Showing posts with label OVP. Show all posts
Showing posts with label OVP. Show all posts

Saturday, January 18, 2014

Online Video Conversations: AJ McGowan, Unicorn Media (now Brightcove)

The online video platform leader Brightcove acquired Unicorn Media on January 6, 2014 for $49 million, consisting of approximately 2.9 million shares of Brightcove stock and approximately $9 million in cash. Unicorn Media is a leading video technology platform company specializing in dynamic ad insertion in the cloud. Unicorn Media's key technology is a product called Unicorn Once, that enables dynamic optimization of video content, either live or VOD, across any Internet-connected device through a single URL, and monetize video content by dynamically inserting and analyzing targeted ads through its patented video cloud technology. Unicorn Media was founded in 2007 and made a name for itself within the online video platform space with more than 50 customers in the broadcast TV sector and $5 million in revenue in 2013. Boston-based Brightcove established itself as the first online video platform (OVP), founded by Jeremy Allaire in June 2005, and went public (NASDAQ: BCOV) in February 2012.

I spoke with AJ McGowan, Chief Technical Officer of Unicorn Media at OTTCON 2013, where he discussed Unicorn's product roadmap and customer experience, its perspective on the state of the online video industry, the challenges within the fragmented market, and where Unicorn would be in 2014. With the acquisition,  McGowan will assume of the role of CTO at Brightcove, and Unicorn's video team and its Once technology joins Brightcove's Video Cloud and App Cloud platforms, and Zencoder, a cloud-based encoding platform and open-source HTML5 video player Video.js, acquired by Brightcove on July 26, 2012 for $30 million.



According to McGowan, the online video industry is at a tipping point. "If you were to compare this, for instance, to the conversion from terrestrial broadcast to cable broadcast, we're probably roughly 1978 or maybe the early 80's, so we're definitely in the early days," says McGowan. "There's massive opportunity that's still in front of us and people are experimenting. There's a lot of fragmentation in the marketplace. There's a lot of complex problems, and we solve a lot of those problems."

McGowan admits that all the complexity is actually great for business, and that throughout 2013 we'll continue to see growth. "Particularly now that we're allowing our customers to monetize their content effectively on all platforms," says McGowan. "That spurs those folks forward to actually putting that content on more platforms. I think we'll continue to see lots and lots of organic growth, and I think we're going to see a lot of different models being applied and we're really excited as a back-end technology vendor, because we make it a lot easier for people to experiment and try different things as they build those audiences."

Some of the challenges facing the industry as a whole, as McGowan points out, is in the friction of the monetization process on the business side. A lot of the hard technical problems have been solved, but one of the biggest problems yet to be solved is how to make an optimal experience, from the brands buying the ad all the way out to the consumer and all constituencies in that value chain. But a lot of smart people are working on solutions now that there's real money flowing into the space.

"I think that a big theme that you're going to see in the next 12-18 months, is as more dollars are being added to this business, as it starts to scale up, how do you make it dial tone? There's this expectation from users whether they're paying for content or whether they're consuming it in an ad-supported way, in either case when we're talking about premium content delivered out to massive audiences, it's go to just work," says McGowan.

So looking into the future, it's going to be all about scale. "Scale, scale, scale," McGowan emphasizes. "How do I get to more users in more places in a consistent high-quality broadcast experience."

This interview was recorded at OTTCON March 19-20, 2013.

Monday, January 28, 2013

2013 Online Video Predictions, Trends and the Shape of Things to Come

As we reach the end of the first month of the year, and look back on 2012, the future becomes more clear. In 2012, we saw much of the same activity in the online space as previous years, with more churn and consolidation, more funding and innovation, coupled with the exploding growth of online video consumption. The industry grew another year and took bigger steps to the future.

It's become tradition on this blog to present the annual collection of online video predictions from around the web. This time last year, I offered advice on Why Online Video Platforms (OVPs) Should Give a Puck, and pay attention to the three I’s: immersion, integration and implementation. Several reports in 2012 looked at the top OVPs and Content Delivery Networks (CDNs) in the market and ranked them according to their implementation skills, innovation and market share. In a November 2012 report by ABI Research, Brightcove led Ooyala in implementation and Ooyala narrowly beat Brightcove on innovation, with Kaltura in third. In Frost & Sullivan’s independent analysis on the global OVP market, Brightcove was recognized as the market leader with the 2012 Market Share Leadership Award. Earlier this month, Frost & Sullivan also recognized Limelight as 2012 Global Product Line Strategy Award recipient in the OVP market.

The money flowed in 2012, with Cisco's whopping $5 billion acquisition of software firm NDS, Brightcove's $30 million acquisition of Zencoder along with a 41% increase in earnings, Ooyala's $35 million in Series E funding, LiveU's $27 million round, Kaltura's $25 million round, Visible Measure's $21.5 million, Tubemogul's $20 million in Series C, WeVideo's $19.1 million round, Chill's $8 million in Series A, Conviva's $15 million investment from Time Warner, Spreecast's $7 million in Series A, Keek's $7 million round, DramaFever's $6 million round, Longtail Video's $5 million in Series B, ShareThrough's $5 million in Series B, TVinci's $4.5 million round, and many more. ABI Research estimates that the combined global market revenue of video delivery and management would reach $2.1 billion by the end of 2012, and will grow to over $4 billion by 2017.

Now in 2013, we've gone beyond the Fear and Loathing in Online Video and codec browser wars from a few years ago, and as Jan Ozer recently noted,  WebM: It's Forgotten but Not Quite Gone. As we move forward, the industry looks to a new online video standard in H.265 High Efficiency Video Coding (HEVC), which was just approved as an ITU standard this past week, although according to Dan Rayburn, HEVC (H.265) Adoption Is At Least Five Years Away For Consumer Content Services. As we move beyond the PC era, with mobile devices and tablets poised to surpass Notebook PC shipments in 2013, voices of reason within the online video industry, like Brightcove's Jeremy Allaire says, the industry needs Bipartisan Solutions to Ending the Religious Wars over Mobile Platforms. Allaire says the future is, "hybrid apps. It's not HTML5 vs. native, it’s actually both HTML5 and native."

Viewing trends are shifting as distribution models change, with YouTube and Facebook dominating the media and entertainment space. According to comScore, "82 million U.S. Internet users watched 38.7 billion online content videos in December, while video ad views totaled 11.3 billion." While the average duration of online content video was 5.4 minutes, long-form content viewing also is growing with Netflix dominating the competition having record earnings 33 million subscribers worldwide (27 million in the U.S.) That's great news for the online video and OTT-video industry, because based on forecasts by Informa Telecoms & Media the global online video market will be worth $37 billion in 2017.

Roku's Anthony Wood says, the future of television is coming faster than you think and that not as futuristic as you'd think, where we'll be able to watch every movie ever made, in any language, day or night. Over the last year, Intel has been working on its own virtual MSO/cable TV service and will soon roll out its set-top and service box city by city. As OTT delivery and subscription models mature we'll start to see more content owners unbundle their offerings. Even HBO is pondering the possibility of a standalone offering which would challenge the status quo. But cord-cutters will have to keep dreaming for now, since cable and satellite operators will block the channel from going direct to consumers since it would cut into their subscription base. Also, stay tuned to what Netflix and Amazon are doing around original programming, which will cause further disruption to content subscription and distribution models.

While online video still remains a fraction of total TV and video revenue, it's growing, and online video advertising will continue to mature as marketers and publishers come to better understand video metrics. According to Frost & Sullivan, online video viewers are watching more video ads, but Ooyala's Bismarck Lepe maintains that the focus has to be about personalizing the viewing experience. he says, Advertising in Videos Could Be Better Targeted and It’s High Time We F**ked With the Magic. Lepe states that, "metrics that provide a more granular understanding of viewer preferences, behavior, device, location and other metrics can dramatically optimize online video advertising efficacy and reach."

As video gets more social, there's also been a lot of talk and jockeying about who will become the next “Instagram for video”, which Sorenson Media's Peter Csathy says, most mobile video “contenders” miss the mark, "because they fail to focus on the fundamental differences between video and still-image content." The real contenders can be identified "by three engaging content types", says Csathy. "Think of them as the three “M’s” that have a real chance to succeed massively at scale: music (a community of interest), meaning (social causes), and moments (private sharing)." With Twitter's release of Vine last week, iPhone users may have just met a new contender to apps like VMIX's video editing app Givit, but Csathy's verdict is that it's not "Instagram for Video" Holy Grail. If 2013 follows the funding trends of 2012, I'm sure we'll see a lot more competition in this space over the next year.

Back in 2009, Cisco predicted that video would be 90% of all consumer Internet traffic and 64% of mobile. Now, a few years later Cisco says online video is going mainstream driven by 70% of U.S. broadband consumers who are watching 100 minutes of professionally produced Internet video every week.

So as we look forward into 2013, at the shape of things to come for online video, one thing is for certain – "content is king" and it always will be.


Online Video Predictions


6 Online Video Trends to Watch in 2013 from Patrick Hurley

2013 Online Video Industry Fortunes: An Introduction - By Joel Unickow: Leading Executives of the Online Video Industry give their prediction for what's to come in 2013

Online Video Advertising and Marketing




Tech

Trends, Shifts and Disruptions

Photo credit: Inhabitat Green Designs
Photo credit: Brightcove Blog

Saturday, December 8, 2012

OTTCONversations: John Gildred, SyncTV - OTT Video is Replacing Traditional Broadcast TV

Earlier this year at OTTCON 2012, I met up with John Gildred, Founder and CTO of Silicon Valley-based SyncTV, to discuss how OTT video is replacing traditional broadcast TV. According to Gildred, media consumption methods are changing, and mobile devices and OTT video is the main driver behind the shift. OTT is on the path to replace conventional TV, but for now, it's becoming a strong supplement to legacy broadcast platforms. Gildred says, video is such a focal point of what's going on and live television is going to be a big component too. An important theme in 2012 is making Over-the-Top technology be suitable for a full multi-channel live television services, and VOD, network DVR, accessibility on any device with all the things you would normally expect.



Another trend, Gildred says, is that broadcasters and content providers will seek and leverage OTT cloud-based video services.
"They may know they need a CDN, they know they need an app, but they don't necessarily know how to tie the billing in and the customer management, and the entitlement and the DRM, and there's so many other pieces they don't always know they need to have."
Those other pieces include; flexible CMS, VOD and live transcoding, rights management, availability windows, billing, branded apps, analytics and integration.

Gildred wrote, on the the SyncTV blog,
"As more people begin looking for alternatives to bundled cable subscriptions, some networks are exploring ways to retain the attention of a changing viewer base. A few prominent networks have also released apps for connected- device and TV app stores." "New standards, like MPEG DASH, and initiatives allow digital TV – think digital cable – to be shown over the Internet, and on connected devices. The idea is based on the different ways in which viewers receive content into their homes. Some watch digital TV. Others stream content, but often to a computer, or computer or connected device (and the required pile of hardware and cables) hooked up to a TV. Hybrid broadcasting would allow viewers to watch all of their streaming and digital broadcast content through one device."
The SyncTV provides an OTT platform for broadcasters and content providers for pay TV and pay-per-view. Gildred has experience working with companies like NBC Universal; France’s largest broadcaster, M6; AVAIL-TVN; LimeTV. SyncTV is headquartered in Sunnyvale, California with representatives in France, Spain, UK, Japan, Singapore, South Korea, and China. Earlier this, SyncTV's parent company Intertrust Technologies Corporation, signed a patent deal with HTC, giving it a 20% stake in SyncTV.


About SyncTV
SyncTV and its content distribution platform offers video content and service providers a turnkey solution for extending their offerings to millions of viewers across the Internet. SyncTV partners with television networks, broadcasters, content distributors, and content producers worldwide to distribute media across all forms of entertainment media including Internet-enabled connected TVs, Blu-ray players, set-top boxes, smartphones, tablets, and more. In addition to Dream Link Entertainment, SyncTV works with many of the world’s top entertainment studios including NBC Universal, Jaroo, Kidlet, Wieder.TV, Aim Flicks, Oasis TV, The Concert Channel and Bollywood Nirvana. Based in Sunnyvale, CA, SyncTV is a subsidiary of Intertrust Technologies Corporation (www.intertrust.com. For more information, visit www.synctv.com or follow @SyncTV on Twitter.

Sunday, September 30, 2012

OTTCONversations: Sean Knapp, Ooyala - Developing the Next Generation of Connected Media Experiences

I caught up with Sean Knapp, Co-founder and CTO of Ooyala, earlier this year at OTTCON 2012 to talk about some of the latest trends in multi-screen video delivery, monetization and personalized video experiences. Knapp was there to speak on the executive panel discussion, "Over-the-Top TV 2.0 – Developing the Next Generation of Innovative Connected Media Experiences."

According to Knapp, a lot of questions are being asked as the growth in online video explodes across the web and devices, in particular, how do we make online video more monetizable and more of a revenue stream? How do we solve this problem of the old adage of, analog dollars to digital pennies and now, justifiably digital dimes, and how do we make that digital dollars?



Video has to be more of a personalized experience


Five years ago online video consumption was only 1% of video viewing, and today that's grown to 9%. That brings with it, some very serious implications, as Knapp notes, "We're no longer in an experimental phase, we're in a viable revenue stream phase. But we're also in a potential cannibalization phase."

Knapp says, video has to be more of a personalized experience for each consumer and each piece of content on each device. Whether it's a mobile phone, tablet, set-top box or PC – they all provide an opportunity to engage the consumer in very different ways that ultimately will build a much stronger one-to-one relationship with every consumer.
"This has huge potential for the market, but it does require a shift in mindset from broadcast, which is a one to many – to personalization, which is a one-to-one dialogue with each and every consumer."

Online Video is still only a small percent of the market, but it's growing...


If you go by hours of content consumed, YouTube is 2.7% of all video viewed online based on statistics from earlier in the year. According to comScore's most recent comScore Video Metrix, an all-time high of 188 million U.S. Internet users watched 37.7 billion online content videos in August 2012, while video ad views totaled 9.5 billion. The notable findings showed that 87.3% of the U.S. Internet audience viewed online video, and video ads accounted for 20.1% of all videos viewed and 1.4% of all minutes spent viewing video online.

While the growth of online video viewing has seen a hockey stick trajectory over the last few years, Knapp notes that it serves as a really good reminder.

He says, "In the online world, we often times get caught up in this whole notion of revolutionary technologies and revolutionizing industries. We could go check Merriam-Webster, but I'm pretty sure "revolutionary technology" requires more than 2.7% of the market share."

That's not to underscore the impact that YouTube has had for the industry, and he acknowledges that it's been an incredible catalyst for the market and has accelerated huge massive growth and consumer adoption.
"But I think it serves as a very good reminder that we have a very long way to go, and that we're in very early innings. What is happening now in online video is that we're moving away form the early adopters, from the user-generated content and simpler business models, and we're actually taking that large body of content that you and I and every consumer has watched for decades, and we're helping that transition to screens. That's the great opportunity here. It takes a different approach and harder product and technology to build to do it, but that's really the promise of online video."

Also, with the growing adoption of OTT services, like Netflix, which boasts 27 million streaming members in the United States, Canada, Latin America, the United Kingdom and Ireland, it's clear that we're quickly moving into the next generation of connected media experiences.

Will all video be available over IP in the next few years?


During his OTTCON panel discussion, Knapp and his fellow panelist were asked their opinion of Anthony Wood's prediction that in four years time, all video will be available over IP.
Knapp says, "It depends on the definition. WIll all content be available over IP in four years? Yes, I think so. Because in four years I think we'll have solved a large number of these monetization problems. Will all content consumption be over IP? Absolutely not. I think we can expect in the next four years that we'll move from approximately 9% in the U.S. to a little bit internationally, to breaking through the 50% barrier in four years. I think it will be a significant turning point, obviously, but again it's very much dependent on availability of content on devices and the appropriate revenue models for that content."

Knapp believes that it will be a long time before all content consumption shifts to IP. But the primary need today is the availability of content, in new packages or bundles and through different monetization models.

What are Ooyala's customers asking for now and in the future?


Knapp says that along this evolutionary path the needs of the market are evolving as well. Three or four years ago, the needs of the market were largely around content management. Today, the needs have evolved to the second phase, he calls reach. Even though, content publishers can extend their reach across all connected devices, there's still a lot of fragmentation in the "10 foot" experience, and these problems are hard to solve. How do you create an engaging experience for consumers while keeping the performance fast and tightly integrated with your monetization model?

Knapp says that it's all about optimizing the experience for the consumer. Different customers have arrived at this set of needs sooner than others, and ultimately, two years from now all anybody is going to care about is the third phase, which is monetization.
"The reach problems will largely have been solved to some varying success. But the primary focus will be on monetization. How do I ultimately monetize my content better? The trick isn't, how do I show more ads or how do I just increase the CPMs of my current ads? That's absolutely part of the picture, but there's a lot more to it than that."
Knapp says it's more about using your analytics wisely to help you decide, how many ads should I show and where? And for each and every consumer, how do I change that? Some consumers respond differently to pre-rolls than overlays. It all depends on where they're at in their consumption cycle, and what state of mind the consumer is in.
"We're recommending content, and trying different pieces of content, and if we're in this exploratory phase, we should actually monetize less aggressively. Whereas, if we're in the recurring consumption phase, we should actually monetize more aggressively. And this is where the big opportunity is, that a few customers are starting to get to, but we will see this as the dominant need in the next two years."
Knapp says Ooyala designed its platform with studios, media companies and brands in mind, which has helped it attract big customers, including ESPN, Miramax, Bloomberg, Yahoo! Japan, Victoria’s Secret, Telegraph Media Group, The North Face, Rolling Stone, Dell, and many more on a global scale.


Where is Ooyala going and where will it be in four years?


As CTO and President of Technology, Knapp oversees Ooyala's technology and product roadmap. He notes that since its inception, Ooyala's focus has always been on how do they help their customers make more money. Not just in the short term, by showing more ads, but in the long term through better user experiences.

Ooyala is well known in the market for their analytics, their approach to data and monetization, and Knapp notes,
"We will continue to make major investments around monetization. It is the fastest growing and largest component of our R&D expenses. We all see this as a key component, not to just grow Ooyala's business but to growing the overall industry."
Just this past June, Ooyala announced that it had raised $35 million in new capital to drive standardization of its platform for online video streaming, monetization and discovery.

Where is content going and how will it change?


Knapp says that if we look at the introduction of online video, we're largely seeing the consumption of similar forms of content, and now we're simply seeing a transitioning of screens. Content producers are creating new forms of the same content, like the print industry had done when it when digital. We're staring to see major consumer brands like Victoria Secret, Dell and REI advertise through branded entertainment or tightly integrated into long-form content.
"We're seeing budgets shift as a result, while at the same time we're seeing premium content you and I consume everyday simply move to these same distribution channels. So it is the introduction of new content, but largely it's the same form."
The only caveat, he says, is that we're seeing mobile devices more clip based. ESPN as an example is repackaging it's popular television program, Sports Center, as clips and they're monetizing it incredibly well on mobile devices and on the PC.
"Similar types of content," says Knapp, "just different distribution strategies now fit to the devices."

Related


About Sean Knapp
Sean Knapp is a co-founder of Ooyala. As CTO and President of Technology, he oversees all engineering and helps define and execute Ooyala's product strategies. Before founding Ooyala, Sean worked at Google, where he developed and launched iGoogle, the company's popular, customizable home page. He also was a tech lead for Google's legendary Web Search team, helping that team increase Google revenues by $1B. Sean has both B.S. and M.S. degrees in Computer Science from Stanford University. He is a member of Ooyala's board of directors. Follow @seanknapp on Twitter

About Ooyala 
Ooyala delivers personalized video experiences across all screens. It is the leader in online video management, publishing, analytics and monetization. Ooyala’s integrated suite of technologies and services give content owners the power to expand audiences through deep insights that drive increased viewer engagement and revenue from video. Companies using Ooyala technology include ESPN, Pac-12 Enterprises, Miramax, Bloomberg, Victoria’s Secret, Telegraph Media Group, Tennis Australia, The North Face, Rolling Stone, Dell, Sephora and Yahoo! Japan. Headquartered in Mountain View, California, Ooyala has offices in Los Angeles, New York City, London, Sydney and Guadalajara, Mexico; and the company works with premier reseller and technology partners throughout the Americas, Europe, Africa, Japan and the Asia-Pacific region. Follow @ooyala on Twitter

Monday, April 23, 2012

Stay Tuned... For More Online Video Conversations

Who hasn't noticed how fast the year has gone by so far? The first quarter of 2012 came an went before you could blink an eye, click on a link or even write a new blog post. I won't bore you all with the usual banter about why I haven't been updating things here on Klessblog. I did though want to provide a quick update to let you all know what's coming up on this blog. There have been a number of interesting developments within the online video space over the last few months, and I've been able to catch up with a number of industry executives to hear about how their companies are innovating in the ever-changing online video and mobile space.

Just last month, I attended the 3rd annual Over-the-Top TV Conference, at it's new venue in the Santa Clara convention center in Silicon Valley, and the interest in that event was indicative of the growing innovation within the the OTT space. The conversations at the conference were not just about set top boxes and the last mile of the network that leads to the living room, but discussions have shifted to how companies can adapt to new business models within the multi-screen environment. Everyone I spoke with agreed that while online video has reached a mature state for delivery over the web and mobile devices. But still, the overall industry of content delivery to any device, anywhere, anytime is still in it's infancy and there's a lot of debate as to how long this initial cycle of growth of growth will take.

I interviewed a number of speakers and exhibitors at OTT Con 2012 to get their insight on some of the issues within the OTT space, which I'll be posting here on the blog in the coming weeks. Here's a quick snapshot of some those upcoming online video conversations.

I also recently met with Stephane Roulland, CEO of DaCast, again at his San Francisco offices to get an update on his self-service, live streaming platform. I first met with Roulland a year ago when his company first launched its "Pay-in-Play" pay-per-view enabled player and live streaming on Facebook.

Look for these interviews along with several others I've previously mentioned coming soon.

As always, I want to thank you all for supporting me here on this blog. Stay tuned for more upcoming Klessblog content and more online video news and information.

Monday, March 5, 2012

Comparing Online Video Platforms – A Market in Transition

The Online video platform (OVP) market has matured over the last few years distinguishing itself from the free solutions by providing value added features, functionality and control. OVPs have made it easier for customers to buy their hosted video solutions vs. building it themselves. This infographic by Devious Media made the rounds over a month ago, and compares four of the top video management companies in the online video platform category, Brightcove, Kaltura, Ooyala and Longtail Video. While this is a just small sampling of the market and only scratches the surface of each platform's capabilities, it's important to know what to look for when choosing an OVP and what's available from each platform.



Kris Drey, Founder of free online OVP comparison service VidCompare, says we're seeing a market in transition and smart companies are adapting to the changes in the marketplace. Currently, there are 91 companies in the OVP market that he's tracking in his online interactive OVP directory. He says differentiation is key to standing out in the crowded field, and we’re beginning to see new business models arise in small pivots.

An OVP provider is typically a SaaS (software as a service) solution providing end-to-end tools to manage, publish and measure online video content for both on-demand and live delivery. The key components of an OVP include: content management, hosting, encoding, customized video players, analytics, syndication, interactivity and monetization through a variety of 3rd-party online advertising options.

According to a Frost and Sullivan report, World Online Video Platforms Market, six key vendors define the OVP space (and capture over 75 percent of the market), and more than 20 other vendors make more than $1.0 million a year each. The report sees the considerable opportunity for the OVP market which is set to grow 11 percent during 2010-2015 and has the potential to look very different in 3-5 years.

The Brightcove IPO Effect

If you follow the space, you know that the most notable news of late is the Brightcove's recent IPO. Ooyala CEO Jay Fulcher noted the significance of the Brightcove IPO in a blog post on the Ooyala website.
"This IPO is an important milestone in the evolution of online video technology and demonstrates that the category is now maturing," says Fulcher. "Brightcove will be the first of many online media firms to go public in the coming years. There’s tremendous potential for other players to innovate and monetize the online video realm. Accessing the public market is likely critical for Brightcove, and it’s great news for the streaming media universe in general."
So Many Choices, But How to Choose?

The differentiation of video workflows and toolsets are key for OVPs, since the standard features across platforms have become commoditized, with all the choices from current and new OVPs and offerings like Vimeo Pro. Brightcove has expanded its offering with its App Cloud development platform. Ooyala competes directly with Brightcove in the media and entertainment space and is known for its analytics and monetization solutions. Kaltura has a broad educational and open-source platform and offers both a free and hosted solution. Longtail Video is the home of the world-famous JW player and a leader in video management and delivery with Bits on the Run.

vzaar and Wistia are known for their clean user interfaces and affordable platforms for businesses, Twistage and Unicorn Media's extensible workflow management tools work with existing platforms. Sorenson Media has extended its industry-leading encoding software into a CMS for video professionals, RealGravity is focused on video content syndication, DaCast operates a live streaming SaaS platform, Buto.tv targets brands and marketers, Liveclicker has a comprehensive video commerce platform for retailers, Magnify.net is an industry leader in curation solutions, VMIX has both iPhone app and video platform solutions, VPFactory has customized players and affordable plans, KIT digital has a global video platform and has amassed a formidable customer base through its acquisition strategy, and the list goes on and on...

But with all the diverse offerings from the crowded OVP market, Drey says there' hasn't been much change or major points of differentiation among the 91 OVPs in the past 6 to 12 months.
"New OVPs have sprung up like VidCaster, and MediaCore, we saw RealGravity acquired by Scripps Networks and we've witnessed our first OVP IPO" says Drey. "But other than the fact that publishers have plethora of options there really hasn't been any major movement as it relates to technology innovation." 

The key to choosing an OVP, says Jan Ozer is to choose wisely because not all OVPs are alike. So most importantly, make sure it supports your business model. Ozer cites VidCompare as a great launching point for starting your search as well as testing the platforms through their free trials. He also just published a new Buyer's Guide: Online Video Platforms on Streamingmedia.com.

For a unbiased and detailed evaluation of the OVPs from the infographic and more, check out Charlie Davis' blog:
 • Online Video Platform Test Drive – Brightcove
 • OVP Test Drive – Kaltura (SaaS Version)
 • Online Video Platform Test Drive – Ooyala Backlot
 • OVP Test Drive – Longtail Video: Bits On The Run
 • Online Video Platform Test Drive – Limelight Video Platform

Also, check out my pal, Joe B's (@zbutcher) Online Video Provider (OVP) List. He's done a great job tracking and evaluating all the OVPs that have come to market and is curating it on Scoop.it.

To Be an OVP, or Not to Be? That is the Question

While it's easy to categorize all the companies into the same market, some OVPs in the space don't even see themselves as being just a video management company. In an interview with Charlie Davis, Ooyala co-founder and President of Products, Bismarck Lepe said:
"We don’t consider ourselves an OVP. Our video platform, Backlot, is just one of the many products and services we sell. Small to mid-sized companies are fine with a one-size fits all approach to video publishing, monetization and analytics, but the large broadcasters and operators require a lot more flexibility."  - Getting to Know Ooyala – My Interview with Bismarck Lepe — A Product Named Charlie
Bill Sewell of Wiredrive, an online media sharing service for business, thinks that OVPs are still not truly mainstream and well understood. Sewell says that the OVP market has similarities to the Digital Asset Management (DAM) market which he spent years in witnessing the same level of confusion.
"Clients have a painful purchase cycle - vendors promise the moon, the integrations become more complex and expensive and the client often ends up with unwieldy solutions they're stuck with for years... just in time to go through the same process again with a new vendor down the road," says Sewell. "If people don't understand the challenges of today's OVPs, how will they move towards the inevitable world of integrated SaaS technologies." 
The Growing Opportunity for Online Video Platforms

As the layers of the online video stack begin to flatten as Telcos and CDNs start to get into the OVP business we'll see an even greater transition in the market. Drey points out that we'll see some thinning of the OVP market and the innovative OVPs will focus on convergence in 2012.
"Users of online video will no longer have to sign multiple contracts with different vendors looking for CDN, OVP, AdNet, and monetization solutions."
According to Brightcove, there is a large and growing market opportunity for OVPs and it estimates the total addressable market to be approximately $2.3 billion in 2011, growing to approximately $5.8 billion in 2015. But as Dan Rayburn points out, with Brightcove's revenue of $63 million in 2011, it only captured 2.7% of the market, and that leaves a lot of high stakes opportunity for the rest of the OVP providers.

We'll see though, if the numbers play out.


Disclaimer: VidCompare is a sponsor of this blog

Thursday, September 1, 2011

Where's Klessblog?

For many of you who have followed this blog, you may have noticed that things have slowed down here a bit at Klessblog, and I wanted to take a moment to give an update on where I've been and what's happening here on the blog.

Over this past year, the number of posts I've written has decreased significantly, with only two posts each for the past few months, and that's mainly due to an extremely busy work schedule at my day job. For many in the corporate video sector, things tend to slow down in the summer as people cash in on their vacation time and break away from the daily grind. But things actually got busier for me and it looks like that's going to be a continued trend through the end of the year.

Outside of my busy work schedule, I've also been trying to spend more time with my family and less time online. So that's why you haven't heard much from me over the last few months, but that I plan to get back to blogging soon. I've got a lot of interviews I've been working on the last few months, mainly online video conversations with industry professionals and executives, and my goal is to publish each one I have in the works.


With that, here's a quick snapshot of who's coming up on Klessblog:


Many thanks to you all!

Cheers, Larry


Update: I added a few more names to the list of interviews I forgot to include in the original.

Sunday, May 15, 2011

Creating Branded Video Experiences Using the Kyte Platform - Curt Van Inwegen, LEVEL

I caught up with Curt Van Inwegen, VP of Client Services at LEVEL Studios at last year's Online Video Platform Summit where he was part of a panel on the topic of how to choose the right online video platform for your business. Van Inwegen offered his insights on what you should consider for selecting the appropriate OVP for your business. LEVEL Studios is an independent digital agency based in San Luis Obispo, California with additional offices in San Jose and El Segundo, California that provides user experience, digital media, and application development solutions.

Van Inwegen suggests that when you're choosing an OVP you need to look at several things. You're not just looking at the technology, you're looking at the ability to gather data on who is looking at your content, what devices they are using, desktop or mobile and what type of mobile, iPhone, iPad, Android or Blackberry. The other piece of it is, looking at whether your content can actually play on those devices or can it be produced from those devices.



With everything going mobile, Van Inwegen, notes that the ability to ingest that content and view it on a variety of different platforms is really what's critical and an OVP will help you distribute your content to all those platforms and devices within the complex and fragmented video landscape. Those are but a few of the key factors he and his team at LEVEL look for in the solutions they provide to their clients.

Van Inwegen says:
"A lot of our clients aren't just looking to post their video up and generate a bunch of ad revenue, they're looking for what we call, branded experiences."
LEVEL's choosing of the Kyte platform was based on the idea that they can have complete control of customization of the video player. Everything that wraps around the video can represent the brand in way that he says isn't available in other platforms. This offers great flexibility in a white labeled solution for any viewing platform whether it's a TV, website or mobile device.

Van Inwegen spoke with Beet.TV last year about how on LEVEL has helped their client Monster Energy Drink create an interactive branded video experience for their loyal fans using the Kyte platform. He says that the flexibility of Kyte's 360° application is incredibly powerful for producing content, both professionally produced or user-generated, and distribution on platforms on mobile, desktop and the social web. Other key features that offer the brand more control and insight are with the moderation tools and analytics suite. Read more here: http://t.co/u3C9tS1

About Curt Van Inwegen
Curt Van Inwegen is the Vice President of Operations at LEVEL Studios, an independent digital agency headquartered in San Luis Obispo. With offices in San Luis Obispo, Los Angeles and San Jose, LEVEL has about 150 employees (more than 100 based in San Luis Obispo) and a client list that includes Apple, Disney, Cisco and Hewlett-Packard, among many others. Prior to joining LEVEL, Curt served as a member of the Orb Networks, Inc. executive team and managed strategic partnerships with companies such as Sprint, Intel, AMD, Hutchison 3 Group, Nokia, Vodafone and Virgin Digital. Curt earned his MBA degree from Loyola Marymount University and his Bachelor’s degree in Business and Accounting from the Loyola College, Maryland.

On a personal level, Curt, his wife Martha and daughter Cyprus live in Atascadero and enjoy all the region has to offer from outdoor activities to wine tasting to the various farmers markets. He’s an active cyclist and enjoys passing mountain bikers on 27-speed bikes uphill with his single speed. From a historical perspective, his Grandmother on his mother’s side was Melba Branch, of the long-standing Branch family in Arroyo Grande.

Follow Curt Van Inwegen (LEVEL_CS) on Twitter


About LEVEL Studios
LEVEL Studios is an independent digital agency that amplifies global brands by innovating across desktop, web and mobile environments. LEVEL provides user experience, digital media, and application development solutions. Its solutions include user experience design and research, brand promotion strategy, and marketing research and planning; enterprise application design, Web services development and integration, content management implementation, technology architecture consulting, and hosting and managed services; J2EE, .NET, PHP, and ColdFusion-based systems engineering; and intranet, extranet, and portal solutions. The company’s services also include brand and campaign development, social media, information design, and search engine marketing; and 3D design and development, Web and application interface design, video and post production, Web production, and database engineering. LEVEL Studios was formerly known as Web Associates, Inc. The company was founded in 1995 and is based in San Luis Obispo, California with additional offices in San Jose and El Segundo, California. As of September 20, 2010, LEVEL Studios operates as a subsidiary of Rosetta Marketing Strategies Group, Inc.


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