Saturday, July 4, 2009

Ooyala Sees Growth in the Crowded Online Video Platform Market

It was a bad news week for online video businesses with Maven Networks and Joost, but it's not all doom and gloom and when you look at the financials of nine of the leading companies, as Will Richmond pointed out, they have collectively raised $64M in funding in Q2 '09 and a total of $219M has been raised by 26 companies over the last three consecutive quarters. Other good news reported by Dan Rayburn is that Brightcove profitable and cash flow positive. Dan says, "While this is a big deal for Brightcove, it's an even bigger deal for the industry and is validation that companies in this market can in fact create scalable, profitable businesses." Techcrunch also noted, Joost, Meet The Competition. Magnify.Net Sees Growth In White Label Video Platform.

I spoke with Ooyala CEO and Co-founder Bismarck Lepe yesterday to get some insight on how his company is doing and his view of the market itself which has been overshadowed by the economic downturn. In a crowded field of online video platforms Mountain View, California-based online video technology company Ooyala sees growth. According to Ooyala, in June they signed more than 40 mid to large publishers 12-24 month agreements (of which 75% were taken from other platform providers) and self-serve product grew by another 1000+ publishers.

This video, actually recorded several months ago at the Ooyala headquarters, features Bismarck along with Ooyala CTO and Co-founder Sean Knapp who talk about the core value of their online video platform which is based on modularity and how Ooyala is innovating beyond a content management system.


The following is my interview with Bismarck Lepe from yesterday. This is not the transcript from the video.

Larry Kless: So Dan Rayburn just talked with Jeremy Allaire this past week and Brightcove is saying they're profitable and we spoke several months ago and you said you were getting towards profitability. How's that progress?

Bismarck Lepe: So we've also had months of profitability, being cash flow positive and we're investing in the business and continuing to grow it -- and you know again Jeremy is doing the smart thing -- with a startup the goal is never to really to just maintain profitability. The goal is to make sure you break even; that you're covering your expenses and your investments but this isn't a dividend business. Right now we're trying to grow the market and grow our businesses quickly as possible.

I think in general no one will argue with the fact that more and more people are watching more and more video every single day and more and more sites. So this transition from a completely analog push method of video delivery is changing with the web. The mid-tail and pro-tail has actually finally found a home where they can actually amass a large viewing audience. So I'm very excited and a couple of weeks ago I had drinks with Jeremy and he's also very bullish about his business and how much growth he's seen just in the last 6-12 months.

Larry Kless: Will Richmond's post, Video Companies Raised $64M in Q2 '09, Notching Another Stellar Quarter, was definitely some of the good news, can you talk about Ooyala's numbers? I understand you've had significant growth in your big publishers and individual publishers.

Bismarck Lepe: So, month over month growth from existing publishers that have been on our platform for at least three months they're actually seeing about 10 and 20 percent month over month viewership growth. The good news about viewership growth is that it directly drives more impressions and more ad revenue for them. So that's just the core base. In June, just from our mid to large publishers and these are customers that actually signed between 12 and 20 month deals we signed over 50 of them and we continue to see growth on our self-service product. In a monthly basis we're consistently signing between 900 and 1,000 new self-serve publishers. So we think that the momentum is actually increasing.

One of the things that we've seen from a platform company has been tremendous growth internationally because a lot of the media publishers and content publishers that have historically built their own solutions abroad their just now getting into the online video space and the idea that they would build technology when they're content producers doesn't even cross their mind, they're only going to outsource it. So today we're seeing about 50% of our new monthly recurring revenue that's coming in is actually coming from international markets.

Larry Kless: When we previously Sean and you talked about the core value that Ooyala brings in terms of the modularity of the platform and also that personalized experience. So what's important?

Bismarck Lepe: Again, one of the things that really excited me about online video back when I was still at Google and trying to figure out how to monetize YouTube, was the fact that in the new media consumption world the consumer is the new brand manager and the consumer is in control and they get to decide on what they see when they want to see. And that's pretty interesting because you're giving a lot of power to the mid-tail and pro-tail content providers because they can directly find the audience that's of interest, so a couple of our customers although they probably wouldn't have enough content to have their own TV network, they actually drive tens of thousands and in some cases hundreds of thousands of daily hourly viewership online. You know you have folks like Vice TV, people like FUNimation that have niche content that have actually found an audience base online.

Larry Kless: So back to the platform, what is the value? Why should a publisher consider an online video platform vs. a YouTube or other video sharing site vs. a do-it-yourself model?

Bismarck Lepe: When we talk about online video one of the first problems that needs to be solved is just getting your content online as quickly as possible and improving the experience. So the publishing piece is important but it's very difficult to differentiate and there are a lot of people offering basic publishing and you're seeing some of the key technology and infrastructure players actually getting involved to make it easier for content owners to publish their content. Akamia has OBP and Adobe is launching their Strobe initiative.

Larry Kless: I just saw the iPhone app that Akamai has. (Note: see Akamai Launches iPhone Video Streaming And Showcase Portal (iphone.akamai.com) | The Business Of Online Video)

Bismarck Lepe: Yes, it's brilliant.

Larry Kless: And I'd add Sorenson Media too with their video delivery network.

Bismarck Lepe: Yes, and I think it's extremely important that, we've gone through the top Quantcast one million sites and we've looked at kind of where the industry is headed and we look at our business and we think we can have up to 300,000 customers today. Like the current market for online video platforms is somewhere in the neighborhood of 300,000 customers. That's pretty neat, right? These aren't the self-serve free YouTube customers these are people who are willing to pay for platforms.

But again, the first barrier to entry is getting your content on the web and then once your content is on the web you start noticing that in order to increase viewership you really need to figure out how you can recommend the best content make your content more discoverable and improve the end-user experience. So that personalization piece becomes important and as you start to bring more and more content you realize,"Well, I've really need to cover my costs." Because it's not just about proving a better user-experience on my web site or making my site stickier, now I can start driving som e real revenue.

So where we think we've differentiated our offering is really been around the monetization tools that we offer our content owners. Being able to yield maximize across several ad networks and several 3rd party ad servers then also offering our own 3rd party ad server; for in-stream, pre-rolls, post-rolls, overlays; and then the analytics, figuring out how people are consuming the content and all of that has actually been built in house and is part of the platform when someone buys one of the licenses of any one of the packages and that where we think we're going to continue to differentiate our offering. Really helping personalize the consumer experience and at the same time helping our content owners actually build a real business.

End of Part One of Interview. Stay tuned for Part Two

About Ooyala
Ooyala is a video technology company that provides an integrated platform enabling the delivery, management, and monetization of high quality video content. Committed to providing the most accessible and comprehensive video solutions to companies worldwide, Ooyala's solution is easy to use, quick to deploy, and customizable. Ooyala's partner portfolio includes 1000s of media companies including Bebo, TV Guide, Glam, and Electronic Arts. Free trial Backlot accounts can be created by clicking here:http://www.ooyala.com/products/install. For more information please visit www.ooyala.com

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Wednesday, July 1, 2009

Making Sense of the Noise About Joost and Maven Networks

The last two days have been full of sobering news about the demise of Maven Networks and restructuring of Joost. While many have seen the writing on the wall for Joost who seemed to struggle to get a solid footing in the online video landscape as it changed its business model over the last few years. It reportedly burned through its $45 million in venture capital and has drastically slashed operations and shifted focus to provide "white label online video platforms for media companies, including cable and satellite providers, broadcasters and video aggregators."

"In these tough economic times, it's been increasingly challenging to operate as an independent, ad-supported online video platform," said Mike Volpi, who has stepped down as CEO of Joost as part of the reorganization but will remain Chairman of Board. "After much analysis, we have decided to change our focus and to start providing white-label online video platforms for media companies and distributors," Volpi added. "We have built a solid technology platform that there is demand for in the marketplace, and look forward to this new chapter for our company."

It wasn't too long ago that I reported the Joost-Ooyala hookup that Joost would be leveraging Ooyala for uploading, transcoding, content management services, and analytics and just prior to that Ooyala had tapped Mike Volpi to Ooyala's Board of Advisors. So when Joost announced they were shifting gears to be an online video platform Ryan Lawler asked, What Does Joost's News Mean for Ooyala?, and that as Joost positions itself to offer the same video management services as Ooyala, "Should Volpi remain on the board of two companies that are essentially competitors?"

Ooyala CEO and Co-founder Bismarck Lepe said in a statement, "We are still very excited about having Joost as a customer. They signed a long term agreement and we are here to help them as they continue to evolve their business and throughout this transition period. One of the things we've always been to Joost is a technology services provider for a small segment of their publisher base. While they move in the direction of being more of an enablement company, they'll continue to use our tools and services in order to provide high quality video experiences for their customers."

About Volpi's role on Ooyala's board, Lawler said, "Some folks think he should step down from Ooyala's board. David Wadler, CEO of Twistage -- a company that, not coincidentally, also competes in the online video infrastructure segment -- even suggests that Volpi might have a fiduciary responsibility to do so." However Lepe had this to say, "Most of our Board of Advisory roles are are between one and two years. For now, we are very happy with the relationship with Mike and his organization."

For online video platform Maven Networks, which was acquired by Yahoo for approximately $160 million only 17 months ago, Techcrunch reported that it's now officially in the deadpool and that Yahoo plans to shut it down. Anthony Ha got confirmation that while Yahoo is ending its Maven Network contracts it is not abandoning the technology as Yahoo spokesperson Brian Nelson said in a statement, "While video initiatives remain a priority for Yahoo!, both for its consumer and advertising experiences, we are increasing investment in some areas while scaling back in others. After careful consideration, Yahoo! is planning to wind down its Maven Networks contracts. This decision will allow us to focus our resources on the continued improvement of our core video offerings, such as enhancing the consumer video experience on Yahoo!."

Nelson also noted that since Q4 2008 Yahoo! has closed or announced their intention to close nearly twenty Yahoo! services such as Y! Live, Jumpcut, Yahoo! 360, GeoCities, My Web and Yahoo! Briefcase and will continue to evaluate their portfolio.

While this is sad news for the many people who have lost their jobs it's inaccurate to say that other online video platforms are celebrating as Robin Wauters suggested, "There’s always the possibility that the platform will eventually live on under different ownership of course, but rest assured that competitors like Brightcove, Ooyala and KIT Digital are currently celebrating over the news."

Scott Broomfield, CEO of Veeple, thinks that all the doom and gloom reporting about Joost and Maven is just noise and that failing is not failure but part of the innovation cycle. Om Malik offered his analysis of what went wrong with Joost and quoted the NewTeeVee crew who he said summed up the situation very succinctly “Becoming a white-label video provider was what a business did when all other strategies failed.”

However, Ben Homer offered some advise for Joost and other companies in the online video space on how to succeed they need to be able to behave like agencies and focus on best-in-class service offerings, relationships, controlling costs and providing value to advertisers.

I would add that emphasizing value and not just capabilities will be important for online video platforms to differentiate themselves in the saturated market.

Sunday, June 28, 2009

Facebook Goes Live, Partners with Ustream on Live Video Social Streaming

In yet another integration of online video and social media platforms, the social networking giant Facebook has just announced that they are offering live streaming on Facebook pages through a partnership with Ustream, the leading live streaming platform. The new Facebook social widget called the Live Stream Box was first demonstrated during some recent Jonas Brothers concerts but was officially released this past week in both a free ad supported version or a premium white label version version powered by Ustream's Watershed available for $15,000 primarily geared toward artists and brands that can pay the "one-time development fee" and a subscription to Watershed's monthly $879 plan. See the Ustream on Facebook FAQs for more information.

With the merging of functionality between social network platforms Facebook is starting to look a lot like Twitter or Friendfeed incorporating real-time status updates and shared links, photos and videos. While real-time chat is a common feature in live streaming applications, it's though the size of the Facebook community that makes the Facebook/Ustream partnership significant. The 2009 US Presidential Inauguration was a seminal online event and important moment for Facebook Platform marking the beginning of a new era in social streaming. Working with CNN Facebook tested a new feature that let people share Facebook status updates and comments side by side with real-time streaming video on CNN's website garnering over a million status updates in two hours.

On the Facebook Developers blog Tom Whitnah explained, "We realized how powerful it was to see what your friends were saying, not just on Facebook, but right in context on CNN.com. Users posted over a million status updates during that two hour event. Since then, we have worked with several established websites and entrepreneurs to show real-time updates next to live broadcasts, including the NBA® All-Star Game and many of the sites covering the Oscars®, and we've seen many other sites integrate similar features themselves such as Nana10 in Israel which hosted live broadcasts and their own live conversations using Facebook Connect during the Israeli elections earlier this year."

The Jonas Brothers event also had huge numbers according to Ustream:
  • 1.5 million unique posts were made via Facebook Live Feed
  • 23K average posts per minute
  • More than 100K users joined the webcast after seeing their friend’s comment on Facebook
  • 974K total unique viewers watched the one hour webcast
  • Ustream reported the Jonas Brothers webcast on Facebook surpassed the largest live video event they have hosted for any music artist
  • Over 40,000 tweets were sent out about the event during the one hour webcast
The widget lets users who visit your Facebook site or application share activity and comments in real-time. Powered by Ustream, it works best when you are running a real-time event, like live streaming video for concerts, speeches, or webcasts, live Web chats, webinars, mass-multiplayer games, TV show or any video broadcast. The Live Stream Box is scalable, and according to Whitnah, it can handle millions of simultaneous viewers updating in real-time. He also said it's easy to install and takes just a minute to set up.

You can include a Live Stream Box anywhere on the Web, or within your Facebook Page, or a Facebook application. See the full instructions on the Facebook Developers Live Stream Box wiki page that walks you through the set up and adding Live Stream Box to your site or IFrame application.

In case you hadn't noticed, we're in the era of live social streaming and while the price tag is steep for a white-label version on the Live Stream Box it's clearly targeted at artists and brands like the Jonas Brothers who as Nicholas Carlson notes, "putting three dudes on a couch in front of a laptop doesn't cost a lot. Neither Facebook nor Ustream, which provided the video tech, sold any ads against the show, but there is good reason to expect they'll slap a pre-roll on the next Jonas chat."




Related:
Updated links and text: 6/28/09

Thursday, June 25, 2009

Veeple Extends Reach With Bitgravity

Interactive online video platform Veeple has announced a new partnership with Bitgravity in which Veeple will standardize its offering on BitGravity's global high-speed content delivery network. BitGravity in turn will be adopting Veeple's platform as one of their three standard partners, with the others being Brightcove and Fliqz. Veeple also announced a series of enhancements to its interactive service including player branding, syndication, contact information and an affiliate program.

"BitGravity's focus on fast, high-quality video delivery is of primary importance in working with them," said Scott Broomfield, co-founder and chief executive officer of Veeple. "BitGravity truly understands high performance video delivery, ensuring a fantastic online video experience for our customers," he continued.



I spoke with Scott yesterday about the announcement and he outlined the "need for speed" as the driving factor for partnering with Bitgravity. Both have stiff competition in the saturated online video platform and CDN space and much like the Qik/Brightcove announcement yesterday the Veeple/Bitgravity alliance is another example of the evolving value chain within the online video ecosystem. CDNs are turning into a commodity says Broomfield, they are looking for partnerships, content, players, analytics and, we'll more see combining and some attrition over time.

Broomfield highlighted the three drivers for moving to Bitgravity.
  1. High quality - delivery move from Amazon to Bitgravity who has a hub and spoke model which gives much quicker downloads. Marketers love high quality video and Vimeo and Fliqz uses Bitgravity. Bitgravity will use Veeple as one of three partners. Interactive component, simple business model, start at $99, way easier for sales
  2. High reliability - faster buffering
  3. Speed - the hub and spoke architecture, pushes video to spoke, reduces buffer times, video and interactive features, 7-10% bits coming down the wire, a good 40% better
Veeple's platform delivers interactivity with clickable objects within the video player and cites a 22% in-video click-through rate, over 10 times today's pre-roll statistics. Veeple believes we were at the beginning of a new era in online video, an era where the passive, lean-back viewing experience is transitioning to a more lean-in, engaging experience. The age of interactive, actionable video. Early customers have included Yale University, AmazingTechProducts. com, and Global Social Media Network

“Veeple is an excellent example of the type of service we envisioned supporting when we designed BitGravity’s CDN. Veeple’s focus on offering a simple customer experience for uploading, managing, hosting, and best of all, making online video actionable, were the deciding factors in our working with Veeple.” said Chris Turner, VP of Worldwide Sales at BitGravity.


About Veeple
Veeple is the leader in simple, Interactive Online Video (IOV) solutions for marketers looking to deepen customer engagement through online video. With Veeple’s solution absolutely no programming is required for interactivity, full content management for multiple clients, branded player video delivery and full clickable analytics. Veeple provides the necessary tools for successful online video campaigns. Veeple is a private company headquartered in Palo Alto, California. For additional information go to www.veeple.com/solutions.php

Scott Broomfield Veeple / CEO 408-605-4231 (c) / 650-331-0785 (o)
Twitter: @veeple
LinkedIn: http://tinyurl.com/d29vqb
Facebook: http://tinyurl.com/ck73lt

About Bitgravity

BitGravity has built the first CDN for Interactive Broadcasting, which is optimized to deliver affordable, HD-quality video on demand, live broadcasts, and interactive applications for massive audiences on the Internet. BitGravity's patent-pending CDN is Tier 1, highly scalable, and delivers the performance that consumers want and expect, including streaming videos that play instantly, and live video with no buffering. The company is based in Burlingame, Calif and is privately funded. BitGravity was founded in early 2006 by technology pioneers Perry Wu and Barrett Lyon.

Public Relations:
press@bitgravity.com
+1.650.356.8572
http://twitter.com/bitgravity


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6/26/09: Updated links and text

Wednesday, June 24, 2009

Qik joins Brightcove Alliance Bringing Mobile UGC Publishing to the Masses

In a move that extends the capabilities and reach of two leading online video and mobile platforms, Brightcove and Qik have announced a new partnership that brings Qik, the popular live mobile broadcasting platform, into the fold of the Brightcove Alliance, a global ecosystem of more than 160 technology, distribution and solution providers who have intergrated with Brightcove's global online video platform. What that means is that Qik users who have a Brightcove account can now distribute their pre-recorded mobile video content within the Brightcove player and existing Brightcove customers can now have mobile video as a new source of UGC content.

In a guest post on the Brightcove blog, Qik Co-founder Bhaskar Roy said, "We're excited to announce our new partnership with Brightcove, the world's number one online video platform. Brightcove's on-demand platform lets its customers publish and distribute video across websites, social networks and video portals. Brightcove also provides monetization options for customers through integration with advertising servers and networks. With today's partnership announcement, Qik's mobile video capabilities can now be easily integrated into Brightcove's online video publishing and distribution workflow."

"Brightcove, meanwhile, can now offer its customers the ability to upload videos from more than 130 mobile phones, including models from AT&T, BlackBerry, Motorola, Nokia, Sony Ericsson, Sprint, and Verizon," noted Bill Greenwood on Streamingmedia.com, "Currently, live mobile videos cannot be streamed through Brightcove, but that ability is expected to be added shortly, according to Roy."



This capability could open the floodgates for a new workflow for citizen journalism, as Andy Plesser pointed out, "This could be in important development in so called "citizen journalism," allowing users to upload directly from mobile devices to newspapers sites including The New York Times and the Washington Post, both which are powered by Brightcove."


To celebrate the launch of their partnership, a special offer of three months of free Qik integration with Brightcove is available to Brightcove customers (existing or new) when signing up for an annual account by July 15th. This is a savings of $450 per user, with the monthly license per user priced at $150. Send an email to brightcove@qik.com for the trial.

Mobile video continues to rise and both Qik and Brightcove continue to expand into new markets and devices. Bill Greenwood added that, "Brightcove is also reaching out to Apple iPhone and iPod Touch users with the Brightcove iPhone Video Site package. Those interested in the offer can contact Brightcove Professional Services, which will create a site optimized for the iPhone and iPod Touch that contains either a user’s full Brightcove video library or only selected playlists."

Qik has supported live streaming on jailbroken iPhones since last year. Currently though no live streaming app is available through the iPhone App Store and that's not likely to change for some time due as David Chartier pointed out last year that, Qik iPhone client may violate AT&T's terms of service.

Still, the video capabilities of the new iPhone 3GS with a million devices sold in first week and an early alpha of Qik on now available on Android, Pete Wylie says we're seeing the mobile video explosion is gearing up. With the forecast that 90% of the traffic on the web will be online video by 2013 it's clear that there will be a lot more integration of mobile video, online video platforms and content delivery.

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