Showing posts with label NewTeeVee Live. Show all posts
Showing posts with label NewTeeVee Live. Show all posts

Sunday, January 15, 2012

Online Video in 2011: A Look Back - Part 4 (Conclusion)


I didn't plan to make this a four part series, but I guess 2011 was just one of those years that needed a little more attention. I think we would agree that it was an amazing year of progress, innovation along with many triumphs and failures. Either way you look at it, everything we did throughout the year moved us further along into the new year, and that brings about the new cycle, and the energy to put out new products, services and business models. When looking back on the 2011, what did we learn? What were the big stories and trends that caught on? It's pretty obvious that online video, mobile video, tablets, connected and smart devices, social media apps, video advertising and marketing were big, and of course, YouTube's domination of the online video market, will be even bigger in 2012.

And what will be the footnotes to remember online video in 2011?
Probably the biggest news of the year was the sad and untimely death of Steve Jobs. In an article on ReelSEO, I noted that Steve Jobs was a pioneer in bringing digital media to the masses with the launch of the Macintosh, which focused on making it easier to do create, curate and distribute our content. He helped grow video on the desktop from a postage stamp size video to a full HD video that can be produced entirely on a mobile device. Apple revolutionized the professional video editing industry and proved that thinking differently about how the computer could be designed – from the aesthetic design of the hardware and user interface, to the easy to use software tools – helped spawn a new generation of independent video producers that could compete with the Hollywood studios and big publishers.

Other notable news in 2011 focused on; more cord cutting, cloud computing, mobile video, numerous funding announcements, mergers and acquisitions and global online video spend was said to hit $3.5B in 2011. Ustream raised another $6M, Roku raised another $8M, Jivox raised $8.5M, Taboola raised $9M, Innovid raised $9.5M, YuMe raised $12M from Samsung, Thought Equity raised $25M, Qwilt raised $25M, Brightroll raised $30M, Tremor Video raised $37M, CNN bought Zite for approx $20M, 24/7 Real Media acquired Panache for undisclosed sum, Microsoft bought VideoSurf for $70M, Cisco bought BNI Video for $99M, Adobe bought Auditude for over $100M, Akamai bought Contenda for $268M, Google bought Admeld $400M and Motorola for $12.5B, Time Warner bought cable operator Insight for $3B and AT&T failed in its bid to acquire T-Mobile, Vudu came to the iPad, Hulu expanded to Japan and Netflix expanded into Latin America, Amazon experienced major network outages, AOL restructured again, Zediva shut down it's DVD streaming business, Adap.tv relaunched its buy-side service, Fox pulled its shows from the web, Ooyala won ESPN as a customer; got social with Facebook integration and raised an undisclosed funding round from Motorola Mobility, Vimeo got into the OVP business with Vimeo Pro, Brightcove filed for a $50 million IPO, MobiTV and Synacor each filed for a $75M IPO, KIT digital released its new social TV platform, Google+ Hangouts arrived in YouTube.

ReelSEO launched its weekly online video series The Reel Web, Justin.tv spun off Socialcam to simplify mobile video sharing, Apple pulled Final Cut Pro Studio out of the dead pool in response to Final Cut X's poor reception, Netflix and Starz went their separate ways, social TV and multi-screen experiences started to emerge, Hulu, Netflix and Yahoo! all got into the original web content business, foul-mouthed CEO Carol Bartz was ousted from Yahoo!, Zixi announced its cloud-based streaming service, Netflix's tried to break off its DVD business as Qwikster but backtracked after serious market uproar, WeVideo introduced its cloud-based video editing platform, SpotXchange announced full real-time bidding capability, Apple released the iPhone 4S, Verizon and Microsoft inked a deal to bring OTT content to the Xbox, Rimage acquired Qumu, Microsoft completed its $8.5 billion acquisition of Skype, Sesame Street's YouTube channel got hacked to show porn,  online video ads reached 50% of the U.S. population, Netflix's stock dropped 40% in one day after losing 800,000 subscribers and was downgraded by S&P.

Skytide introduced analytics for Federated CDNs, Amazon Kindle debuted to rave reviews, Livestream upgraded its platform to live events platform, YouTube took a swipe at cable by launching over 100 channels with celebrity partners, SeeSaw shut down, LG ad YuMe partnered on connected TV ad platform, Encoding.com teamed up with Roku on channel creation, Zencoder and Highwinds partnered on HTTP video streaming, Kaltura partnered with Gogo for online video in flight, Mixpo introduced Frameworks for interactive online video ads, Zediva was forced to shut down its DVD streaming service, the Boxee box got a live TV tuner, Adobe abandoned Flash on mobile and TV (see below), CDN pricing dropped 20%, tablets rose above desktops for 30% longer online video viewing, Netflix made up for past mistakes by resurrecting Arrested Development, MPEG DASH emerged as a possible online video standard, YouTube did major channel-centric redesign of the site, Dailymotion expanded its cloud video delivery service, Twitvid launched its new social video network, and finally for the first time the Super Bowl would be streamed live over the Internet.

While that wasn't all the big news of 2011, it's what caught my my attention and set the stage for 2012. So now, let's get back to what happened here at Klessblog...

In August, where I attended the 2011 Liveclicker Video Commerce Summit in San Francisco. I recorded a number of interviews with speakers at the two-day event for Liveclicker's VideoRetailer.org blog. Andy Stack, YouTube Product Manager, outlined the 5 things he has learned about successful online video campaigns in his experience at YouTube. Kenna Hurd, Video Content & Product Manager of PETCO, talked about the top initiatives of PETCO’s video strategy, specific examples of where the company is seeing success with video. Melissa Salas, Marketing Director of Buy.com and Co-host of BuyTV, shared some of the lessons she has learned about video commerce since she started hosting BuyTV in 2006. My good friend Mark Robertson, Founder and CEO of ReelSEO.com, gave his take on why retailers should explore beyond the product video. Justin Foster, Co-founder and VP of Market Development at Liveclicker, shared his thoughts on the emerging video commerce trends and predictions.

After that event, I followed up with a few posts of my own on this blog and on ReelSEO.com expanding on what Jen Fahey wrote on VideoRetailer.org.

Mark Robertson says online video is the swiss army knife of online marketing,  and social video can help eCommerce retailers move from conversions to conversations with their customers. In his keynote at the Video Commerce Summit Mark provided a high level overview of how social media has changed search, the state of V-Commerce and what tactics and tools eCommerce marketers can harness to move beyond product videos. Mark says that SEO has evolved over the last 10 years, and now social media engagement enhances SEO rankings, a lot. Universal video search is becoming less effective for e-commerce transactional queries, and that marketers’ must embrace social video throughout the customer life cycle and produce video that lends itself to social.

Online video is massive in its reach and scale with 6.9 billion videos watched in the U.S. in July and August of 2011, and has quickly grown into a major component of what people do online or how they consume information and entertainment. Andy Stack, Product Manager at YouTube says, online video is a valuable tool to drive brands, and is transforming the way consumers engage and conduct commerce. The use of online video in e-commerce is an opportunity you can’t afford to miss or not fully understand. His main message to the brands and retailers at the Liveclicker Video Summit, is to create content, not commercials. Stack says that it's important for retailers to develop a content strategy and not necessarily an advertising strategy, and sponsor content that matters to your community and spend money to promote content that's tested and works. As the world’s largest focus group, online video lets you know if the creative or videos that you are running on TV and elsewhere are making an impact when people choose to consume your brand and spread the word. Retailers can use video like a sand box to experiment and use the variety of tools available from YouTube to find the right mix, then rinse and repeat.

In October, I caught up with Marc Scarpa, veteran director and executive producer of live interactive media events, who had just launched the first of it's kind social TV network with Comcast Xfinity On Demand, called VidBlogger Nation, that brings popular local YouTube talent into the living room of millions. VidBlogger Nation is shot on location by local video bloggers in 10 key markets in the U.S. The episodes are short 3-5 minute narrative shorts by unique voices from across the country who share colorful stories of people, places and things in their city from a first-person perspective. Scarpa was in San Francisco where he met with several of his local VidBloggers, including Zennie Abraham (Zennie62), who joined Scarpa in the interview. See Zennie's article here: Comcast VidBlogger Nation New Video TV Network | City Brights: Zennie Abraham | an SFGate.com blog. Scarpa says that the overall goal of VidBlogger Nation is to have a new forum for very talented people, like Zennie and his fellow VidBloggers, who have a voice and help them extend beyond the web into a new market, and a traditional broadcast environment like Comcast provides access to 60 million homes.

That same week, I attended the TVNext Con 2011 conference in San Jose that brought together hundreds of media, technology and entertainment companies to explore the future of TV, video and multi-platform entertainment services and platforms. Experts agree that nearly every facet of the TV experience and TV business models will be impacted over the next 5 years. One of the main drivers is that more consumers are using IP devices to supplement linear TV viewing, and that by 2015 the average U.S. resident will have 7 connected devices. We're starting to see the decline of the stand-alone set top box with the rise of game consoles as the number one hub for digital entertainment and OTT content, and connected TVs and innovations just announced last week at CES like the Roku Streaming stick that makes a regular TV a smart TV. And don't forget Apple's highly anticipated iTV that is predicted to be the big game changer, due out later this year. We'll also continue to see big deals in the content industry as studios and networks create sustainable business models that don't cannibalize their existing services. I interviewed a handful of people at that event as well, including Joan FitzGerald, VP at comScore, Inc and Tim Street, VP of Mobile Video at mDialog, (to be featured soon on this blog), and Jim Louderback, CEO of Revision3 and Matt Smith, VP of Internet Television at Envivio, (see below).

I followed up with an interview with Suranga Chandratillake, CEO and Founder of blinkx, who I met earlier in the at OTTcon. Chandratillake founded blinkx in 2004 and has helped pioneer video search on the Internet. He describes blinkx as "the world's largest and most advanced video search engine" and unlike other search engines that focus on text web, titles and metadata, blinkx uses a unique combination of patented conceptual search, speech recognition and visual analysis to find and qualify online video. Chandratillake noted that the the online video and OTT space has come of age after so many years of video on the Internet. What's different, he says, is the momentum at which the idea is gaining. More and more of us are watching Internet video on our television sets or contemplating the purchase of a connected device to watch OTT video.


In November, I went to Streaming Media West in November to discuss Webcasting Tips and Tricks From the Enterprise, wearing my day job hat as a webcast producer for Kaiser Permanente, as I did years earlier when I first spoke at Streaming Media West. I shared some of the best practices that I had previously blogged about here, that address the technical and logistical challenges for webcasting, and how to put the right team and the right technology in place for a successful virtual event. The panel focused on best practices from enterprise corporations have adopted and implemented for live video across their organization.


With all the growth, it's also been stagnant, in regards to the ongoing video format wars, spurred on by Apple's exclusion of Flash on its popular iDevices and negative press it received from Steve Jobs' Thoughts on Flash. While HTML5 and H.264 encoded video have been gaining momentum as an emerging standard for online and mobile video, publishers have had to deal with the lack of a standardization, which has caused a great deal complexity and fragmentation. So we were all surprised with Adobe's  announcement that it would abandon future development of Flash Player for mobile devices following the next release 11.1, and will be more aggressively contribute to HTML5 innovation with key players, including Google, Apple, Microsoft and RIM. Adobe will continue to support its current Flash development. Adobe had developed Flash Player to run on Google's Android and other non-Apple mobile platforms, but its official statement from its blog post said,"HTML5 is the best solution for creating and deploying content in the browser across mobile platforms."

The news broke during Streaming Media West, and while Adobe was at the conference in full force, it was tight lipped about why it decided to withdraw Flash from the mobile market. I caught up with Jan Ozer, Video Producer, Writer, Publisher of StreamingLearningCenter.com and author of Video Compression for Flash, Apple Devices and HTML5, to get his perspective on the implications of the announcement for the online video industry, mobile developers and consumers.

Ozer told me Adobe made this move for several reasons. 1) They were fighting against the current, at least with Apple, and then with Microsoft's recent announcement about their tablet oriented operating system, and couldn't fight this. 2) Adobe wasn't getting then support it needed from Google and other vendors to make Flash work effectively on mobile platforms. 3)  As computers get more powerful people are building applications that require more power and faster CPUs to run smoothly, and Flash-enabled tablets and phones simply don't have the power to run smoothly and deliver a quality experience. Ozer says, this doesn't mean that Flash on the desktop is going away anytime soon, and that it will actually create a tale of two websites, with a web version that is completely immersive Flash experience, and the other more simple and targeted for mobile devices.

It was more than a year ago when I met Merton, the Piano Chat Improv Guy and I finally published his interview in December. The improvisational piano player, became an Internet sensation when he first appeared on Chatroulette playing piano and serenading the strangers he'd meet on the video chat website. His videos have attracted over 25,000,000 views on YouTube and he has performed in London, MontrĂ©al. I caught up with him at NewTeeVee Live where he spoke about his experience as a web celebrity and how he planned to further develop and evolve his improvisational social and musical style. Merton says that he's played piano and done improvisational music for a long time, but Chatroulette gave him the mass exposure to freestyle in real-time with random strangers and become a viral video phenomenon. He now has a live, interactive, webcam show that airs weekly on Wednesdays at 10:00 PM ET called The Merton Show.


I caught up with Jim Louderback, CEO of Revision3, at the TV Next Con 2011 where he talked about the changing video landscape and the great unbundling of services. Louderback says that we're in the end game of the of the great unbundling of video services, as next generation television channels shift from traditional models to IPTV video networks. Louderback says that within the next few years most of the video we consume will be delivered over an open IP network, ending the long monopoly of proprietary services delivered through cable, satellite and broadcast streams. But even though our favorite shows will be delivered mostly on-demand, we'll still have bundles of services - but it will just be offered in new ways.

One of the biggest stories of 2011 is, what will the future of television look like as service providers, consumer electronics manufacturers and content aggregators all jockey for the prime position in your living room. According to Todd Weaver, CEO of ivi, OTT has been an emerging market for some time and that market has been stifled by a number of issues, and today, those issues primarily relate to content. I caught up Weaver earlier this year at OTT Con in San Jose to get his perspective on what the PayTV operator and online video experience will look like in the OTT era. Weaver says, one fear that content owners are grappling with is the "cannibalization" of their existing cable TV subscriptions with their Internet subscriptions. As more content moves online, Weaver says, content owners will to figure out the pricing models and OTT providers are going to have to either educate or cooperate with content owners to set and adjust prices to help settle out the disturbance in that area. Weaver's company, ivi, has been embroiled in a lawsuit with broadcasters seeking to stop it from rebroadcasting their content online. Earlier this year in February, a New York federal judge ruled that ivi was infringing on broadcasters copyrights by not paying retransmission fees and ordered ivi to shut down.

To round out my online video conversations for 2011, I caught up with veteran webcasting executive Nick Balletta, CEO of Talkpoint to talk about the latest enterprise video trends. He shared the latest real world data his company had collected over the last two years, that showed a significant growth in both the adoption and expansion of video within enterprise communications. A year earlier, I had spoke with Balletta at Streaming Media East, where he told me that webcasting for enterprise communications may finally be reaching a tipping point. Talkpoint supports some 15,000 annual webcasts and it's data shows that the number viewers is growing along with the number of individual webcasts. So, what's driving the growth? Balletta says, media players are now built into operating systems, broadband is pervasive, computers are faster and people are comfortable watching video on their computers, and overall, watching video online has gotten much easier to do than in the early days. A few anecdotes Balletta shared were, self-service video webcasting is on the rise, Flash viewership is on the rise, and the battle for video standards creates opportunity. Balletta also says that social media and enterprise webcasting don't mix. He says right now all the agencies are making money helping corporations with social media, but in a couple of years it's going be the lawyers cleaning up on the mess created by social media.

In my final online video conversation, I got an education in Adaptive Bit Rate (ABR) streaming 101 from Matt Smith, VP of Internet Television Strategy & Solutions at Envivio. As the demand to deliver content to consumers on multiple screens continues to grow at a rapid pace, companies adapt their methods and means to meet the demand consumers want for any content on any device, anytime and anywhere. This is both exciting and worrisome for service providers and content owners – but new trends and tactics like adaptive bit rate (ABR) streaming is changing it all and making it easier to deliver content. ABR streaming is a new and dynamic approach. Smith says that with ABR, you're essentially creating similar number of streams, but in a different part of the network. You get significant scale gains and you should plan to deliver to every possible screen. The workflow not for every organization and where channel count is low, "old" models work, but ABR is emerging as a new standard for content delivery.

This concludes my look back into online video in 2011. With 2012 now in full swing and a lot of news already in the making, I have no doubt that it will be another amazing year for the online video industry. I want to thank you all for your continued support, and my best to everyone in the new year!

Editor's note: This concludes Online Video in 2011: A Look Back. Stay tuned for more Online Video conversations in 2012.

Related:
• MediaPost Publications Biggest Trend Of 2011 In Online Video 12/20/2011
• Online Video Trends in 2011: From YouTube Mobile to Major Redesign - Search Engine Watch
• A Look Back at 2011: Begun the Online Video Turf War Has
• Top 20 Online Video Ads Of 2011 According To Shares
• Relive 2011 With Amazing Google Video: Zeitgeist 2011 Year In Review
• Highlights Of 2011: The Year In Paid Content, By The Numbers | paidContent
• The 10 stories that defined tech in 2011 — Tech News and Analysis
• Three New Media Lessons Learned In 2011
• 2011 Year in Review | Home Media Magazine
• Google and Facebook are Nielsen's top online US destinations of 2011 | The Verge

Monday, January 9, 2012

Online Video in 2011: A Look Back - Part 3

As 2011 progressed, consumers became increasingly connected and mobile, and wanted video on all screens all the time. Video companies were challenged to evolve services faster, differentiate the experience, offer services on any device, any network, manage and monetize infinite content and manage increasing complexity in the home. Operators started seeing connected devices as an opportunity and not a threat, and began to partner with content owners and advertisers on social video and multi-screen solutions. The online video industry saw more roll ups and funding announcements, video companies pursued the OTT market with TV Everywhere solutions, Nielsen reported that while mobile video use grew 40% but growth rates declined, Cisco forecasted that video would comprise of half of the Internet traffic by the end of 2012, for the first time in 20 years US household saw a drop in TV set ownership, YouTube reigned as the king of video views with 3 billion/day and got even more serious about original content channels and live streaming for partners, Apple unveiled a controversial update to Final Cut Pro X, media buyers continued to warm up to video, second screen viewing Tubemogul rebranded as a video advertising platform, Brightcove made the news with its patent for digital content delivery and expanding beyond video into mobile 'App Cloud' development and its IPO announcement, Ooyala and YuMe partnered to deliver video ads, other OVPs like DaCast, RealGravity, Unicorn Media and LongTail Video diversified their offerings with live streaming, syndication, ad networks and monetization, Hulu was for sale and then not-for-sale.

And that wasn't all...

In May, I kicked off a series of interviews I had conducted over the past year at online video industry events. Within the year I attended Online Video Platform Summit, NewTeevee Live, OTT Con, Liveclicker's 2011 Video Commerce Summit, TV Next Con and Streaming Media West 2011, and met so many incredible people along the way who all great insight and advise to share. In 2011, I produced a total of 31 videos for this blog, several of which also ran on ReelSEO.com, and also 5 videos which I produced for VideoRetailer.org. I have a lot of videos still to post which I plan to get back to within the next few posts.

According to Internet marketer and professional musician, Austin Brooks, if you are a small business and you're looking to establish yourself online, you really need to start working on some kind of video strategy and figure out a way to constantly publish content on a regular basis. Brooks uses online video as a marketing tool because video is the best way to demonstrate his magic act and full range of what he can offer to potential clients. For Brooks, it was important to have a professional looking website to showcase his magic act and having high quality video was definitely a trick he wanted to have up his sleeve.

The explosive growth of user-generated content on YouTube has spawned a new generation of amateur video producers which has, in turn, made it more acceptable for lower quality productions. It's true that anyone with the right tools and know-how can shoot and edit video. And, to some degree we are all able to craft an interesting or even compelling story. But what about the art and craft of producing a professional video production? Does knowing how to use a Flip camera make you a video professional?

Bruce Alfred, Principal of Cobblestone Inc., is asked over and over, how important is it to create high quality video? Can I just use my consumer HD camera to make something and put it up on my business website? As professional video producer and web video consultant, Alfred's answered that question many times and his answer is no, that's not the best idea. Certain content requires high production value and other content may not. It all depends on your audience. But for brands, you want to make sure you're above the fray and not just another low quality YouTube video. While there could be places on your site where you have user-generated video, when it's your creation you want it to reflect well on your brand. Alfred says that a professional video producer is an expert that every brand should hire.

Curt Van Inwegen, VP of Client Services at LEVEL Studios, offered his insights on what you should consider for selecting the appropriate OVP for your business. Van Inwegen suggests that when you're choosing an OVP you need to look at several things. You're not just looking at the technology, you're looking at the ability to gather data on who is looking at your content, what devices they are using, desktop or mobile and what type of mobile, iPhone, iPad, Android or Blackberry, and can your content can actually play on those devices or can it be produced from those devices. With everything going mobile, Van Inwegen, notes that the ability to ingest that content and view it on a variety of different platforms is really what's critical, and an OVP will help you distribute your content to all those platforms and devices within the complex and fragmented video landscape.

I caught up with Blip.tv CEO and co-founder Mike Hudack who says the world has fundamentally changed since the early days of television, and that we've gone from an economy of scarcity where you can only put out one show at a time, to a world where you can put out any number of shows. There are more independent show producers today than there have ever been in history, which Hudack attributes to the less expensive production costs, and has given rise to a new generation of stars and producers. Blip.tv was founded in May 2005, by a group of five friends who love web series, and has grown to become one of the Internet’s largest independently owned and operated video properties. Hudack says that what they've doing all along is building the next the generation television network. (Blip has seen some changes recently with news that co-founders Mike Hudack and Dina Kaplan would be leaving the company. Hudack is taking a medical leave and will likely be back at Blip when his health returns, and Kaplan's departure is unrelated.)

Over the last several years live video streaming has become a powerful marketing tool for artists and brands. Max Haot, CEO and Co-founder of Livestream, says it's been interesting to watch the growing trend of brands adopt live streaming to market their products. Content brands like movie studios, use Livestream to market the release of a new movie within social networks like Facebook and Twitter through a live broadcast of the red carpet premiere. Haot says that working with brands and content owners drives content quality and revenue and is core to Livestream's mission to build a next-generation live cable operator. But the bigger goal of Livestream is to unlock every event around the world, from major events like red carpet interviews at the Oscars or the Royal Wedding, to prosumer events from a church, a small baseball game, or even a smaller conference.

Core to any good video content strategy is a blend of ingredients that compel and engage viewers to discover and share your content. You can have the most compelling content in the world, but if people aren't aware of it and can't find it easily, it won't make any difference. According to Patrick Starzan, Vice President of Marketing and Distribution for Funny or Die, its recipe for success is a combination great content, search engine optimization and social media. Starzan says that it's all about really having a comprehensive strategy. You shouldn't look at just one, search over social media, as two different things, or two different variations of what's important. They're both just as important as the other. Because at the end of the day, you want to have your content discovered as quickly as possible by relevant audiences.

As the current trends in online video continue to show massive growth, so does the opportunities for online video publishers and marketers. For businesses, there's no other tool more important than online video analytics to capture how your video content is consumed on the web. Dan Piech, Senior Product Management Analyst with comScore says, the best way online video publishers and marketers create and sustain value is through differentiation, and the way you do that is through your data. Piech says that it's not just about understanding your audience, but then putting together a pitch that sells that audience to advertisers. Piech says that online publishers will not have the reach of a television audience, and for small publishers it will be even harder. He suggests that publishers find that niche audience, develop it and sell that niche based on what you've learned about it from your metrics, because the agencies are not going to do that for you. He says that digital market intelligence services like comScore help you better understand your audience.

Content delivery continues evolve and it's been 10 years since Bram Cohen, Chief Scientist and Co-founder of BitTorrent, Inc. first invented the revolutionary peer-to-peer (P2P) file-sharing protocol for transferring large files over the Internet. While the P2P file-sharing protocol has long been associated with digital piracy, BitTorrent has worked with a variety of filmmakers, musicians and authors over the past year, to help distribute films using the company’s P2P technology. I caught up with Cohen at last year's NewTeeVee Live where he discussed BiTorrent's future in P2P live streaming.

When Wowza Media Systems first was conceived, Dave Stubenvoll says he and his co-founder, Charlie Good, saw a market need for a better media delivery solution which incumbent media server providers (Adobe, Microsoft and Apple) could not address. When Wowza Media Server 1.0 first came to market in February 2007 it was originally offered as a low-cost alternative to Adobe's Flash Media Server and had great success. But when Wowza Media Server Pro 1.5 was released in May 2008, it expanded its abilities by introducing H.264 video and AAC audio streaming support. Today, Wowza Media Systems provides a flexible multi-platform media software for streaming of live and on-demand video, audio, and RIAs (rich Internet applications) and is highly regarded within the online video community having recieved numerous awards, including multiple Streaming Media Readers' Choice Awards, Streaming Media Editors' Pick and 2010 and most recently, the best AV Over IP Distribution System by AV Technology Magazine.

One of the biggest pain points for video publishers is how to deliver video to every user on any browser or mobile device. As the fractured video landscape continues to grow in complexity and scale with no standard across platforms, cloud encoding start-up Encoding.com, created an innovative solutions to help ease that pain with a product called Vid.ly. Encoding.com released it in early 2011 as a beta version and after a successful launch and overwhelming market response, Vid.ly was released as a Pro version primarily targeting the tens of thousands of media brands, agencies, and application developers.

Vid.ly is both a clever and unique service that allows publishers to upload videos and get back a universal video url that will play your video everywhere, on any desktop browser or mobile device. Encoding.com's President Jeff Malkin says, Vid.ly takes on the heavy lifting that is usually done by OVPs by delivering important and basic functionality (transcoding, storage and delivery through partners) along with device and browser detection  all wrapped up in a single url. Vid.ly takes care of it all and when viewers click on the url, Vid.ly detects the device or browser type and delivers the correctly formatted and optimized video.

In between all the online video conversations, I paused to answer the question, Where's Klessblog? For many of you who have followed this blog, you may have noticed that things slowed down here a bit in 2011, and that was mainly due to an extremely busy work schedule at my day job. Outside of my busy work schedule, I tried to spend more time with my family and less time online. That trend continued through the rest of the year and my goal moving forward is to achieve a better work and life balance. Stay tuned for more details on that.


Editor's note: This ends Part 3 of Online Video in 2011: A Look Back. Stay Tuned for the conclusion, Part 4.

Tuesday, November 22, 2011

At Long Last… My Interview with Merton, the Piano Chat Improv Guy

It was more than a year ago when Merton, the improvisational piano player, became an Internet sensation when he first appeared on Chatroulette playing piano and serenading the strangers he'd meet on the video chat website. His videos have attracted over 25,000,000 views on YouTube and he has performed in London, Montréal, and he now has a live, interactive, webcam show that airs weekly on Wednesdays at 10:00 PM ET called The Merton Show.

Merton is a self-taught improvisational pianist who lives in the Colorado rockies. He's a quick-witted, friendly guy who conceals his true identity by wearing a green hoodie and fake horn-rimmed glasses. There had been some speculation that he was actually recording artist Ben Folds in disguise – especially with Ben Folds' Chatroulette Piano Ode to Merton video – but while the two have similarities in appearance and musical styles, they both disputed the claim in a recorded Public Service Announcement where they appeared together.



I met Merton last year at NewTeeVee Live where he spoke about his experience as a web celebrity and how he planned to further develop and evolve his improvisational social and musical style. Merton says that he's played piano and done improvisational music for a long time, but Chatroulette gave him the mass exposure to freestyle in real-time with random strangers and become a viral video phenomenon.
"What I'm into mostly is public piano playing. I like to set up a piano in a strange location where people are not expecting it, nontraditional, unorthodox audience situation. I like when somebody is just living their life thinking about "what groceries do I have to buy?" on the way home and all of a sudden here's a guy with a piano singing about them."
Chatroulette: The Dark and Lighter Side

Chatroulette was created by a 17-year-old high school student named Andrey Ternovskiy and launched in November 2009 as a social video website akin to speed dating, where random strangers from around the world could connect for webcam conversations. The media became obsessed with the site for its prevalence of inappropriate content (e.g. naked guys) and Jon Stewart  lampooned it on The Daily Show. Merton learned about Chatroulette from friends and while he knew about the objectionable content he still thought it would offer him a good opportunity to weave his musical talents with its unique interactions and random nature.
"On Chatroulette, I was always dealing with someone who had basically volunteered – they had a limited set of expectations, they knew they were logging onto this website, someone was going to show up on the other end – but in real life it's much more fun because they're not ready for it, they're not expecting it so I get a different king of interaction."
Merton's Improvisational Musical Style

Merton only plays real pianos. He's not interested in synthesizers or organs and he doesn't bring a piano anywhere. He looks for them in weird places, like the hospital waiting room where people don't expect to be entertained and improvisation is a big part of what Merton does.
"Improvisation for me means making it all up on the spot. There's a lot of different interpretations of improv. A jazz improvisation usually is a set song with a chord sequence, and then you keep using the same chords but you play different stuff over it. Acting improv usually has a format. If you go see Second City Live, or something like that, they'll say let's do the Star Trek sketch, but let's let the audience decide what we're going to talk about. But they still have a framework. I'm interested in absolute pure improv where I'll sit down and someone says, play that Bon Jovi song, I'll play the Bon Jovi. If a guy in a plaid short walks up, I'll play the song about the guy in the plaid shirt. So, I'm interested in really free improv, I think especially because I'm not good at preparing for stuff, and so I walk in with a clean slate, no prep and I get to go from there. So I'm lucky I've become an improv musician."
See Jeremy Scott's musical interview with Merton on Reel SEO for on his improvisational musical style: Reel Songs With Merton, PianoImprov Chatroulette Viral Video Star – Interview Conducted In Song.


PianoChatImprov = The Truman Show?

Merton says he loves to document and archive his experiences and is somewhat obsessive about it.
"I'm very nostalgic about personal memories. I love photos and videos of everything, and in all seriousness, as freakish as this sounds, if I could have a little camera running for every moment of my life I would definitely do that."
Especially, he says that when dealing with strangers, they're a big part of the content. He doesn't think the public is that interested in just seeing him sit down in a plain room perform and make things up off the top of his head.
"The interactive component of what I do and the other person is a huge factor, they're my co-stars."
He says when he's playing on the street or in a public context sometimes magic happens, he says, "and if the camera isn't running, it doesn't count. I don't get to show the results."


So when he's playing on the street he carries three cameras with him all the time and sets up three-point shooting.
"I love to capture the moment because I want to be able to watch it later and show it to people."

He says he doesn't actually like to be the center of attention but he does like to be a catalyst for making things happen. This has led him to several projects over the last year that took him to London and MontrĂ©al, where he worked with T-Mobile to play piano and sing to passengers at airports around the UK, and on streets of MontrĂ©al.

The Merton Show



Merton recently released his first solo piano music, called "The Montreal Song"available on iTunes: http://bit.ly/k1swwq and launched his weekly live, webcam show where fans can interact with him via chat and video. His advice to artists and performers looking to build their audience and expand their reach is to just do it.

"Video is huge and I don't know if I can say anything that hasn't already been said. But a picture is worth a thousand words but a video is worth a million pictures. If you think of a good friend who is no longer around or you get older and change, you have video of a moment of your life is worth so much. You know, you see the person, how they move, their mannerisms, how they speak and it's very different then looking at a photograph. 
And so as far as being a performer, without video and Internet in particular, obviously, for somebody like me, I would never got a record deal. I probably never would have walked into a record office and said, here's my demo tape, here's my photo… But because I was able to make this humble little 5 minute video and put it in a place where millions of people could watch it. I was able to insert myself in the mainstream that way. So, I would encourage anybody who is a performer or artist to just do what you do. Put it on film or take pictures, put it on the Internet and people can find it."

Merton's related websites:

Thursday, September 1, 2011

Where's Klessblog?

For many of you who have followed this blog, you may have noticed that things have slowed down here a bit at Klessblog, and I wanted to take a moment to give an update on where I've been and what's happening here on the blog.

Over this past year, the number of posts I've written has decreased significantly, with only two posts each for the past few months, and that's mainly due to an extremely busy work schedule at my day job. For many in the corporate video sector, things tend to slow down in the summer as people cash in on their vacation time and break away from the daily grind. But things actually got busier for me and it looks like that's going to be a continued trend through the end of the year.

Outside of my busy work schedule, I've also been trying to spend more time with my family and less time online. So that's why you haven't heard much from me over the last few months, but that I plan to get back to blogging soon. I've got a lot of interviews I've been working on the last few months, mainly online video conversations with industry professionals and executives, and my goal is to publish each one I have in the works.


With that, here's a quick snapshot of who's coming up on Klessblog:


Many thanks to you all!

Cheers, Larry


Update: I added a few more names to the list of interviews I forgot to include in the original.

Wednesday, July 6, 2011

BitTorrent at 10, Seeding Its Future in P2P Live Streaming - Bram Cohen, Inventor of BitTorrent


It's been 10 years since Bram Cohen, Chief Scientist and Co-founder of BitTorrent, Inc. first invented the revolutionary peer-to-peer (P2P) file-sharing protocol for transferring large files over the Internet. Now on its 10 year anniversary, BitTorrent's disruptive technology has an installed base of over 160 million clients worldwide, and has grown to become a viable distribution platform for content producers around the world. The company, which first incorporated in 2004 has shifted its focus back to its roots in content delivery, and looks to seeding its future in live streaming.

While the P2P file-sharing protocol has long been associated with digital piracy, BitTorrent has worked with a variety of filmmakers, musicians and authors over the past year, to help distribute films using the company’s P2P technology.

I caught up with Cohen at last year's NewTeeVee Live where he discussed BiTorrent's future in P2P live streaming. In an interview with TorrentFreak, Cohen said that solving a challenging technical problem while creating value was his motivation to get started on a P2P live streaming solution.



“I am fundamentally a technologist, and am simply not interested in working on something which doesn’t solve the fundamental problem it’s supposed to tackle, especially in a market where there have already been so many bad technologies which failed to succeed based on sales and marketing,” he said. (Source: Bram Cohen To Deliver BitTorrent Live Streaming | TorrentFreak)
Source:  BitTorrent.org » For Users
The BitTorrent protocol works differently than the client-server model by breaking files up into small pieces, rather than downloading a file from a single source, like how http and ftp work. The file is downloaded piece by piece from one or many different sources, known as a "swarm" of hosts. Since the file is broken up into smaller pieces, it requires less bandwidth since more parts are available from multiple sources. Once the file is finished downloading, the BitTorrent client software continues to share the completed file (or "seed") with others looking for it.


Cohen has been working on his P2P live streaming protocol over the past few years and admits it's been challenging. Low latency is the biggest issue, as he points out that data is being handed across several peers along the way.
"BitTorrent is peer-to-peer file distribution. Live streaming is a very difficult and challenging and rewarding problem, because there are a few things you have to get it work all at once." he said. " You have to get offloads to as close as 100% as possible. They should be at least 99% if you've got a million people watching something. You want get it very robust, so it doesn't fail horribly; and, you want to get the latency between when the video is taken to when it is displayed on everyone's machines as low as possible and I'm shooting for around 5 seconds."
Cohen says he has some very unorthodox techniques he's come up with to deal with these issues and plans to roll it out anyway now.  (Ed. note: I spoke with in November 2010 and he estimated the roll out within eight months timeframe.)

BitTorrent's two main software products, the Mainline client and flagship uTorrent, have amassed a huge user base and the company has been shifting it's resources to developing clients to reach that audience. Cohen says right now the company is working on their engagement with our existing user base and trying to get others to reach them. They are also working with device manufacturers to make software run on their devices to help with file distribution.

About BitTorrent
BitTorrent creates advanced, innovative technologies to efficiently move large files across the Internet. The company's two main products today include the original BitTorrent software and the tiny-but-mighty µTorrent, which combined boast over 100+ million users. BitTorrent is based in San Francisco, Calif. For more information, visit www.bittorrent.com, and follow on Twitter, or Facebook.

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Monday, May 30, 2011

Brands Are Using Live Streaming Video to Engage Fans on Facebook - Max Haot, Livestream

Over the last several years live video streaming has become a powerful marketing tool for artists and brands. For Max Haot, CEO and Co-founder of Livestream, it's been interesting to watch the growing trend of brands adopt live streaming to market their products. I caught up Haot at NewTeeVee Live 2010 where Livestream announced its new Livestream For Facebook application that allows anyone with Facebook pages to launch a live broadcast within Facebook. Livestream launched this service based on the demand they were seeing from the market and developed an easy way to integrate live streaming into Facebook. Livestream and its competitors had previously provided this service for a fee, but Livestream decided to launch it in a DIY way so that anyone could launch a Livestream channel and embed it in their Facebook page.

Facebook launched its own channel, Facebook Live, in August 2010 powered by Livestream, and has hosted numerous live video and chat with Hollywood celebrities, musicians other high profile Livestream events. Most notable is a recent Town Hall meeting with President Barack Obama that was streamed live from the Facebook headquarters.

comScore noted in a September 2010 study, that the amount of time American audiences spent watching video for the major live video publishers (USTREAM, Livestream, Justin.tv, LiveVideo, and Stickam) had grown 648% since 2009 to more than 1.4 billion minutes. While that's just a fraction of the amount of time Americans spent overall watching online video content, comScore said that the sharp growth indicates viewers’ growing comfort with watching live content. Additionally, the comScore report indicated that live video sites have not only been successful in building audience, but also keeping them more engaged, with the average live streamed video view is 7% longer than the average on demand video view.


"What's interesting for brands to realize," Haot notes, "is the engagement time is on average twenty to thirty minutes, versus if you post a trailer, it's only two or three minutes… and then they have a chance of really creating a viral buzz on Twitter and Facebook, and get a lot of eyeballs coming to the live stream because it's trended on Twitter."
Content brands like movie studios, use Livestream to market the release of a new movie within social networks like Facebook and Twitter through a live broadcast of the red carpet premiere. TV networks like HBO are taking advantage of the Livestream's ability to host live video Q&A sessions with celebrities and show exclusive behind the scene previews. Other brands like Ford used Livestream to launch its 2011 Ford Explorer and hosts regular live events on its Facebook pages with Q&A sessions with customers and fans. Restaurant chain PF Chang hosts a live cooking show to market its Pei Wei Asian Diner brand and takes questions from the audience.

Haot says that working with brands and content owners drives content quality and revenue and is core to Livestream's mission to build a next-generation live cable operator. But the bigger goal of Livestream is to unlock every event around the world, from major events like red carpet interviews at the Oscars or the Royal Wedding, to prosumer events from a church, a small baseball game, or even a smaller conference.
"If you look at the world of events today," Haot says, "a very small percent of these events are being live streamed, so we offer the technology, the tools and promotion to hopefully increase the amount events owners that realize that they can use Livestream to extend their event online and connect with audiences on Facebook and Twitter."
Another goal Haot says, is to increase the production quality and reach across the various platforms by offering HD quality and enhancing the mobile offering by live streaming to the popular mobile devices, and on the web by enhancing it with multi-bit rate encoding and HD. Haot says that connected TVs are another growing platform that event owners can reach and that 80% of all TVs sold today are "connected" TVs.

In a related post on Beet.TV today, Andy Plesser spoke with Kevin Delaney, Managing Editor of the WSJ.com, about the value of live video streaming at the Wall Street Journal. The news organization is creating value in process and audience by connecting with viewers through daily webcasts. This is yet more evidence that live streaming has become a mainstream tool for publishers to extend their reach beyond traditional outlets. As more content creators, publishers and broadcasters develop their mobile and OTT offerings, and with YouTube finally getting into the live streaming business with selected YouTube partners, it's clear that live video streaming has become an integral tool for artists and brands to connect with fans and that demand will continue to grow.



About Livestream
Livestream offers brands a complete solution for your live streaming project on Facebook - Including : Custom Facebook application development with integrated live streaming that gives you everything you need to launch your own 24/7 television station (including Like to watch), Live video platform (including CDN bandwidth from Akamai, social enabled chat and player) and on-side production/encoding services if needed. Livestream streams more than one billion video minutes each month to a growing community of 20 million monthly viewers (with some 50,000 watching at any given time) to audiences on the web, mobile devices, and connected TVs. Notable content partners include Facebook, The New York Times, ABC News, CBS News, Associated Press, HBO, AT&T, IBM, Burger King, Nike, The Academy Awards, The Foo Fighters, Maroon 5, Ralph Lauren, and Diesel.

Livestream was cofounded in 2007 by Max Haot, Dayananda Nanjundappa, Phil Worthington, and Mark Kornfilt, and has received $13 million in funding from private angel investors & Gannett Co. It now operates with over 50 full-time staff members in 3 offices - in New York, Los Angeles and Bangalore (in addition to a globally-available production team). The service is available for free (advertising-supported) or as a feature-rich, monetizable, premium subscription for business. In May 2009, Mogulus re-branded as Livestream. Become a fan of Livestream on Facebook and follow Livestream (livestream) on Twitter.

About Max Haot
Max Haot is CEO and co-founder of video streaming company Livestream. Max is an expert in user generated content, broadcast technologies and workflow. He previously founded ICF a media asset management platform which was sold to Verizon Business in 2005. He held positions as VP of Digital Media at Verizon Business and Senior Vice President at IMG Media - the television and interactive arm of the sport marketing giant (www.imgworld.com). Max is a recognized digital content industry pioneer and is regularly invited to speak and contribute at industry events/forums for the broadcast, broadband and mobile industry. Max is a Belgian national and lived in London, UK between 1995 and 2005 before moving to New York. Follow Max Haot (maxhaot) on Twitter.


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Thursday, May 19, 2011

blip.tv: "We're Building the Next Generation Television Network" - Mike Hudack, CEO, blip.tv


Blip.tv was founded six years ago in May 2005, by a group of five friends who love web series, and has grown to become one of the Internet’s largest independently owned and operated video properties. CEO and founder Mike Hudack says that what they've doing all along is building the next the generation television network. Since it's founding, New York City-based blip.tv has cultivated some the world’s top web series producers, advertisers and video distribution platforms with the mission of making original series both profitable and scalable. This past week, blip.tv relaunched its new blip.tv destination site to better curate and promote the best original web series on the site and make them more discoverable. Additionally, blip.tv announced that it's reached more than three billion views to date, and on pace to reach one billion views per quarter.

I caught up with Hudack at NewTeevee Live 2010, where he discussed the founding of the company, its vision and where he sees it going. Hudack says the world has fundamentally changed since the early days of NBC in the 1940s, which was originally founded to sell TVs, and that we've gone from an economy of scarcity where you can only put out one show at a time, to a world where you can put out any number of shows. He attributes this to the less expensive production costs, which has given rise to a new generation of stars and producers.


"There are more independent show producers today than there have ever been in history," says Hudack, "and that will keep happening, and our job is to make those shows sustainable and profitable over the long term, and scalable – help people go from 10,000 people watching to a 100,000, to a million people, and some people really make money."
Thousands of shows are using the platform and distribute to most of the video Internet, including YouTube, AOL, MSN, iTunes, and to the TV set through partnerships with Roku, Google TV, Boxee, Verizon FiOS, TiVo, Sony TVs and others. Blip.tv works with advertisers to associate brands with the targeted audiences of web series and shares all advertising revenue with producers on a 50/50 basis. Top show producers on blip.tv have made over $500,000 in revenue in 2010, with largest check paid out to a producer at $143,000 in Q3 2010.

Some of Hudack's favorite web shows include, The Philip DeFranco Show, Old Jews Telling Jokes, Big Book of Lies and Status Kill, all of which he says are some of the best examples of what you can with web television today. His advise to anyone interested in producing a web show is to pick something that you are fanatical about, and that the best shows are the ones people make for themselves.
"The other thing that's so important is need to pick white space," suggests Hudack, "so if you make another police procedural drama people are going to say, "oh, I can watch CSI, NCIS, Law & Order", you name it. But if you make a show for an audience that is not being served well by the traditional entertainment system and it's something you're passionate about – you will be successful, I promise. You gotta work hard too."
Just a year ago blip.tv raised $10.1 million in funding and has been growing very quickly building out the platform, adding global sales teams all over the US and in London, and in the last year rapidly transitioning to HTML5. For Hudack, it's been remarkable to watch this industry grow into an industry, because it wasn't here before and he says it's not there yet, but getting there. Right now there are a number of sustainable web shows and more and more people are consuming web shows as their prime time viewing as they shift from television to the web.
"The Internet is a very different place than television," Hudack says, "and we are literally building a television network for the Internet, instead of a television network for television."

About blip.tv
Blip.tv is the place to discover the best in original Web series from both professional and up-and-coming producers. It gives viewers free access to a wide variety of dramas and comedies, series about sports, videogames, food, fashion and more, and makes it easy to find what you want when you want it. The company currently distributes series to iTunes, YouTube, Facebook, Twitter, roku, Verizon FiOS, TiVo, Sony TVs and elsewhere. Blip.tv hosts more than 300 million video views per month and shares all advertising revenue with producers on a 50/50 basis. Please visit http://blip.tv for more information and follow blip.tv (bliptv) on Twitter.

About Mike Hudack
Mike Hudack is a co-founder of blip.tv and serves as the company's president and CEO. He is responsible for blip.tv's overall business strategy, focusing in particular on community relations along with syndication, distribution and advertising partnerships. Prior to blip.tv, Mike worked as a developer and administrator for the National Hockey League, where he managed the team responsible for one of the biggest IT projects in the history of the League — consolidating and re-developing the NHL's internal applications, which serve hundreds of employees using dozens of technologies. Mike also developed the content management system for NHL.com and redesigned the software used to bring scores and statistics from dozens of simultaneous hockey games to fans in real-time.

Mike has spoken at SXSW, Streaming Media West, Beyond Broadcast, the Open Media Developers Summit, TelcoTV and dozens of other conferences and has served as a guest lecturer at NYU and elsewhere as an expert on video, blogging and citizen journalism. He has created and maintained more than a half dozen independent media projects, including warstories:CC, warblogs:CC and the Index of Evil. His independent projects have been covered by the Washington Post, USA Today, the PBS Newshour, NPR and Forbes, among others. Follow Mike Hudack (mhudack) on Twitter

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