Showing posts with label Online Video Platform. Show all posts
Showing posts with label Online Video Platform. Show all posts

Saturday, December 8, 2012

OTTCONversations: John Gildred, SyncTV - OTT Video is Replacing Traditional Broadcast TV

Earlier this year at OTTCON 2012, I met up with John Gildred, Founder and CTO of Silicon Valley-based SyncTV, to discuss how OTT video is replacing traditional broadcast TV. According to Gildred, media consumption methods are changing, and mobile devices and OTT video is the main driver behind the shift. OTT is on the path to replace conventional TV, but for now, it's becoming a strong supplement to legacy broadcast platforms. Gildred says, video is such a focal point of what's going on and live television is going to be a big component too. An important theme in 2012 is making Over-the-Top technology be suitable for a full multi-channel live television services, and VOD, network DVR, accessibility on any device with all the things you would normally expect.



Another trend, Gildred says, is that broadcasters and content providers will seek and leverage OTT cloud-based video services.
"They may know they need a CDN, they know they need an app, but they don't necessarily know how to tie the billing in and the customer management, and the entitlement and the DRM, and there's so many other pieces they don't always know they need to have."
Those other pieces include; flexible CMS, VOD and live transcoding, rights management, availability windows, billing, branded apps, analytics and integration.

Gildred wrote, on the the SyncTV blog,
"As more people begin looking for alternatives to bundled cable subscriptions, some networks are exploring ways to retain the attention of a changing viewer base. A few prominent networks have also released apps for connected- device and TV app stores." "New standards, like MPEG DASH, and initiatives allow digital TV – think digital cable – to be shown over the Internet, and on connected devices. The idea is based on the different ways in which viewers receive content into their homes. Some watch digital TV. Others stream content, but often to a computer, or computer or connected device (and the required pile of hardware and cables) hooked up to a TV. Hybrid broadcasting would allow viewers to watch all of their streaming and digital broadcast content through one device."
The SyncTV provides an OTT platform for broadcasters and content providers for pay TV and pay-per-view. Gildred has experience working with companies like NBC Universal; France’s largest broadcaster, M6; AVAIL-TVN; LimeTV. SyncTV is headquartered in Sunnyvale, California with representatives in France, Spain, UK, Japan, Singapore, South Korea, and China. Earlier this, SyncTV's parent company Intertrust Technologies Corporation, signed a patent deal with HTC, giving it a 20% stake in SyncTV.


About SyncTV
SyncTV and its content distribution platform offers video content and service providers a turnkey solution for extending their offerings to millions of viewers across the Internet. SyncTV partners with television networks, broadcasters, content distributors, and content producers worldwide to distribute media across all forms of entertainment media including Internet-enabled connected TVs, Blu-ray players, set-top boxes, smartphones, tablets, and more. In addition to Dream Link Entertainment, SyncTV works with many of the world’s top entertainment studios including NBC Universal, Jaroo, Kidlet, Wieder.TV, Aim Flicks, Oasis TV, The Concert Channel and Bollywood Nirvana. Based in Sunnyvale, CA, SyncTV is a subsidiary of Intertrust Technologies Corporation (www.intertrust.com. For more information, visit www.synctv.com or follow @SyncTV on Twitter.

Sunday, September 30, 2012

OTTCONversations: Sean Knapp, Ooyala - Developing the Next Generation of Connected Media Experiences

I caught up with Sean Knapp, Co-founder and CTO of Ooyala, earlier this year at OTTCON 2012 to talk about some of the latest trends in multi-screen video delivery, monetization and personalized video experiences. Knapp was there to speak on the executive panel discussion, "Over-the-Top TV 2.0 – Developing the Next Generation of Innovative Connected Media Experiences."

According to Knapp, a lot of questions are being asked as the growth in online video explodes across the web and devices, in particular, how do we make online video more monetizable and more of a revenue stream? How do we solve this problem of the old adage of, analog dollars to digital pennies and now, justifiably digital dimes, and how do we make that digital dollars?



Video has to be more of a personalized experience


Five years ago online video consumption was only 1% of video viewing, and today that's grown to 9%. That brings with it, some very serious implications, as Knapp notes, "We're no longer in an experimental phase, we're in a viable revenue stream phase. But we're also in a potential cannibalization phase."

Knapp says, video has to be more of a personalized experience for each consumer and each piece of content on each device. Whether it's a mobile phone, tablet, set-top box or PC – they all provide an opportunity to engage the consumer in very different ways that ultimately will build a much stronger one-to-one relationship with every consumer.
"This has huge potential for the market, but it does require a shift in mindset from broadcast, which is a one to many – to personalization, which is a one-to-one dialogue with each and every consumer."

Online Video is still only a small percent of the market, but it's growing...


If you go by hours of content consumed, YouTube is 2.7% of all video viewed online based on statistics from earlier in the year. According to comScore's most recent comScore Video Metrix, an all-time high of 188 million U.S. Internet users watched 37.7 billion online content videos in August 2012, while video ad views totaled 9.5 billion. The notable findings showed that 87.3% of the U.S. Internet audience viewed online video, and video ads accounted for 20.1% of all videos viewed and 1.4% of all minutes spent viewing video online.

While the growth of online video viewing has seen a hockey stick trajectory over the last few years, Knapp notes that it serves as a really good reminder.

He says, "In the online world, we often times get caught up in this whole notion of revolutionary technologies and revolutionizing industries. We could go check Merriam-Webster, but I'm pretty sure "revolutionary technology" requires more than 2.7% of the market share."

That's not to underscore the impact that YouTube has had for the industry, and he acknowledges that it's been an incredible catalyst for the market and has accelerated huge massive growth and consumer adoption.
"But I think it serves as a very good reminder that we have a very long way to go, and that we're in very early innings. What is happening now in online video is that we're moving away form the early adopters, from the user-generated content and simpler business models, and we're actually taking that large body of content that you and I and every consumer has watched for decades, and we're helping that transition to screens. That's the great opportunity here. It takes a different approach and harder product and technology to build to do it, but that's really the promise of online video."

Also, with the growing adoption of OTT services, like Netflix, which boasts 27 million streaming members in the United States, Canada, Latin America, the United Kingdom and Ireland, it's clear that we're quickly moving into the next generation of connected media experiences.

Will all video be available over IP in the next few years?


During his OTTCON panel discussion, Knapp and his fellow panelist were asked their opinion of Anthony Wood's prediction that in four years time, all video will be available over IP.
Knapp says, "It depends on the definition. WIll all content be available over IP in four years? Yes, I think so. Because in four years I think we'll have solved a large number of these monetization problems. Will all content consumption be over IP? Absolutely not. I think we can expect in the next four years that we'll move from approximately 9% in the U.S. to a little bit internationally, to breaking through the 50% barrier in four years. I think it will be a significant turning point, obviously, but again it's very much dependent on availability of content on devices and the appropriate revenue models for that content."

Knapp believes that it will be a long time before all content consumption shifts to IP. But the primary need today is the availability of content, in new packages or bundles and through different monetization models.

What are Ooyala's customers asking for now and in the future?


Knapp says that along this evolutionary path the needs of the market are evolving as well. Three or four years ago, the needs of the market were largely around content management. Today, the needs have evolved to the second phase, he calls reach. Even though, content publishers can extend their reach across all connected devices, there's still a lot of fragmentation in the "10 foot" experience, and these problems are hard to solve. How do you create an engaging experience for consumers while keeping the performance fast and tightly integrated with your monetization model?

Knapp says that it's all about optimizing the experience for the consumer. Different customers have arrived at this set of needs sooner than others, and ultimately, two years from now all anybody is going to care about is the third phase, which is monetization.
"The reach problems will largely have been solved to some varying success. But the primary focus will be on monetization. How do I ultimately monetize my content better? The trick isn't, how do I show more ads or how do I just increase the CPMs of my current ads? That's absolutely part of the picture, but there's a lot more to it than that."
Knapp says it's more about using your analytics wisely to help you decide, how many ads should I show and where? And for each and every consumer, how do I change that? Some consumers respond differently to pre-rolls than overlays. It all depends on where they're at in their consumption cycle, and what state of mind the consumer is in.
"We're recommending content, and trying different pieces of content, and if we're in this exploratory phase, we should actually monetize less aggressively. Whereas, if we're in the recurring consumption phase, we should actually monetize more aggressively. And this is where the big opportunity is, that a few customers are starting to get to, but we will see this as the dominant need in the next two years."
Knapp says Ooyala designed its platform with studios, media companies and brands in mind, which has helped it attract big customers, including ESPN, Miramax, Bloomberg, Yahoo! Japan, Victoria’s Secret, Telegraph Media Group, The North Face, Rolling Stone, Dell, and many more on a global scale.


Where is Ooyala going and where will it be in four years?


As CTO and President of Technology, Knapp oversees Ooyala's technology and product roadmap. He notes that since its inception, Ooyala's focus has always been on how do they help their customers make more money. Not just in the short term, by showing more ads, but in the long term through better user experiences.

Ooyala is well known in the market for their analytics, their approach to data and monetization, and Knapp notes,
"We will continue to make major investments around monetization. It is the fastest growing and largest component of our R&D expenses. We all see this as a key component, not to just grow Ooyala's business but to growing the overall industry."
Just this past June, Ooyala announced that it had raised $35 million in new capital to drive standardization of its platform for online video streaming, monetization and discovery.

Where is content going and how will it change?


Knapp says that if we look at the introduction of online video, we're largely seeing the consumption of similar forms of content, and now we're simply seeing a transitioning of screens. Content producers are creating new forms of the same content, like the print industry had done when it when digital. We're staring to see major consumer brands like Victoria Secret, Dell and REI advertise through branded entertainment or tightly integrated into long-form content.
"We're seeing budgets shift as a result, while at the same time we're seeing premium content you and I consume everyday simply move to these same distribution channels. So it is the introduction of new content, but largely it's the same form."
The only caveat, he says, is that we're seeing mobile devices more clip based. ESPN as an example is repackaging it's popular television program, Sports Center, as clips and they're monetizing it incredibly well on mobile devices and on the PC.
"Similar types of content," says Knapp, "just different distribution strategies now fit to the devices."

Related


About Sean Knapp
Sean Knapp is a co-founder of Ooyala. As CTO and President of Technology, he oversees all engineering and helps define and execute Ooyala's product strategies. Before founding Ooyala, Sean worked at Google, where he developed and launched iGoogle, the company's popular, customizable home page. He also was a tech lead for Google's legendary Web Search team, helping that team increase Google revenues by $1B. Sean has both B.S. and M.S. degrees in Computer Science from Stanford University. He is a member of Ooyala's board of directors. Follow @seanknapp on Twitter

About Ooyala 
Ooyala delivers personalized video experiences across all screens. It is the leader in online video management, publishing, analytics and monetization. Ooyala’s integrated suite of technologies and services give content owners the power to expand audiences through deep insights that drive increased viewer engagement and revenue from video. Companies using Ooyala technology include ESPN, Pac-12 Enterprises, Miramax, Bloomberg, Victoria’s Secret, Telegraph Media Group, Tennis Australia, The North Face, Rolling Stone, Dell, Sephora and Yahoo! Japan. Headquartered in Mountain View, California, Ooyala has offices in Los Angeles, New York City, London, Sydney and Guadalajara, Mexico; and the company works with premier reseller and technology partners throughout the Americas, Europe, Africa, Japan and the Asia-Pacific region. Follow @ooyala on Twitter

Monday, March 5, 2012

Comparing Online Video Platforms – A Market in Transition

The Online video platform (OVP) market has matured over the last few years distinguishing itself from the free solutions by providing value added features, functionality and control. OVPs have made it easier for customers to buy their hosted video solutions vs. building it themselves. This infographic by Devious Media made the rounds over a month ago, and compares four of the top video management companies in the online video platform category, BrightcoveKalturaOoyala and Longtail Video. While this is a just small sampling of the market and only scratches the surface of each platform's capabilities, it's important to know what to look for when choosing an OVP and what's available from each platform.



Kris Drey, Founder of free online OVP comparison service VidCompare, says we're seeing a market in transition and smart companies are adapting to the changes in the marketplace. Currently, there are 91 companies in the OVP market that he's tracking in his online interactive OVP directory. He says differentiation is key to standing out in the crowded field, and we’re beginning to see new business models arise in small pivots.

An OVP provider is typically a SaaS (software as a service) solution providing end-to-end tools to manage, publish and measure online video content for both on-demand and live delivery. The key components of an OVP include: content management, hosting, encoding, customized video players, analytics, syndication, interactivity and monetization through a variety of 3rd-party online advertising options.

According to a Frost and Sullivan report, World Online Video Platforms Market, six key vendors define the OVP space (and capture over 75 percent of the market), and more than 20 other vendors make more than $1.0 million a year each. The report sees the considerable opportunity for the OVP market which is set to grow 11 percent during 2010-2015 and has the potential to look very different in 3-5 years.

The Brightcove IPO Effect

If you follow the space, you know that the most notable news of late is the Brightcove's recent IPO. Ooyala CEO Jay Fulcher noted the significance of the Brightcove IPO in a blog post on the Ooyala website.
"This IPO is an important milestone in the evolution of online video technology and demonstrates that the category is now maturing," says Fulcher. "Brightcove will be the first of many online media firms to go public in the coming years. There’s tremendous potential for other players to innovate and monetize the online video realm. Accessing the public market is likely critical for Brightcove, and it’s great news for the streaming media universe in general."
So Many Choices, But How to Choose?

The differentiation of video workflows and toolsets are key for OVPs, since the standard features across platforms have become commoditized, with all the choices from current and new OVPs and offerings like Vimeo Pro. Brightcove has expanded its offering with its App Cloud development platform. Ooyala competes directly with Brightcove in the media and entertainment space and is known for its analytics and monetization solutions. Kaltura has a broad educational and open-source platform and offers both a free and hosted solution. Longtail Video is the home of the world-famous JW player and a leader in video management and delivery with Bits on the Run.

vzaar and Wistia are known for their clean user interfaces and affordable platforms for businesses, Twistage and Unicorn Media's extensible workflow management tools work with existing platforms. Sorenson Media has extended its industry-leading encoding software into a CMS for video professionals, RealGravity is focused on video content syndication, DaCast operates a live streaming SaaS platform, Buto.tv targets brands and marketers, Liveclicker has a comprehensive video commerce platform for retailers, Magnify.net is an industry leader in curation solutions, VMIX has both iPhone app and video platform solutions, VPFactory has customized players and affordable plans, KIT digital has a global video platform and has amassed a formidable customer base through its acquisition strategy, and the list goes on and on...

But with all the diverse offerings from the crowded OVP market, Drey says there' hasn't been much change or major points of differentiation among the 91 OVPs in the past 6 to 12 months.
"New OVPs have sprung up like VidCaster, and MediaCore, we saw RealGravity acquired by Scripps Networks and we've witnessed our first OVP IPO" says Drey. "But other than the fact that publishers have plethora of options there really hasn't been any major movement as it relates to technology innovation." 

The key to choosing an OVP, says Jan Ozer is to choose wisely because not all OVPs are alike. So most importantly, make sure it supports your business model. Ozer cites VidCompare as a great launching point for starting your search as well as testing the platforms through their free trials. He also just published a new Buyer's Guide: Online Video Platforms on Streamingmedia.com.

For a unbiased and detailed evaluation of the OVPs from the infographic and more, check out Charlie Davis' blog:
 • Online Video Platform Test Drive – Brightcove
 • OVP Test Drive – Kaltura (SaaS Version)
 • Online Video Platform Test Drive – Ooyala Backlot
 • OVP Test Drive – Longtail Video: Bits On The Run
 • Online Video Platform Test Drive – Limelight Video Platform

Also, check out my pal, Joe B's (@zbutcher) Online Video Provider (OVP) List. He's done a great job tracking and evaluating all the OVPs that have come to market and is curating it on Scoop.it.

To Be an OVP, or Not to Be? That is the Question

While it's easy to categorize all the companies into the same market, some OVPs in the space don't even see themselves as being just a video management company. In an interview with Charlie Davis, Ooyala co-founder and President of Products, Bismarck Lepe said:
"We don’t consider ourselves an OVP. Our video platform, Backlot, is just one of the many products and services we sell. Small to mid-sized companies are fine with a one-size fits all approach to video publishing, monetization and analytics, but the large broadcasters and operators require a lot more flexibility."  - Getting to Know Ooyala – My Interview with Bismarck Lepe — A Product Named Charlie
Bill Sewell of Wiredrive, an online media sharing service for business, thinks that OVPs are still not truly mainstream and well understood. Sewell says that the OVP market has similarities to the Digital Asset Management (DAM) market which he spent years in witnessing the same level of confusion.
"Clients have a painful purchase cycle - vendors promise the moon, the integrations become more complex and expensive and the client often ends up with unwieldy solutions they're stuck with for years... just in time to go through the same process again with a new vendor down the road," says Sewell. "If people don't understand the challenges of today's OVPs, how will they move towards the inevitable world of integrated SaaS technologies." 
The Growing Opportunity for Online Video Platforms

As the layers of the online video stack begin to flatten as Telcos and CDNs start to get into the OVP business we'll see an even greater transition in the market. Drey points out that we'll see some thinning of the OVP market and the innovative OVPs will focus on convergence in 2012.
"Users of online video will no longer have to sign multiple contracts with different vendors looking for CDN, OVP, AdNet, and monetization solutions."
According to Brightcove, there is a large and growing market opportunity for OVPs and it estimates the total addressable market to be approximately $2.3 billion in 2011, growing to approximately $5.8 billion in 2015. But as Dan Rayburn points out, with Brightcove's revenue of $63 million in 2011, it only captured 2.7% of the market, and that leaves a lot of high stakes opportunity for the rest of the OVP providers.

We'll see though, if the numbers play out.


Disclaimer: VidCompare is a sponsor of this blog

Sunday, May 15, 2011

Creating Branded Video Experiences Using the Kyte Platform - Curt Van Inwegen, LEVEL

I caught up with Curt Van Inwegen, VP of Client Services at LEVEL Studios at last year's Online Video Platform Summit where he was part of a panel on the topic of how to choose the right online video platform for your business. Van Inwegen offered his insights on what you should consider for selecting the appropriate OVP for your business. LEVEL Studios is an independent digital agency based in San Luis Obispo, California with additional offices in San Jose and El Segundo, California that provides user experience, digital media, and application development solutions.

Van Inwegen suggests that when you're choosing an OVP you need to look at several things. You're not just looking at the technology, you're looking at the ability to gather data on who is looking at your content, what devices they are using, desktop or mobile and what type of mobile, iPhone, iPad, Android or Blackberry. The other piece of it is, looking at whether your content can actually play on those devices or can it be produced from those devices.



With everything going mobile, Van Inwegen, notes that the ability to ingest that content and view it on a variety of different platforms is really what's critical and an OVP will help you distribute your content to all those platforms and devices within the complex and fragmented video landscape. Those are but a few of the key factors he and his team at LEVEL look for in the solutions they provide to their clients.

Van Inwegen says:
"A lot of our clients aren't just looking to post their video up and generate a bunch of ad revenue, they're looking for what we call, branded experiences."
LEVEL's choosing of the Kyte platform was based on the idea that they can have complete control of customization of the video player. Everything that wraps around the video can represent the brand in way that he says isn't available in other platforms. This offers great flexibility in a white labeled solution for any viewing platform whether it's a TV, website or mobile device.

Van Inwegen spoke with Beet.TV last year about how on LEVEL has helped their client Monster Energy Drink create an interactive branded video experience for their loyal fans using the Kyte platform. He says that the flexibility of Kyte's 360° application is incredibly powerful for producing content, both professionally produced or user-generated, and distribution on platforms on mobile, desktop and the social web. Other key features that offer the brand more control and insight are with the moderation tools and analytics suite. Read more here: http://t.co/u3C9tS1

About Curt Van Inwegen
Curt Van Inwegen is the Vice President of Operations at LEVEL Studios, an independent digital agency headquartered in San Luis Obispo. With offices in San Luis Obispo, Los Angeles and San Jose, LEVEL has about 150 employees (more than 100 based in San Luis Obispo) and a client list that includes Apple, Disney, Cisco and Hewlett-Packard, among many others. Prior to joining LEVEL, Curt served as a member of the Orb Networks, Inc. executive team and managed strategic partnerships with companies such as Sprint, Intel, AMD, Hutchison 3 Group, Nokia, Vodafone and Virgin Digital. Curt earned his MBA degree from Loyola Marymount University and his Bachelor’s degree in Business and Accounting from the Loyola College, Maryland.

On a personal level, Curt, his wife Martha and daughter Cyprus live in Atascadero and enjoy all the region has to offer from outdoor activities to wine tasting to the various farmers markets. He’s an active cyclist and enjoys passing mountain bikers on 27-speed bikes uphill with his single speed. From a historical perspective, his Grandmother on his mother’s side was Melba Branch, of the long-standing Branch family in Arroyo Grande.

Follow Curt Van Inwegen (LEVEL_CS) on Twitter


About LEVEL Studios
LEVEL Studios is an independent digital agency that amplifies global brands by innovating across desktop, web and mobile environments. LEVEL provides user experience, digital media, and application development solutions. Its solutions include user experience design and research, brand promotion strategy, and marketing research and planning; enterprise application design, Web services development and integration, content management implementation, technology architecture consulting, and hosting and managed services; J2EE, .NET, PHP, and ColdFusion-based systems engineering; and intranet, extranet, and portal solutions. The company’s services also include brand and campaign development, social media, information design, and search engine marketing; and 3D design and development, Web and application interface design, video and post production, Web production, and database engineering. LEVEL Studios was formerly known as Web Associates, Inc. The company was founded in 1995 and is based in San Luis Obispo, California with additional offices in San Jose and El Segundo, California. As of September 20, 2010, LEVEL Studios operates as a subsidiary of Rosetta Marketing Strategies Group, Inc.


Related:

Sunday, May 8, 2011

Making Magic with Online Video - Austin Brooks, Professional Magician & Internet Marketer


Austin Brooks is vice president of an internet marketing company and moonlights as a professional magician performing for some of America’s top corporations such as Pepsi, Warner Brothers, IBM and Sony. He uses online video as a  marketing tool because video is the best way to demonstrate his magic act and full range of what he can offer to potential clients. For Brooks, it was important to have a professional looking website to showcase his magic act and having high quality video was definitely a trick he wanted to have up his sleeve. I caught up with Brooks at last year's Online Video Platform Summit where he spoke on a panel about "How to Choose the Right Online Video Platform for Your Business", that comprised of a cross-section of online video platform users in entertainment, business, and education who discussed their decision-making process and the features they looked for to help them advance their goals speak and best fit their needs.

Brooks says:
"For a small business, if you really want to push your services you need to start working on some kind of video strategy. It's not just about shooting a video and putting it up on YouTube and embed it on your website, it goes much further into using it as a credible tool for your business."
Brooks uses Brightcove to power some of the video on his website, but the path to finding the right online video platform manage and distribute his videos took some time. Troy Dreier, spoke with Brooks about his search for an OVP which is highlighted in the post, Case Study: The Magic of Affordable Video Delivery on Onlinevideo.net.


After some experimentation with YouTubeVimeo and several OVPs he came upon a Brightcove ad while leafing through an issue of StreamingMedia magazine and decided to give Brightcove a try.  After about 5 months as a Brightcove Express customer Brooks noted on his blog,
 "In my opinion, Brightcove is THE killer app for anyone wanting to market with video online. It has helped me increase sales in my business and made it easier to do so."
According to Brooks, Brightcove has several key advantages for small business video publishers, which he wrote in his own review of the platform. His favorite features include, smooth playback with no buffering, embed once and future updates are reflected, awesome analytics, professional grade video players, and the best customer support in the industry. Brooks uses analytics to grade the performance of his videos and as an editorial tool to both reshoot and recut his videos based on viewer engagement and drop off rate.

He has since moved to LongTail Video for his online video needs, with Bits on the Run as his OVP of choice to handle video management, transcoding, analytics, distribution, streaming and incorporated the JW Player 5.6 for a seamless cross-platform video playback experience on the web and mobile devices for Flash and HTML5.  This solution has offered him even more flexibility as well as more affordable pricing for content delivery.

Brooks says:
"If I could pass on any advise I would say, if you are a small business and you're looking to establish yourself online, you really need to look at video and figure out a way to constantly publish content on a regular basis; and if you do that you'll start to get a lot of followers."
Read his review of Brightcove Express here: http://www.austinbrooks.com/brightcove-express-review
Along with this post: Austin Brooks Magic Touts Brightcove Express | Brightcove Blog



About Austin Brooks, Independent Magician, Austin Brooks Magic
Austin Brooks is vice president of an internet marketing company and moonlights as a professional magician performing for some of America’s top corporations such as Pepsi, Warner Brothers, IBM and Sony. He began his magic career at the age of 17 when he was accepted to the famed Chavez College of Magic. After two years of intense training, Austin was the youngest person to ever graduate from the college and ranked top in his class. At the young age of 19 Austin took his show on the road and performed all over the country. He performed for companies like Pepsi, Arm and Hammer, Virgin Records, numerous colleges and nightclubs and even spent 18 months in Las Vegas performing for various Casinos and Corporate events. While on the road he wrote his first book “Making Magic Art” and quickly sold out it’s first printing, becoming a must-read for magicians everywhere. The book was proclaimed the bible for “alternative thinking” in magic.

Always wanting to learn more, Austin set out to earn the rare title of Master Magician. To earn the title Master Magician is not an easy task. Not only must you master all of the styles of magic such as illusions, street magic, sleight-of-hand, comedy, and mentalism, you have to be able to perform your craft across all demographics and events. Austin Brooks is one of the few individuals in the world that have been given the title of master magician. Currently, Austin performs for America’s top corporations and elite parties. He develops products for other magicians and consults for feature films and television shows when they need a magic effect created for their project.

Updated 5/9/11 - Note on LongTail Video.

Monday, May 2, 2011

Online Video by the Numbers: Analytics, Reporting, and Metrics

Without detailed information on who’s watching—not to mention where, when, for how long, and on what devices—it’s impossible to prove the business value of your video communications initiative. The ability to measure video traffic beyond "views"-including audience dropoff, what sites and search terms are referring viewers, and audience geography-offers content publishers deeper insight into both the viewing habits of their audience and the extent of their video's reach.  At the Online Video Platform Summit, this all-star panel that examines what is the important data you should be collecting and how to use that data to improve the effectiveness of your video and increase your ROI.

Paul Riismandel, session moderator, started the discussion by asking the panel, "What is the data that is most important for online video publishers? What drives ROI?"

Dan Piech of comScore, says that the most important metrics are the ones that differentiate you. What can you provide that is different from your competitors? You might have a different service, then prove it. What makes your viewers different from other viewers? Are they more engaged, in one thing more than another? That's where data helps show you those differentiation points.

According to Dan Berra of Unicast, engagement is primary metric they focus on in the advertising space. They are tracking how much are people interacting and spending time within that video environment to prove ROI to advertisers. AJ McGowen of Unicorn Media adds that the most important metrics are actionable, and helps you make good business decisions. It's not just about quality of service and did the video have a fast start of buffer, it's about the quality of the content and did people find it engaging – and for publishers it's about how to make the content better.

For Bismarck Lepe of Ooyala,  it really depends on the business case you're trying to solve to define how you measure success. Brett Wilson of TubeMogul says that in general, publishers that sell ads should care about the metrics that their advertisers care about, which is reach, audience and performance. Brand marketers aren't as interested in the real-time metrics as much as they are interested attitudinal metrics – what's the brand lift, what's the purchase intent, or recall? – and the industry could do a better job at creating standard metrics they understand.

The panel all agree that while the industry has similar measures for engagement and reach, it still needs to come together and agree on true key measures of success, even down to what is counted as a view. Data has to be meaningful for publishers to deliver the best possible viewing experience, and at the end of the day it's about a creating that personal experience with great content. It's the social nature of online video that makes it uniquely powerful.

Watch the video below for more of the discussion and to hear where we are going with video analytics, and how publishers can better track their metrics across the different screens.


Speaker bios:

Paul Riismandel, Director of Curriculum Support, School of Communication, Northwestern University (Moderator)
Paul Riismandel has been working in online educational media for fifteen years, specializing in audio and video production designed for streaming. Paul is active in the educational media community as an advocate for online video and encouraging greater collaboration between the education vertical and the larger industry. He writes about these issues in the Class Act column for Streaming Media magazine. Paul is also a radio enthusiast, serving as advisor to student-run WNUR-FM at Northwestern University, and blogging about the future of radio at RadioSurvivor.com. He also blogs and podcasts about other media stuff at mediageek.net.

Brett Wilson, Co-Founder, CEO, TubeMogul
Brett leads the strategic direction for TubeMogul. He spent the first three years of his career as a consultant for Accenture. Next, he founded and led YouCanSave.com, a profitable e-commerce company that obtained over $69 million in revenue and was successfully acquired. Brett is undefeated at Risk, is the reigning Foosball champion at TubeMogul and a lousy (but aspiring) windsurfer, sailor and investor. He is also married and has two beautiful children. Brett received his MBA from the UC Berkeley's Haas School of Business.


Bismarck C Lepe, Co-founder and President of Products, Ooyala
As an Ooyala co-founder and founding CEO, Bismarck Lepe raised $10 million in funding and signed many of the company's early media partnerships before passing the baton to Jay Fulcher in 2009. Currently, as President of Product Strategy, he is responsible for marketing and driving Ooyala's product development vision. Bismarck sits on the Ooyala Board of Directors. Before co-founding Ooyala, Bismarck worked at Google as a Senior Product Manager, developing and managing new products for the company's AdSense network. He launched more than 25 different Google AdSense products, including Click-to-Play video ads and Google's Intelligent Ad Server, which brought the company over $1 billion dollars in new annual revenue. Most notably, Bismarck managed the early growth of AdSense display and video advertising. Business Week named Bismarck one of its Best Young Tech Entrepreneurs of 2009. Bismarck has a B.A. in Economics and a minor in Computer Science from Stanford University.


AJ McGowan, CTO, Unicorn Media
AJ McGowan is responsible for engineering the cutting-edge architecture that will deliver high-quality audio and video via a highly intuitive interface. Prior to Unicorn Media, AJ spent five years at Limelight Networks where as director of solutions engineering, he assisted the company's marquee customers with implementing their content delivery networks, developing best practices, and capacity planning. With a remarkable combination of intelligence and drive, AJ started his first company building high-end custom computers while still in the 8th grade. By age 14, he was an IT manager, and in between high school classes completed a highly technical token ring/mainframe to Ethernet/NT-Unix network upgrade and answered pages from distressed employees.

Dan Berra, Vice President of Business Intelligence, Unicast
Dan Berra leads Unicast’s Business Intelligence division focused on providing robust research, reporting and in-depth analysis of all Unicast-generated advertising campaigns. Under his leadership, clients gain greater insight into campaign results and the effectiveness of rich media and web video against other forms of online advertising As a respected industry veteran, Berra brings more than 12 years of experience spanning financial and marketing analysis at Dell Corporation and T3 (The Think Tank). Most recently, Berra served as the Vice President of the Customer Insight Group at T3, where he built media and search analytics teams from the ground up and created data integration process and databases tying together ad server data, web analytics and client-side data into one interface. Previous to T3 Berra served as transactional marketing manager, at Dell Corp, where he headed the development of segment-level online metrics, created forecasting models and managed transactional marketing. His expertise is in  media and web analytics and measurement,  rich media and online video, next generation web, online media planning and buying, ROI, online advertising and Third Party ad serving.

Dan Piech, Senior Product Management Analyst, comScore Inc.
Dan is a Senior Product Management Analyst at comScore, Inc. and President at Piech Productions. Previously, he was anInteractive Strategy Intern at McKinney, Project Manager at HG Media, Inc and Advertising Intern at Success Communications Group. comScore is a marketing research company that provides marketing data and services to many of the Internet's largest businesses.

The Online Video Platform Summit is a two-day event designed to help organizations of all t>ypes, not just those for whom video is their core business. Held on November 2-3 in conjunction with
Streaming Media West in Los Angeles, the Online Video Platform Summit is designed for video publishers of all types and sizes, whether small businesses looking to publish content for the first time, independent entertainment content creators, large media organizations, or anywhere in between.

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Tuesday, April 26, 2011

Delivering Content to Mobile Devices

With the phenomenal success of Apple’s iPad and iPhone, and the increased adoption of Google Android-based phones, it’s never been more important to get your content on smartphones, tablets, and other mobile devices. This session at the Online Video Platform Summit, features three industry experts in the field of mobile video delivery who discuss why you need to care about things like HTML5, Adobe Flash Mobile, and other video format-and standards-related topics, as well as provide an overview of how online video platforms can help you publish once and deliver everywhere. The session was moderated by Onlinevideo.net Senior Associate Editor Troy Dreier who introduced the session with data from Nielsen which stated 28% of U.S. mobile subscribers now have smartphones, and 41% opted for a smartphone over a standard feature phone, up from 35% last quarter. That number will continue to grow as consumers move away from the desktop and embrace the mobile experience. But of the 5.3 billion mobile subscribers (which is 77 percent of the world population) the largest growth is outside the U.S. and is led by China and India

According to Jeff Malkin of Encoding.com the growth of mobile has been fueled mainly by Apple's iDevices. Gannon Hall, of KIT digital says that mobile is important, because it's become the fastest growing video segment of video consumption and that they're seeing increasing demand from their customers to be able to make it much easier for them to deliver full featured, high-quality video experiences to mobile platforms. David Dudas of Sorenson Media agrees that the iPhone really was the game changer and with other devices entering the field, it's made video delivery to the various devices more complicated, primarily around video encoding. Dudas says if you're going to do it, spend your money wisely, hire a professional don't try to do it yourself. The complexities of device compatibility go far beyond the formats and if it's done wrong your encoded content may not play back, or it may look horribly compressed. Dudas says, "doing it right means your customers will be delighted rather than frustrated, captive rather than fleeting, which translates to more time and money spent with your business."

Malkin says that content producers are a bit shellshocked by all the complexity and says there's good new and bad news for the. The bad news is that it's going to get worse before it gets better – as far as having to prepare video the multitude of mobile devices, but the good news is that companies like his are getting better at making it easier for you. Malkin adds, "If there's any point I could make any more clear, it's something very complex that should not be done in house." Malkin admits that sound very self-serving and says, "Use somebody else then, don't use Encoding.com. The bottom line is that it takes a serious attention and focus to keep reinvesting engineering dollars into infrastructure to keep being able to prepare video for all these various devices. And from a content producer standpoint, I'd rather focus on content, the user experience, the community and not worry about the headache of transcoding video."

Watch the video below to hear more of the discussion on HTML5, H.264, WebM, Adaptive Bit Rate streaming and the growing format wars. Also, see my interviews with each of the panelist that followed this session.




Speaker Bios and Online Video Conversations

Troy Dreier, Senior Associate Editor, OnlineVideo.net
Troy is Senior Associate Editor for OnlineVideo.net and StreamingMedia.com, and is also a regular contributor to Computer Shopper, PCMag.com's blogs, Datamation, and Wi-Fi Planet. He writes a weekly consumer technology column which is published in the Jersey Journal newspaper. As a freelancer, he enjoys writing for many of the biggest magazines and Web sites in tech, and his favorite topics include online video, portable devices, GPS navigation, games, and all things Macintosh. He’d love it if you followed him on Twitter You can drop him a note here.




Gannon Hall, EVP, Global Marketing, KIT Digital

As Executive Vice President Global Marketing, Gannon leads KIT’s overall global marketing strategies. Gannon brings nearly two decades of entrepreneurial leadership experience within the emerging and established consumer Internet and enterprise software industries. Prior to joining KIT, Gannon was the COO of Kyte, a leading online and mobile video platform, where he led the company’s product strategy, marketing, business development and operations. Gannon also was a Principal at Horn Group, a premier technology marketing and digital communications agency. As head of the agency’s New York office, Gannon was responsible for client strategy, business development and operations. Under his leadership the agency won several industry accolades for their innovative approach to brand building through integrated digital marketing, communications and social media. Prior to Horn Group, Gannon led Hall Consulting, a pioneering San Francisco web design and development consultancy that he founded in 1994. Clients included a diverse set of software companies including Vitria, AvantGo (Sybase), Commerce One, and PlaceWare (Microsoft).

Read more: Connected TV: Why Google will succeed where others have failed - FierceOnlineVideo





David Dudas, VP of Product Management, Sorenson Media
As the vice president of product management, Dudas is responsible for defining and executing the online and desktop product strategies. He has more than 15 years experience developing consumer and enterprise product lines, including expertise in hosted digital media platforms and software-as-a-service. Prior to Sorenson Media, Dudas was co-founder and CTO at Eyespot, a cutting-edge technology startup that launched the world's first Web-browser-based video editing application in 2005. Under his leadership, the company filed for five patents and was granted numerous industry awards for innovation and usability. Previously, he was director of engineering at MP3.com, where his team developed the company's flagship product and helped build the company into the leading digital media service provider of its time. He has also held management positions at Universal Music Group and DivX, and holds a Bachelor of Computer Science degree from Michigan State University.





Jeff Malkin, President, Encoding.com


Jeff is a fearless entrepreneur with a proven track record for launching technology startups. He has been the CEO / founder of two venture-backed companies for the past nine years. The most recent, Razz Inc. (funded $12M by Mayfield, Cardinal VP, Siemens Mobile Accelerator, and Garage Technology Ventures), is a technology company providing consumers in the mobile and social media space with entertaining audio and telephony-based applications. Razz services have been distributed by leading wireless carriers around the world including Telefonica Moviles, Orange, AT&T wireless, T-mobile and Vodafone For Razz, Jeff led all aspects of the business including business development, strategy, product development, operations and financing.

Prior to Razz, Jeff was CEO of FreeSamples.com, a research and analytics service provider for the consumer package goods industry (funded $17M led by GE Capital, Advance Publications, United Business Media). He grew FreeSamples.com to be the leading online sampling and product research company with clients including The Proctor & Gamble Company, Unilever and Ralston Purina. Jeff graduated with a Bachelor of Arts in Music from the University of Michigan and remains an active musician in the San Francisco community.

Read more: Larry Kless' Weblog: Encoding.com Sees the Future of Video Encoding in the Cloud

The Online Video Platform Summit is a two-day event designed to help organizations of all types, not just those for whom video is their core business. Held on November 2-3 in conjunction with
Streaming Media West in Los Angeles, the Online Video Platform Summit is designed for video publishers of all types and sizes, whether small businesses looking to publish content for the first time, independent entertainment content creators, large media organizations, or anywhere in between.

Related:

Thursday, April 21, 2011

Online Video Platform Showcase: STREAMOTOR by IMAVEX, KickApps

In this second of two sponsored Online Video Platform Showcases from the Online Video Platform Summit, this session features presentations by Steven Burzynski, STREAMOTOR by IMAVEX and Mike Sommers, EVP of Products, KickApps. Each of these providers have similar offerings, yet they differentiate themselves by their video publishing platforms, analytics and monetization features, scalability, integration, pricing, strategy and market presence.

STREAMOTOR is an easy streaming video solution that allows you to take a video in any format, upload it, organize and and publish into customized playlists. STREAMOTOR uses Limelight Networks and its global network as the backbone for all of the Flash and H264 based video streaming. Streamotor also partners with Kulabyte to deliver its STudio 360TV video platform. Kickapps provides an easy-to-use platform for creating interactive social video and web experiences. Core to KickApps' platform is its App Studio, which is a WYSIWYG web-based development environment that allows anyone to build customizable interactive players quickly and easily assembled and shared around the social web.

Watch the video below to and learn about their features and capabilities and visit their websites for more information and a free trial.


Company Profiles

About STREAMOTOR by IMAVEX 
IMAVEX launched STREAMOTOR in 2008 and is a leading provider of interactive and highly effective Internet marketing solutions specializing in LIVE and video-on-demand (VOD) streaming as well as web site design and content management. IMAVEX helps organizations promote and generate new business through search engine marketing (SEM) and search engine optimization (SEO) by utilizing a technique known as pay-per-click advertising and by optimizing Web sites and video for search engines. Imavex is a Google AdWords qualified company and utilizes the latest in tracking tools to understand and improve Internet marketing campaigns. Currently, there are more than 1,400 organizations around the world that utilize Imavex's Web site design, Internet marketing and video streaming media solutions.

STREAMOTOR by IMAVEX is a video content management system and streaming video solution that allows you to manage your online video content by organizing, customizing and publishing your videos. In addition, STREAMOTOR provides you real-time access to valuable usage reports and analytics. STREAMOTOR is intuitive and easy to use as it focuses solely on the management and delivery of your online video content. For more information, visit http://www.streamotor.com or http://www.imavex.com.
Follow Streaming Video (streamotor) on Twitter

About KickApps
KickApps was founded in 2005, and is a leading provider of customizable social software solutions consisting of a suite of hosted applications and services which are used by some of the world’s largest brands and recording artists including: NBC Universal, American Express, Live Nation, Scripps Network, Simon & Schuster, Viacom, The Washington Redskins, The Weather Channel, Madonna, U2, Kiss, Shakira and all the NHL teams. Its more than $12 million annual revenues are made almost entirely from recurring software license fees. On January 28, 2011, KIT digital acquired the privately-held KickApps Corporation, based in New York City. Its more than $12 million in annual revenues are almost entirely from recurring software license fees.

KickApps has added significant technology and product synergies to KIT digital. KickApps’ Open Source Media Framework (OSMF) App Studio has helped unify all publishing-layer technologies across KIT digital's family of products to deliver fully customized Flash and HTML5 experiences. KickApps' suite of self-serve deployable social solutions are created using an intuitive drag-and drop interface, ranging from full social website experiences to simple social widgets. The platform also includes KickApps’ proprietary WidgeADs ad format, that can be served in any IAB-standard ad slot and shared  across the web. Follow KickApps (kickapps) on Twitter

Tuesday, April 19, 2011

Online Video Platform Summit 2010 Keynote: Brightcove CEO Jeremy Allaire, "The New Video Landscape: Multi-platform Distribution, Monetization, and Fragmentation"

In his keynote address at the Online Video Platform Summit, Jeremy Allaire, CEO and Chairman of Brightcove discussed the broad themes involved in the complex and fragmented landscape for online video publishing and the strategies organizations need to have in place to achieve success with their video initiatives. Eric Schumacher-Rasmussen provided a great summary of Allaire's keynote in his post, Brightcove: “Everyone is an Online Video Publisher” on OnlineVideo.net, which highlights Allaire's view of the changing face of video and content monetization, as more and more publishers look to expand their video initiatives to all three screens.

Allaire pointed out the rapid growth of online video in 2010 grew to a staggering 30 billion monthly views, and is now more than 50% of Internet traffic in the U.S., and it's estimated that it will will grow to 90% by 2013. Some of the key drivers fueling that growth are ad supported online video, which continues to grow faster than any other area of online advertising, and also the brand marketing and retail applications which are really exploding.

eMarkerter predicts that online advertising spend will be $28.5 billion in 2011, and that almost $2 billion of that will be online video advertising. This is really exciting for the industry, says Allaire, because corporations and institutions are expanding and investing in video as a way to enhance their customer relationships and customer touchpoints.

According to Allaire:
“Everyone is an online video publisher. Retail, small businesses, foundations, non-profits, and of course media companies. The use cases for online video are now as many as the use cases for the web in general.”
He added that online video platforms have emerged as critical partners to publishers by creating solutions that help them navigate the complex and fragmented online video landscape.
“For businesses, it’s less about the technology—which should be invisible—but about the business value."


Allaire said increased bandwidth capacity and demand for higher quality video experiences have required publishers to render multiple versions of their content for multi-bitrate streaming. In addition, there is a tsunami of new connected devices consumers are using to access video which all use a variety of video runtimes creating a fragmented publishing environment. Allaire said that the recent release of Brightcove 5, the company's cloud-based online video platform, addresses many of the issues that publishers face in the fragmented landscape and helps expand their reach. The new features include: distribution and synchronization with YouTube, iPad reference app, Apple HTTP streaming for the mobile Web and apps, cross platform Smart Players, new advanced analytics for Adobe® Flash® and HTML5 video developed in partnership with Tubemogul, and wide-ranging productivity enhancements.

I spoke with Allaire at length about his background and the early years of online video in this post from 2009. I also caught up with him following this keynote to get a summary of his view on the fragmented video landscape in this post, Jeremy Allaire, Brightcove: Reaching Viewers in a Complex and Fragmented Video Landscape. I've reposted the video from our conversation below.



About Jeremy Allaire

Jeremy Allaire founded Brightcove in early 2004 with a vision for the transformation of television with the Internet. From his early days as CTO of Macromedia, where he was instrumental in evolving Macromedia Flash into a dominant platform for rich media applications on the web, Allaire envisioned that one day video would become as ubiquitous as text on the web.  As CEO and Chairman of Brightcove, Allaire leads the company’s technology, marketing and business development strategy. Prior to founding Brightcove, Allaire worked as a technologist and entrepreneur-in-residence for Cambridge, MA-based venture capital firm General Catalyst, where he worked on companies and investments in broadband media, mobile content, e-commerce software and digital identity.

Before General Catalyst, Allaire was Chief Technology Officer of Macromedia, where he helped define and launch the Macromedia MX platform for Rich Internet Applications, helping to evolve Macromedia Flash into a dominant platform for rich media applications on the Internet. Allaire joined Macromedia with its merger with Allaire Corporation, where Jeremy was a co-founder and Chief Technology Officer.  Founded in 1995, Allaire Corporation was a pioneer in using the web as an application platform, and its industry leading and award winning products power millions of websites, online services and business applications on the Internet.

The Online Video Platform Summit is a two-day event designed to help organizations of all types, not just those for whom video is their core business. Held on November 2-3 in conjunction with
Streaming Media West in Los Angeles, the Online Video Platform Summit is designed for video publishers of all types and sizes, whether small businesses looking to publish content for the first time, independent entertainment content creators, large media organizations, or anywhere in between.


Related: