Showing posts with label Funny Or Die. Show all posts
Showing posts with label Funny Or Die. Show all posts

Thursday, June 9, 2011

Funny or Die's Recipe for Success: Great Content, SEO & Social Media - Patrick Starzan, Funny or Die


Core to any good video content strategy is a blend of ingredients that compel and engage viewers to discover and share your content. You can have the most compelling content in the world, but if people aren't aware of it and can't find it easily, it won't make any difference. According to Patrick Starzan, Vice President of Marketing and Distribution for Funny or Die, its recipe for success is a combination great content, search engine optimization and social media. I caught up with Starzan at the Online Video Platform Summit where he discussed how Funny or Die developed its content strategy and some of the common mistakes publishers make with online video.

Funny or Die is both a video content site and brand focused on funny videos, and since its founding in 2007 by Will Ferrell, Adam McKay and Chris Hench, it has become one of the top destinations for comedy on the web. It's known for celebrity-driven comedy and has a steady stream of topical viral hits, including its most viewed video, The Landlord, with over 76 million views that features Ferrell, McKay and McKay's two-year-old daughter Pearl who plays the foul-mouthed landlord that berates Ferrell for overdue rent money. Other celebrities are featured regularly in Funny or Die exclusives, such as Zach Galifianakis' hilarious web series Between Two FernsThe October/November 2010 issue of Streaming Media magazine features an in-depth cover story on Funny or DieThe Art and Science of Funny or Die - Streaming Media Magazine, that chronicles the rise and success of the popular comedy website, which Streaming Media editor Eric Schumacher-Rasmussen calls, "a shining example of marrying the best of Hollywood to the best of Silicon Valley."



Starzan says:
"For us, social media has been a core part of how we get our content discovered, and it's something we've working on for years."
How Funny or Die got there, Starzan says is that:
"Everything starts by defining your KPIs (Key Performance Indicators) and your metrics and what's important for your company's success. So we did that and we went out and developed a content strategy, separately for each of the platforms, understanding that the type of person on each platform is consuming and engaging in content in different ways. We really follow a strategy of building social capital, trying to give more than we get, trying to interact with the user, trying to give them a platform for access to Funny or Die, but also a platform where we can celebrate who they are."
Starzan says the Funny or Die team spends a lot of time working on their content strategy, about eight to nine hours a day on each of the platforms, because they feel that users are more engaged with content they want to watch.
"After your content strategy," Starzan suggests, "you start with your acquisition strategy and figure out how to target more people to come to join each of your platforms."
For many brands, the question of whether or not to drive traffic to its own site rather than establishing a presence on YouTube is quite common. For Funny or Die, its content strategy was to first establish its brand and then go to YouTube.

As Starzan explains:
"For us, coming out of the gate we really wanted to establish Funny or Die as a brand and we took a very walled garden approach. So we really wanted to control the experience and optimize the experience to out users, until we felt we had a brand that had a solid foundation. We didn't want to dilute it by actually going out and doing a lot of distribution, especially with YouTube. Once we felt we had that brand equity, that's when we went to YouTube and established a windowing strategy of our content over on YouTube, because obviously YouTube has a huge, huge audience."
Funny Or Die's photo: This is our new social media expert: Robobot.
Starzan says though that YouTube distribution hasn't cannibalized its brand or the video views on its own website and sees about the same amount of consumption on YouTube as on its our own site.

So for Funny or Die, it's now about exposing its brand to the largest audience. But as Starzan notes, a lot of Funny or Die's traffic comes from search and they've done a lot of work optimizing their video players and the specific type of keywords. Direct traffic though continues to grow as Funny or Die has become more of an established brand. But by far, social media has been one of its critical success factors for audience building and has a presence on FacebookTwitter, Tumblr, StumbledUpon, Reddit, and so on, which are all places that people can search and discover Funny or Die's content.

By the numbers, Funny or Die's social media presence continues to prove successful by doubling its number of followers in the last six months, with 2.2 million Twitter followers and with 938,749 Facebook fans (but more than 3 million Facebook fans along with co-founder Will Ferrell), 40,000 followers on Tumblr and 468,306 subscribers to its YouTube channel. The website is also getting 2,000 “Likes” per day with an overall audience reach of 32 million through its social media channels.
"We make funny videos with celebrities in it," Starzan laughs, "and it lends itself well to the social media world."
The advice he offers to online video publishers and marketers to get their content discovered is that:
"It's about really having a comprehensive strategy. I don't think you should look at one, search over social media, as two different things, or two different variations of what's important. They're both just as important as the other. Because at the end of the day, you want to have your content discovered as quickly as possible by relevant audiences… So, put as much time into both of them as you can."
Starzan admits that they've learned a lot from trial and error, and for search, he recommends that you make all your content embeddable; that you have links coming back to your site; and that your tags are using the optimal keywords that you want to be discovered for, because it becomes a huge back linking strategy and you define what people are seeing when they back link to you. He says it's about making sure you do the simple things; like making sure your sitemaps are indexed with all the search engines and identifying the keywords that drive traffic to your site or to specific pages. If they'e driving a lot of traffic, go to that page and optimize that keyword for that page so you can rank better in search.

For publishers looking to build out their platforms using social media, Starzan says that it's not just about driving traffic to your site but about being a part of the community. While Funny or Die has an edge over other media properties through its celebrity power, he says it really comes down to the basics, which first and foremost, is to make great content.
"You have to have great content if you're ever going to survive on social media," he says, "and make a lot of it. Then just make sure you're in those communities. I think a mistake a lot of people make, and we made it in the beginning, is we just put up these pages and we'd put content up there and expect people to engage with it, share it and do everything we wanted them to do with it, but it just dies. You have to be there everyday – it's just like any other social interaction – you have to be there, you have to have that conversation, you have to listen as much as you talk. So take the time to learn all the nuances and definitely realize that, a lot of people say social and SEO are free, organic ways of driving traffic, but it take a lot of time in terms of resources to really develop these platforms and really optimize them."
Funny or Die recently introduced a new feature to its video player to help drive traffic from social media sharing by adding a clickable embedded Twitter hashtag. According to NewTeVee's Ryan Lawler, the latest episode of Between Two Ferns with Zach Galifinakis features the new social media element which is located in the bottom right corner of the video player.
"The embedded hashtag is a call to action that enables viewers of the video to share it with their friends," says Lawler, "Once clicked, it launches Twitter with a link back to the episode and the #btwn2ferns hashtag."
In an email to NewTeeVee, Starzan wrote:
“We are pretty excited about the potential of the in-video hashtag in driving usage and overall Twitter traffic. Since no one else is doing this it’s the first video we tested in, [but] I expect usage to increase as our users gain more exposure to it.”  



About Funny or Die
Since its inception, three years ago, Funny Or Die has emerged as an award-winning, top destination for comedy on the web. With hundreds of exclusive celebrity videos and a steady stream of huge viral hits, Funny Or Die has become the "place to be seen" for comedic celebrities, and the obvious destination for a daily comedy fix. Funny Or Die's founders are Will Ferrell, Adam McKay and Chris Henchy. Judd Apatow is also a principal partner in Funny or Die. http://www.funnyordie.com

Follow Patrick Starzan, VP of Marketing, Funny or Die
Head of Marketing @FunnyOrDie. I tweet about the interweb, marketing stuff and the FOD. I like coffee, tobasco, punk music and you!
Starzan (starzan) on Twitter
Things I Think | Tumblr




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Thursday, March 19, 2009

Who's Watching the Watchmen Movie?

Did "Watchmen" flop at the box office? While it topped the charts the first weekend with the biggest debut of the year at an estimated $55.7M over the Friday-to-Sunday -- the box office shares dropping 67% to $18M on the second weekend. With all the viral marketing and hype behind the movie that's certainly not what Warner Brothers had in mind.

According to Variety:

"Overseas, "Watchmen" fell 50% to an estimated $13.5 million for a foreign cume of $49.5 million. Pic's worldwide total of $135.5 million in 10 days eases concerns that it will be a pricey financial loser for Warners, Legendary Pictures and Paramount (Par is distributing overseas). Pic cost north of $200 million to produce and market.

This drop falls within the norm for big and highly anticipated movies," Warners exec VP of domestic distribution Jeff Goldstein said. Pointing to several examples, Goldstein noted that "The Incredible Hulk" fell 60% in its second weekend after opening to $55.4 million. That film cumed $134.8 million domestically. "Sex and the City" fell 63% in its second frame on its way to cuming north of $150 million domestically."

Even still, most critics are writing it off as a box office flop. Nikki Finke called it "a bomb financially" pointing out that no matter what the box office gross is Warner Brother still has to split that with Paramount, Legendary Pictures and 20th Century Fox. Was it all the negative press? Was the 162 minute adaptation too faithful to the graphic novel? Was it Dr. Manhattan's blue genitals? Or didn't enough fanboys and fangirls heed the call from from Watchmen screenwriter Dave Hayter to go see the movie again on the second weekend?

In his open letter to fans Hayter said,"You have to understand, everyone is watching to see how the film will do in its second week. If you care about movies that have a brain, or balls, (and this film's got both, literally), or true adaptations -- And if you're thinking of seeing it again anyway, please go back this weekend, Friday or Saturday night. Demonstrate the power of the fans, because it'll help let the people who pay for these movies know what we'd like to see. Because if it drops off the radar after the first weekend, they will never allow a film like this to be made again."

While I didn't go see the movie again last weekend I have plans to see it again at an Imax screening if it remains in the theaters. I think the film has been successful and will be profitable in the end with DVD and Blu-ray sales but will probably be dismissed as a box office disaster by the critics. Who Watches the Watchmen? According to Newsarama, apparently only comic book fans.

However, according to Wired, "until potential blockbusters Terminator Salvation, Star Trek and X-Men Origins: Wolverine arrive in May, Watchmen has few rivals on the horizon. It seems likely that Alan Moore and Dave Gibbons' canonical comic will survive its evolution to the big screen just fine, thanks."

In addition, a limited-run theatrical release of director's cut in July has already been announced and that could help boost the box office bottom line.

Funny or Die has a video that may come back to haunt the Watchmen actors if studio execs actually considered this as a way to recoup production costs. "What do you do if you live with the actress who plays Silk Spectre? Charge nerds hundreds of dollars to watch her sleep."


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Friday, December 19, 2008

HBO Premieres ‘Flight of the Conchords’ on Funny or Die

HBO has launched an online video campaign to promote its new season of Flight of The Conchords by premiering the first episode of season 2 on Funny or Die. The episode is set to air next month on HBO is January 18, 2009 at 10:00 PM, and will available online from Wednesday, December 17th until Sunday, December 21. The video is only available in the US (see the description below.)

I've embedded the video below and will most likely replace it with a still image once the video is no longer available. Enjoy it while you can!


Description:
Season 2 Online Premiere - Flight of the Conchords (US Only)
Bret and Jemaine are back and finally so is The Flight of the Conchords. Sorry guys, the video only works in the US. We all want the WHOLE world to be able to watch Flight of the Conchords, but to be honest, legally we only have rights to stream the video in the US. But there will be other opportunities internationally to watch it. HBO.com Canada (http://hbocanada.com/) will be streaming the premiere episode of Flight of the Conchords Season 2 in 6 days starting on Tuesday December 23. For other international FOTC fans please check your local providers for additional details regarding when the episode will be broadcast in your area.

About the online video premiere Chris Spadaccini, VP for advertising and promotion at HBO said, “After the success of last season, we knew that online sampling would be the most effective way to energize the ‘Flight of the Conchords’ fan base and generate excitement for season two,” and added , “FunnyorDie has emerged as the go-to destination for great online comedy content, and the decision to partner with them to launch the new season was an easy one.”

HBO has also launched a Flight of the Conchords' LipDub Fansterpiece contest for fans to enter with the chance to be featured in a HBO screening. For more information go to: http://www.flightlipdub.com/

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