video space enabling smart phone users around the world to capture special and spontaneous life moments from anywhere and instantly share those moments with friends, family and followers. Qik’s comprehensive solution meets all consumer video needs including video calling, video sharing, video messaging and the ability to sync and save videos to the web and desktop. Qik has headquarters in Redwood City, California and an office in Moscow, Russia.

See these related Klessblog posts for more on Qik: